Tom Ripley has a sweet deal with an art forger. The forger creates the paintings; Tom sells them. But another criminal business associate wants Tom to go in for an even riskier enterprise: murder. Tom suggests his associate ask a local picture framer instead. That man has a fatal disease, or so it's rumored. More, he has a wife and kid that surely he wouldn't want to leave penniless. Let this picture framer be a hit man, and no one will suspect. The terminally ill craftsman may agree to the misdeed, and several more, but he'll end up needing Tom Ripley in a pinch.Written by
Patricia Highsmith initially disliked Wim Wenders' film because Ripley's character didn't match her intentions. Only after she saw the film at a regular screening did she admit that Wenders had captured the essence of Ripley. See more »
The shadow of the helicopter filming is visible during the aerial shot of the train at about 1:27. See more »
A wonderful film whose plot elements are not nearly as important as the characters' development. Hopper is endearing, and the suspense created in a few paramount scenes is very effective. The music, and the surreal cameos and nature of the story create a very involving film full of clever twists, scenes, and dialogue. The use of different characters might be interpreted as symbols for different national characteristics; but the film is best seen for what it is. A really good story that plays on many of the cliches that were established ten or twenty years before it. Wenders knows his American films.
19 of 27 people found this review helpful.
Was this review helpful to you?
| Report this