Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths and must survive the terrors of Leatherface and his family.
A young couple moves in to a fancy apartment surrounded by peculiar neighbors. When the timid and passive wife becomes mysteriously pregnant while the actor husband becomes successful, the safety of her fetus begins to control her life.
It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ...Written by
The dizzying camera shot during the prom scene was achieved by placing William Katt and Sissy Spacek on a platform that was spinning in one direction, while the camera was being dollied in the opposite direction. There was as similar scene to this which had the camera spinning around Sissy Spacek as she went through her belongings and pulled out some favorite things like a letter from her father and some short stories; while the camera watched her. This was eventually deemed as being too similar to the prom scene so they dropped it. See more »
In the opening shower scene, all the girls who are toweling their hair dry have obviously dry and permed hair and are just going through the motions. Also, the girls who do have wet hair before during the opening credits suddenly all have dry and nicely styled hair when Carrie starts to panic. See more »
On the TNT and TBS versions that are shown from 9:00 a.m. - 7:00 p.m. everything is cut. Most of the knives that impale Margaret are not shown even flying through the air. The only shot of contact with a knife and flesh is the first knife that stabs her hand making her drop her knife, the shot of Margaret dropping the knife is not shown. See more »
Written by Mike Towers, Eugene Garfin, Stephen Bonnem, Joseph Walter Newton Jr.,
& Carmine Lauro
Performed by Vance or Towers See more »
Now this Stephen King's horror classic has been confirmed for a remake which stars Chloë Grace Moretz and my diva Julianne Moore (highly likely to take on the role of the religion- maniac mother), both reinterpret two Oscar-nominated performances from Spacek and Laurie, with the juicy fodder, a belated Oscar finally seems to be approaching for my goddess (finger crossed). So it seems to be a properly perfect time for me to watch the original version for the very first time.
Brian De Palma, has been considered Hitchcock at his time by his devotees, the similarity is both haven't received much awards-crammed recognition, but arguably De Palma is a lesser player as his oeuvre encompasses more run-of-the-mills, but CARRIE is by any standards not among them, and it could be his PSYCHO (1960) because De Palma shows off his artistry in a full-fledged sweep. For instance, there are many eye-dropping stunts: the opening credit, slow-motion of volleyball girl's changing room until Carrie's first bloody period running through her fingers; the multi-prisms perspective images after the blood splattering all over Carrie after a long-stewed happiness-hanging-by-a-thread preparation; the havoc of massacre at the prom is more supernaturally gratifying than scary.
The mother-daughter face-off and subsequent house caving into debris scenes may be attributed to produce a more crowd-please impression (despite of its low-budget SFX and the well-expected surprise at the coda), the film could hardly be pigeonholed as a horrorfest, as Carrie is ubiquitous in every school, every class, a bully-defying story has much more drama empathy even after 35 years after its debut, which could nicely explain the ground for a remake now.
Sissy Spacek is against the grain to portray a teenage girl due to her actual 27 years old age, the immense age difference is rarely perceivable if one doesn't know it before and Ms. Spacek is on fire in it, renders an extraordinary transformation from vulnerability to malice. Piper Laurie as well doesn't betray her Oscar nomination to give birth to a conflicting mother role which is hauntingly unforgettable. All in all, thanks to Stephen King's story to surmount many genre clichés and continue to stagger us with the rosy remake in 2013.
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