Photos and Videos
Cast
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Karl Formes | ... |
Henrik Ibsen
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Henry B. Walthall | ... |
Captain Arling / Oswald
(as Henry Walthall)
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Mary Alden | ... |
Helen Arling - the Wealthy Heiress
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Loretta Blake | ... |
Regina
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Al W. Filson | ... |
The Family Doctor
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Thomas Jefferson | ... |
Johanna's Unseeing Husband
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Juanita Archer | ... |
Johanna
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Nigel De Brulier | ... |
Pastor Manders - Alvina's Sweetheart
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Rest of cast listed alphabetically: | |||
Monte Blue | ... |
Bohemian in Paris (uncredited)
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John Emerson | ... |
Undetermined Secondary Role (uncredited)
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Chandler House | ... |
Oswald as a Boy (uncredited)
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Erich von Stroheim | ... |
The School Clerk (uncredited)
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Directed by
George Nichols | ||
John Emerson | ... | (unconfirmed) |
Written by
John Emerson | ... | (unconfirmed) (unconfirmed) |
Henrik Ibsen | ... | (play "Gengangere") |
Russell E. Smith | ... | (scenario) |
Produced by
D.W. Griffith | ... | producer |
Costume Design by
Erich von Stroheim |
Second Unit Director or Assistant Director
George Siegmann | ... | assistant director |
Costume and Wardrobe Department
Erich von Stroheim | ... | wardrobe assistant |
Additional Crew
Erich von Stroheim | ... | technical advisor |
Production Companies
Distributors
- Mutual Film (1915) (United States) (theatrical)
- Continental Feature Film Corporation (1915) (United States) (theatrical)
- Exhibitors Film Exchange (1919) (United States) (theatrical) (re-release)
- Grapevine Video (United States) (VHS)
Special Effects
Other Companies
Storyline
Plot Summary |
Helen and Manders are in love and wish to marry. Her parents object to his poverty and want her to marry Alving, a notorious rake, who is wealthy and powerful. Manders protests. The family physician also objects because of the result such a match would mean on the children, but Helen's parents laugh at these new-fangled notions. The doctor then appeals to Alving, who laughs him to scorn. Urged on by her parents, ambitious Helen, disregarding all warnings, marries Alving. Later Helen discovers a liaison between her husband and a young married woman. She contemplates leaving her husband and seeks her physicians advice, but he declines to give it. She then sees her pastor, who advises her to adhere to convention and her husband. Meanwhile, the young married woman gives birth to a child by Alving, and the physician agrees to bring the father to see it and keep the real parentage secret. Helen also bears a boy named Oswald. When Oswald is nine, Alving dies, a victim of his excesses. Oswald lives a clean life and studies art, but at times his mind seems affected. The mother remembers the doctor's warnings, but rejects them as silly. Knowing the boy has lived a clean life, however, she soon comes to accept the physician's predictions as fact, and schemes to save her son by marrying him to a sweet young girl. She picks out the daughter of her husband's paramour, and, totally unaware of the girl's parentage, draws the two young people together. They fall deeply in love and are to be wed. When the physician receives the wedding invitation, he realizes he must stop the wedding. He feels duty-bound to tell the truth, and does so to Oswald, his mother, his bride-to-be and her father. Realizing that he must protect the girl he loves and embittered by his inheritance, Oswald plunges into mad excesses. He grows to hate his father and then his mother for the past they have embedded in his nature, and his mother slowly realizes the truth of the physician's predictions. Horror stricken, she watches the gradual rotting of her son's brain. The girl, meanwhile, has retired to a convent. Against the oncoming insanity, Oswald fortifies himself with poison, but one day his mother finds him sitting on the floor, paralyzed, playing with the sunbeams, and runs for the pastor. During her absence, he succeeds in reaching the poison and mother and pastor find him dead. As her only hope of consolation, the mother turns to the pastor. Written by Moving Picture World synopsis |
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Taglines | This vivid Ibsen play portrays, in compelling scenes, the inevitable results of immorality and drives home the great question of heredity and the responsibility of parents. You are held spellbound from first scene to last-not only by the plot and action of the story-or rather its wonderful message-but by the tremendous force of the acting and the artistic beauty of the pictures. Not a single false note mars the harmony of this splendid production. (Print Ad- Evening News, ((Tonawanda, NY)) 29 June 1915) See more » |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | A print of the film is preserved in the Library of Congress collection. See more » |
Movie Connections | Featured in The Man You Loved to Hate (1979). See more » |