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MASH (1970)

R | | Comedy, Drama, War | 18 March 1970 (USA)
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2:55 | Trailer
The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.

Director:

Robert Altman

Writers:

Richard Hooker (from the novel by), Ring Lardner Jr. (screenplay)
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Popularity
1,841 ( 161)
Won 1 Oscar. Another 13 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Donald Sutherland ... Hawkeye Pierce
Elliott Gould ... Trapper John McIntyre
Tom Skerritt ... Duke Forrest
Sally Kellerman ... Maj. Margaret 'Hot Lips' O'Houlihan
Robert Duvall ... Maj. Frank Burns
Roger Bowen ... Lt. Col. Henry Blake
Rene Auberjonois ... Father John Mulcahy
David Arkin ... Sgt. Major Vollmer
Jo Ann Pflug ... Lt. 'Dish'
Gary Burghoff ... Cpl. 'Radar' O'Reilly
Fred Williamson ... Dr. Oliver 'Spearchucker' Jones
Michael Murphy ... 'Me Lai' Marston
Indus Arthur Indus Arthur ... Lt. Leslie
Ken Prymus Ken Prymus ... PFC. Seidman
Bobby Troup ... Sgt. Gorman
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Storyline

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

M*A*S*H Hysteria See more »

Genres:

Comedy | Drama | War

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Japanese | Korean

Release Date:

18 March 1970 (USA) See more »

Also Known As:

M*A*S*H See more »

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Box Office

Budget:

$3,500,000 (estimated)

Gross USA:

$81,600,000

Cumulative Worldwide Gross:

$81,600,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The loudspeaker shots and announcements were added after editing had begun, and the filmmakers realized that they needed more transitions. Some of the loudspeaker shots have the Moon visible and were shot while the Apollo 11 astronauts were on the Moon. See more »

Goofs

At the 14 minute mark you can see Trapper in the operating theater, but he hasn't yet arrived to the 4077th. See more »

Quotes

[first lines]
Lt. Col. Henry Braymore Blake: Radar.
Cpl. Walter 'Radar' O'Reilly: Yes, sir. I'll get ahold of Major Burns...
Lt. Col. Henry Braymore Blake: I want you to get a hold of Major Burns...
Cpl. Walter 'Radar' O'Reilly: ...Tell him to hold a couple day surgeons over into the night shift.
Lt. Col. Henry Braymore Blake: Tell him we're going to have hold a couple of surgeons over from the day shift out of the night shift.
Cpl. Walter 'Radar' O'Reilly: I'll put in a call to General Hammond in Seoul...
Lt. Col. Henry Braymore Blake: Get General Hammond down there in Seoul, tell him to send us those new surgeons right away.
Cpl. Walter 'Radar' O'Reilly: ...I hope he sends us those two new surgeons. We're sure gonna need'em.
[Leaves]
[...]
See more »

Crazy Credits

The announcer on the camp P.A. throughout the film several times announces the movie that will be shown in the mess tent that evening, with a description and list of stars in it. Near the end of the film, in the last scene, the P.A. announcer says "Attention. Tonight's movie has been MASH. Follow the zany antics of our combat surgeons as they cut and stitch their way along the front lines, operating as bombs and bullets burst around them, snatching laughs and love between amputations and penicillin. Follow Hawkeye, Trapper, Duke, Dago Red, Painless, Radar, Hot Lips, Dish, and staff sergeant Vollmer, as they put our boys back together again. Starring ..." and then lists the actors. See more »

Alternate Versions

Some of the scenes that were altered in the US "PG" version:
  • The arterial spurting from the neck of a patient in the operating room was removed.
  • When O'Houlihan is surprised in the shower, the tent flap begins to rise but the scene cuts away before seeing her.
  • The "F-word" was removed from the football game.
See more »

Connections

Referenced in A Prairie Home Companion (2006) See more »

Soundtracks

Taps
(1862) (uncredited)
Music by Daniel Butterfield
Played on the violin
See more »

Frequently Asked Questions

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User Reviews

Outrageous, in-your-face black humor
22 August 2007 | by StanleyStrangeloveSee all my reviews

M*A*S*H is a groundbreaking film. Along with Catch 22, M*A*S*H had the audacity to ridicule two of the pillars of American society: war and religion. Whether you find this appalling, subversive, treasonous, outrageous or funny depends on your political and religious orientation. Surely the religious right will find the film blasphemous and the political right will find it treasonous. No matter what your point of view, M*A*S*H is certainly an in-your-face film.

The irony of the film is that for the time it was considered gruesomely bloody. Yet there are no battlefield scenes; all the blood is in the surgical unit. The CSI TV series shows more carnage than M*A*S*H, but M*A*S*H was filmed over 30 years ago.

M*A*S*H is loaded with bizarro characters. Donald Sutherland, Elliot Gould, Robert Duvall, Tom Skerrit, Loretta Swit, Radar are all insane in their own way. In "M*A*S*H," everyone is cruel, playing mean practical jokes and the anti-heroes Donald Sutherland and Elliott Gould are just plain heartless. They absolutely torment Major "Hot Lips" Hoolihan and Robert Duvall. None of the characters in the film tries to be funny. There are no jokes. The humor just grows from the situation which is the grim reality of a mobile surgical unit whose doctors and nurses try their best to repair the horribly mutilated bodies from an insane war. Having worked in a hospital setting, outrageous and black humor is commonplace, especially in the ER, but in M*A*S*H it's taken to a new level.


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