At Oxford, Austrian student Anna von Graz (Jacqueline Sassard) is dating fellow student William (Michael York), whom she plans to marry, but she ends up sleeping with two unhappily married Oxford professors instead.
Rather undiplomatic British diplomat Harrington Brande (Sir Michael Hordern) takes up his new post in Spain accompanied by his son Nicholas (Jon Whiteley). The posting is something of a ... See full summary »
British mathematician Sebastian (Sir Dirk Bogarde), working on code decryption, unexpectedly falls in love with decrypter Rebecca Howard (Susannah York). This leads them to a complicated ... See full summary »
A plea for reform of England's anti-sodomy statutes, Melville Farr (Sir Dirk Bogarde), a married lawyer, tries to locate a blackmailer who has photos of Farr and a crying young gay man (who is being blackmailed and later commits suicide) in Farr's car. After the suicide, Farr tracks down other gay men being extorted for money by the same blackmail scheme. Worldly Police Detective Inspector Harris (John Barrie) considers the anti-sodomy law nothing more than a license to blackmailers, and eventually is contacted by Farr to capture the malicious blackmailer. The movie, far ahead of its time, ends with Farr and his loving wife coming to terms with his homosexual tendencies in advance of the public exposure he will face in the team of blackmailers' trial.Written by
Mike Mills <firstname.lastname@example.org>
The famous scene where Melville Farr (Sir Dirk Bogarde) (having been confronted by his wife Laura (Sylvia Syms) about Barrett (Peter McEnery)) finally admits to her that he "wanted him", was added at Bogarde's request, and was partially written by him. Bogarde states in his autobiography that he felt the screenplay lacked credibility because it was too ambiguous and did not adequately explain Farr's involvement with Barrett, and skirted around the issue. It's worth noting that Bogarde was gay, and considered this movie an extremely personal project. See more »
Camera shadow moves onto Madge's coat as it pushes in closer from behind after Eddy leaves the bar. See more »
Well it used to be witches. At least they don't burn you.
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It would be easy to view this movie as nothing more than a somewhat dated film. However, for it's time, this movie was ground-breaking, for any number of reasons, including its superb acting. Dirk Bogarde and Sylvia Syms, in particular, were perfect in their parts.
What many don't realize is that this movie is credited with helping to decriminalize homosexuality in Britain. When "Victim" was released, it started a nationwide discussion about homosexuality and associated blackmail. At the time, approximately 90% of all blackmail cases involved homosexuals, and Bogarde's character was a classic example of a blackmail "victim". The point of the movie wasn't that all homosexuals were victims, but they could only be victims so long as the law permitted it. The blackmail wasn't merely because they were homosexual, but due to the harsh prison sentences a homosexual could (and often did) receive. How often does a movie get the opportunity to help create such a profound change in society?
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