Two peasant children, Mytyl and Tyltyl, are led by Berylune, a fairy, to search for the Blue Bird of Happiness. Berylune gives Tyltyl a cap with a diamond setting, and when Tyltyl turns the... See full summary »
Edwin E. Reed
Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she ... See full summary »
Captain Nemo has built a fantastic submarine for his mission of revenge. He has traveled over 20,000 leagues in search of Charles Denver - a man who caused the death of Princess Daaker. ... See full summary »
Because the Baron of Chanterelle wants to preserve his family line, he forces his timid nephew Lancelot to choose one of the village maidens to wed. Lancelot flees to a monastery to escape ... See full summary »
Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob.Written by
Ed Stephan <firstname.lastname@example.org>
Because of a protest from the Japanese Association of Southern California, Sessue Hayakawa's name and nationality was changed for the 1918 re-release. Originally he was a Japanese called Hishuru Tori; in the re-issue he was a Burmese called Haka Arakau. See more »
According to the date on the check, the shooting occurred on September 17th. However, the next day's newspaper which reports the crime is dated April 27th. See more »
Granted I haven't seen too many De Mille silents, but I just watched my new Kino edition of The Cheat, and it has now become my favorite De Mille silent! Very bizarre and dark story that must have had undertones of some hidden fantasies that were going on at the time. I assume this because I have never seen another silent like this one! Sessue Hayakawa was the embodiment of those fantasies, very menacing and naturalistic in his acting style. His every thought played across his face with seemingly minimal effort! He really stole the show from Fannie Ward, whose acting I considered over the top until the last courtroom scene, where it became quite effective in showing her outrage over trying to be possessed like an object by an Asian man. In this scene, she did an excellent job of conveying her affront and humiliation.
The lighting was used to great advantage, immersing the character in a single source of side lighting, which made me think of later movies by some of the German masters. Robert Israel's score was perfect as usual.
A melodrama, but with a twist that makes it fascinating to watch!
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