6.4/10
59
2 user 5 critic

The Dumb Girl of Portici (1916)

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

Writers:

Germain Delavigne (opera), Eugène Scribe (opera) | 1 more credit »
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Cast

Complete credited cast:
Anna Pavlova Anna Pavlova ... Fenella
Rupert Julian ... Masaniello
Wadsworth Harris Wadsworth Harris ... Duke d'Arcos
Douglas Gerrard Douglas Gerrard ... Alphonso
Jack Holt ... Conde (as John Holt)
Betty Schade ... Isabella
Edna Maison ... Elvira
Jack Hoxie ... Perrone (as Hart Hoxie)
William Wolbert William Wolbert ... Pietro
Laura Oakley ... Rilla
Nigel De Brulier ... Father Francisco (as N. De Brouillet)
George A. Williams
Lois Wilson
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Storyline

Fenella, a poor Italian girl, falls in love with a Spanish nobleman, but their affair triggers a revolution and national catastrophe.

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance

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Details

Country:

USA

Language:

English

Release Date:

3 April 1916 (USA) See more »

Also Known As:

A Muda de Portici See more »

Filming Locations:

Universal City, California, USA See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(1920s reissue print held at BFI) | (2015 restoration)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Restored in 2015 from 35mm print held by BFI and 16mm print from New York Public Library. See more »

Goofs

During Fenella and Alphonso's romantic interlude on the beach, a modern clapboard structure with a shingled roof and double-hung windows, is visible amid structures that match the village set. See more »

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User Reviews

 
Stagy, but on a huge scale
8 April 2001 | by DLewisSee all my reviews

The Dumb Girl of Portici is based on an Auber & Scribe opera, but obviously as a silent film the music isn't there to help it out. It is filmed mostly in long shots and is a long, long, long movie to watch. Pavlova's graceful movements keeps her going from one end of the frame to the other, but she is acting, not dancing. The camera is placed so far away from Pavlova that it is difficult to evaluate the quality of her performance in the title role. The sets and scenery, however, are truly impressive, though the preservation print that survives on this title is a bit dark and grainy. What is most amazing about The Dumb Girl of Portici is that director/writer Lois Weber was able to command such expensive resources to get this made, as it is both conceived and executed on an epic scale. You go girl!


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