Captain Nemo has built a fantastic submarine for his mission of revenge. He has traveled over 20,000 leagues in search of Charles Denver - a man who caused the death of Princess Daaker. ...
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In the 19th century, an expert marine biologist is hired by the government to determine what's sinking ships all over the ocean. His daughter follows him. They are intercepted by a mysterious captain Nemo and his incredible submarine.
Young Pauline is left a lot of money when her wealthy uncle dies. However, her uncle's secretary has been named as her guardian until she marries, at which time she will officially take ... See full summary »
In Part Two of Louis Feuillade's 5 1/2-hour epic follows FantÃ'mas, the criminal lord of Paris, master of disguise, the creeping assassin in black, as he is pursued by the equally resourceful Inspector Juve.
While hosting a game of cards one night, Narumov tells his friends a story about his grandmother, a Countess. As a young woman, she had once incurred an enormous gambling debt, which she ... See full summary »
Captain Nemo has built a fantastic submarine for his mission of revenge. He has traveled over 20,000 leagues in search of Charles Denver - a man who caused the death of Princess Daaker. Seeing what he had done, Denver took the daughter to his yacht and sailed away. He abandoned her and a sailor on a mysterious island and has come back after all these years to see if she is still alive and if the nightmares he has will stop. The daughter has been found by five survivors of a Union Army Balloon that crashed near the island. At sea, Professor Aronnax was aboard the ship 'Abraham Lincoln' when Nemo rammed it and threw the Professor, his daughter and two others into the water. Prisoners at first, they are now treated as guests to view the underwater world and to hunt under the waves. Nemo will also tells them about the Nautilus and the revenge that has driven him for all these years.Written by
Tony Fontana <email@example.com>
In one scene on the island the balloon survivors are at a table and a black servant appears. He never shows up again and is not rescued at the end of the film with the rest of the survivors. See more »
The opening titles announce "The First Submarine Photoplay Ever Filmed". See more »
In 1993 Jeff Forrester / USA Networks produced NEW copyrighted versions of mainstream silent films w/ EXCLUSIVE scores & NEW inter-titles. All but one were in black & white. There were 7 in total. They were aired on the SYFY (SCI-FI) Channel during the Christmas holiday in 1993 as part of SCI-FI Channel's Silent Cinema marathon. It was hosted by renowned film critic Jeffrey Lyons & was taped @ the AMERICAN MUSEUM OF THE MOVING IMAGE in Astoria, NY. These particular versions have NEVER been available in ANY home video format. Their whereabouts are currently unknown. They were distributed by JORDEXX TELEVISION, INC. The 20,000 LEAGUES UNDER THE SEA (1916) score was composed & performed by Peter McCarty. See more »
The 1916 version of 20,000 LEAGUES UNDER THE SEA is a perfect example of what can happen when a film relies primarily on special effects. In its day, it was widely celebrated as one of the first feature-length films to make use of underwater photography, and audiences thrilled to its scenes of coral reefs and sharks. But nowadays we're very used to seeing underwater photography, and of a quality that far surpasses that seen here. And the film has little else to offer.
The story, of course, is based on the Jules Verne classic--but "based" is the operative word. About the only thing this film version has in common with the Verne novel is the title, a few character names, and a few basic concepts, so if you're expecting a faithful silent adaptation of the novel you're outta luck. In this version, a scientist (Dan Hanlon) and his party go in search of sea monsters and run afoul of the Nautilus, but they soon discover that Capt. Nemo (Allen Holubar) really isn't such a bad guy after all. There's a subplot about a "child of nature" (Jane Gail) who lives on a "Mysterious Island" and who has some mixed experiences with shipwrecked sailors stranded there--and before the whole thing ends we are flashed back to colonial India for an explanation of just who Capt. Nemo really is and how he got that way. In the process there is underwater photography aplenty, including a faintly hilarious attack on a sailor by a 1916 special-effects-octopus.
The acting is extremely broad here, even for 1916, and Nemo's costume makes him look rather like a skinny Santa Claus gone bad. The Nautilus is uninspired and the cinematography is only so-so. Consequently, what audiences thrilled over in 1916 seems pretty clunky today. The film has not been well-reserved, nor has any attempt been made to restore it, and there isn't a single scene that isn't riddled with artifacts. This is really a film for die-hard silent film buffs rather than casual viewers, and even silent film buffs will probably find themselves hitting the fast forward more than a couple of times. Recommended as a historic artifact, but nothing more.
Gary F. Taylor, aka GFT, Amazon Reviewer
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