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Hell's Hinges

  • 19161916
  • UnratedUnrated
  • 1h 4m
IMDb RATING
6.7/10
986
YOUR RATING
POPULARITY
169,884
62,175
Hell's Hinges (1916)
RomanceWestern
In the wayward western town known as Hell's Hinges, a local tough guy is reformed by the faith of a good woman.In the wayward western town known as Hell's Hinges, a local tough guy is reformed by the faith of a good woman.In the wayward western town known as Hell's Hinges, a local tough guy is reformed by the faith of a good woman.
IMDb RATING
6.7/10
986
YOUR RATING
POPULARITY
169,884
62,175
  • Directors
    • Charles Swickard
    • William S. Hart(uncredited)
    • Clifford Smith(uncredited)
  • Writer
    • C. Gardner Sullivan(screenplay)
  • Stars
    • William S. Hart
    • Clara Williams
    • Jack Standing
Top credits
  • Directors
    • Charles Swickard
    • William S. Hart(uncredited)
    • Clifford Smith(uncredited)
  • Writer
    • C. Gardner Sullivan(screenplay)
  • Stars
    • William S. Hart
    • Clara Williams
    • Jack Standing
  • See production, box office & company info
    • 23User reviews
    • 12Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Awards
      • 1 win

    Photos11

    William S. Hart in Hell's Hinges (1916)
    Hell's Hinges (1916)
    William S. Hart in Hell's Hinges (1916)
    William S. Hart in Hell's Hinges (1916)
    Clara Williams in Hell's Hinges (1916)
    Jack Standing in Hell's Hinges (1916)
    Alfred Hollingsworth in Hell's Hinges (1916)
    Louise Glaum in Hell's Hinges (1916)
    Louise Glaum in Hell's Hinges (1916)
    Louise Glaum in Hell's Hinges (1916)

    Top cast

    Edit
    William S. Hart
    William S. Hart
    • Blaze Tracy
    • (as W.S. Hart)
    Clara Williams
    Clara Williams
    • Faith Henley
    Jack Standing
    Jack Standing
    • Rev. Robert Henley
    Alfred Hollingsworth
    • Silk Miller
    Robert McKim
    Robert McKim
    • A Clergyman
    J. Frank Burke
    J. Frank Burke
    • Zeb Taylor
    Louise Glaum
    Louise Glaum
    • Dolly
    John Gilbert
    John Gilbert
    • Rowdy Townsman
    • (uncredited)
    Jean Hersholt
    Jean Hersholt
    • Bartender
    • (uncredited)
    Fritz the Horse
    • Tracy's horse
    • (uncredited)
    Bob Kortman
    Bob Kortman
    • Rowdy Townsman
    • (uncredited)
    Wheeler Oakman
    Wheeler Oakman
    • Rowdy Townsman
    • (uncredited)
    Leo Willis
    Leo Willis
    • Rowdy Townsman
    • (uncredited)
    • Directors
      • Charles Swickard
      • William S. Hart(uncredited)
      • Clifford Smith(uncredited)
    • Writer
      • C. Gardner Sullivan(screenplay) (story)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      This film was selected to the National Film Registry, Library of Congress, in 1994.
    • Quotes

      Blaze Tracy: I reckon God ain't wantin' me much, ma'am, but when I look at you, I feel I've been ridin' the wrong trail.

    • Alternate versions
      The preservation print from the Museum of Modern Art shown on Turner Classic Movies had a piano music score and ran 64 minutes.
    • Connections
      Edited from Mikä tyttö!: Phantom of the Horse Opera (1966)

    User reviews23

    Review
    Review
    Featured review
    Extraordinarily powerful in its simple way
    The story is dead simple: a tough guy is redeemed by love and becomes a defender of good over evil. The fact that it is told just as simply as it's constructed gives it a lot of power, though. The saloon-owner and the tough hombre both want to keep law and religion out of town, for different reasons. The saloon keeper sees it as a threat to his trade. The cowboy sees it as a curtailment of personal freedom. One look at the new preacher's sister changes his life: is it her beauty or her purity that strikes him to the core? In W.S. Hart's cosmos, they are the same thing. Whereas most great westerns are about the control of land, about advancing through physical spaces (and that's why they're such excellent visual subject matter) this one is really about the control of spiritual territory. The physical town will be conquered by the church-group only if it conquers the spiritual realm.

    William S. Hart, who had considerable experience as a stage actor, including the performance of a good deal of Shakespeare, clearly understood that in the movies, acting and personal presence were inseparable. His acting is incredibly restrained, and he lets the contours of his face speak volumes. He makes a few very stylized gestures, but mostly relies on his personal presence, which is considerable. He is much more animated early in the film, before his conversion. Once he is won over by the message of the church, he never cracks a smile, barely moves his face at all unless he's really angry.

    The entire film is as straightforward and unvarnished as Hart himself. The town is a spare group of unpainted wood buildings in barren wasteland. The Villain wants to run things, and he'll do whatever it takes with no subtrefuge necessary. The saloon girls are blatantly prostitutes. The church-goers are women and older men; all the young men are hell-raisers. The hero's prayer is, in essence, "God, if you really answer prayers, then what I want is the girl." It all sounds incredibly corny, but it rings so true when you watch it, it's hard not to feel a thrill.
    helpful•19
    2
    • metaphor-2
    • Jan 13, 2002

    Details

    Edit
    • Release date
      • March 5, 1916 (United States)
    • Country of origin
      • United States
    • Languages
      • None
      • English
    • Also known as
      • I mästarens fotspår
    • Filming locations
      • Lake Arrowhead, San Bernardino National Forest, California, USA
    • Production companies
      • Kay-Bee Pictures
      • New York Motion Picture
    • See more company credits at IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 4 minutes
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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