Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
Arthur, one of Britain's angry young men of the 1960s, is a hardworking factory worker who slaves all week at his mindless job for his modest wages. Come Saturday night, he's off to the pub for a loud and rowdy beer session. With him is Brenda, his girlfriend of the moment. Married to a fellow worker, she is nonetheless captivated by his rugged good looks and his devil-may-care attitude. Soon a new love interest Doreen enters and a week later, Brenda announces she's pregnant. She tells Arthur she needs money for an abortion, and Arthur promises to pay for it. By this time, his relationship with Doreen has ripened and Brenda, hearing of it, confronts him. He denies everything, but it's obvious that their affair is all but over.Written by
At the end of the film, Arthur and Doreen are sitting on a grassy bank overlooking a building site where an estate of new houses is being built. This was a film set built especially for the film in Wembley, London, by Nottingham builders Simms Sons & Cooke. See more »
Nine hundred and fifty four, nine hundred and fifty bloody five. Another few more and that's the lot for a Friday.
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This is the film which made Albert Finney a star. Filmed on location at Nottingham, Albert Finney plays Arthur Seaton a bored factory worker who is having an affair with his workmate's wife (Rachel Roberts). Controversial at the time because of its references to abortion, this film gives an idea of what life was like amongst the working classes during the 1950s. Shirley Anne Field also made her name in this film, but she never really fulfilled her potential as an actress. A well acted and produced gritty drama which is still watchable today.
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