7.7/10
39,687
136 user 151 critic

Belle de Jour (1967)

Belle de jour (original title)
Trailer
1:34 | Trailer
A frigid young housewife decides to spend her midweek afternoons as a prostitute.

Director:

Luis Buñuel (as Luis Bunuel)

Writers:

Joseph Kessel (novel) (as Joseph Kessel de l'Académie Française), Luis Buñuel (adaptation) (as Luis Bunuel) | 1 more credit »
Reviews
Nominated for 1 BAFTA Film Award. Another 6 wins & 6 nominations. See more awards »

Videos

Photos

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Cast

Cast overview, first billed only:
Catherine Deneuve ... Séverine Serizy / Belle de Jour
Jean Sorel ... Pierre Serizy
Michel Piccoli ... Henri Husson
Geneviève Page ... Madame Anais
Pierre Clémenti ... Marcel (as Pierre Clementi)
Françoise Fabian ... Charlotte
Macha Méril ... Renee (as Macha Meril)
Muni ... Pallas
Maria Latour ... Mathilde
Claude Cerval
Michel Charrel Michel Charrel ... Footman
Iska Khan Iska Khan ... Asian Client
Bernard Musson Bernard Musson ... Majordomo
Marcel Charvey Marcel Charvey ... Prof. Henri
François Maistre François Maistre ... L'enseignant
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Storyline

Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage. Written by James Meek <james@oz.net>

Plot Summary | Plot Synopsis

Taglines:

Luis Bunuel's Masterpiece of Erotica!

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

While the film was shooting, Catherine Deneuve said publicly that she was enjoying making the film. Other than remarking that shooting some of the brothel scenes could be "difficult," she said at the time that she was "in awe" of Luis Buñuel and called him "wonderful to work with; kind, understanding, very sweet, very human." See more »

Goofs

When Mr. Adolphe first unzips Belle's dress she has a slip under it, but when she rushes out and then comes back in, Adolphe unzips her dress again and she isn't wearing the slip anymore. See more »

Quotes

Madame Anais: You're nice and fresh. Just what they like here. I know it's hard at first, but who doesn't need money now and then? We'll split it fifty-fifty. I have my expenses.
Séverine Serizy: Thank you very much, but I must be going.
Madame Anais: Come on. You're just a bit nervous. I bet it's the first time you've worked. It's not really so awful.
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Connections

Referenced in Sal de Prata (2005) See more »

User Reviews

 
Unique, Strange, and Memorable
6 May 2005 | by gftbiloxiSee all my reviews

The premise of BELLE DU JOUR is well known. A young, beautiful, and slightly frigid doctor's wife (Catherine Deneuve) secretly harbors fantasies of being dominated, humiliated, and abused by her husband (Jean Sorel.) When these fantasies can no longer be denied, she becomes a prostitute under the sponsorship of a possibly lesbian madam (Geneviève Page), working during the afternoons while her husband is at his own work. Her sexuality is awakened by the sometimes brutish clients, who soon discover that "she likes it rough," and she is ultimately caught up a relationship with a truly dangerous client (Pierre Clémenti) whose possessiveness threatens to destroy both her and her husband.

Throughout the film Deneuve slips in and out of memory and fantasy, sometimes recalling herself as a possibly molested child, sometimes imagining herself as the victim in a series of sexual assault fantasies. Director Bunuel, whose masterpiece this is, so blurs the line between memory, reality, and fantasy that by the film's conclusion one cannot be sure if some, most, or everything about the film has been Deneuve's fantasy.

Although it includes a number of impressive performances (particularly by Geneviève Page, her girls, and their clients), BELLE is essentially Deneuve's film from start to finish, and she gives an astonishing performance that cannot be easily described. Like the film itself, it is a balancing act between fantasy and a plausible reality that may actually be nothing of the kind. Bunuel presents both her and the film as a whole in an almost clinical manner, and is less interested in gaining our sympathy for the character than in presenting her as an object for intellectual observation.

Ultimately, BELLE DU JOUR seems to be about a lot of things, some of them obvious and some of them extremely subtle. And yet, given the way in which it undercuts its realities by blurring them with fantasy, it is also entirely possible that the film is not actually "about" anything except itself. Individuals who insist on clear-cut meanings and neatly wrapped conclusions will probably loathe it--but those prepared to accept the film on its own terms will find it a fascinating experience. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer


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Frequently Asked Questions

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Details

Country:

France | Italy

Language:

French | Spanish | Mongolian

Release Date:

10 April 1968 (USA) See more »

Also Known As:

Belle de Jour See more »

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Box Office

Opening Weekend USA:

$6,462, 25 March 2018

Gross USA:

$4,063,348

Cumulative Worldwide Gross:

$4,156,279
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »

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