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The Birth of a Nation

  • 1915
  • TV-PG
  • 3h 15m
IMDb RATING
6.2/10
25K
YOUR RATING
The Birth of a Nation (1915)
DramaWar

The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's a... Read allThe Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.The Stoneman family finds its friendship with the Camerons affected by the Civil War, both fighting in opposite armies. The development of the war in their lives plays through to Lincoln's assassination and the birth of the Ku Klux Klan.

  • Director
    • D.W. Griffith
  • Writers
    • Thomas Dixon Jr.
    • D.W. Griffith
    • Frank E. Woods
  • Stars
    • Lillian Gish
    • Mae Marsh
    • Henry B. Walthall
  • See production, box office & company info
  • IMDb RATING
    6.2/10
    25K
    YOUR RATING
    • Director
      • D.W. Griffith
    • Writers
      • Thomas Dixon Jr.
      • D.W. Griffith
      • Frank E. Woods
    • Stars
      • Lillian Gish
      • Mae Marsh
      • Henry B. Walthall
    • 383User reviews
    • 76Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Awards
      • 2 wins

    Videos1

    How 'Antebellum' Began as a Timely Nightmare of the Present Day
    Interview 3:49
    Watch How 'Antebellum' Began as a Timely Nightmare of the Present Day

    Photos90

    The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    Joseph Henabery, Alberta Lee, and Raoul Walsh in The Birth of a Nation (1915)
    Lillian Gish, Elmer Clifton, Miriam Cooper, and Henry B. Walthall in The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    Lillian Gish, Josephine Crowell, and Henry B. Walthall in The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    The Birth of a Nation (1915)
    The Birth of a Nation (1915)

    Top cast

    Edit
    Lillian Gish
    Lillian Gish
    • Elsie - Stoneman's Daughter
    Mae Marsh
    Mae Marsh
    • Flora Cameron - The Pet Sister
    Henry B. Walthall
    Henry B. Walthall
    • Col. Ben Cameron aka The Little Colonel
    • (as Henry Walthall)
    Miriam Cooper
    Miriam Cooper
    • Margaret Cameron - The Elder Sister
    Mary Alden
    Mary Alden
    • Lydia Brown - Stoneman's Mulatto Housekeeper
    Ralph Lewis
    Ralph Lewis
    • Hon. Austin Stoneman - Leader of the House
    George Siegmann
    George Siegmann
    • Silas Lynch - Mulatto Lieut. Governor
    • (as George Seigmann)
    Walter Long
    Walter Long
    • Gus - A Renegade Negro
    Robert Harron
    Robert Harron
    • Tod - Stoneman's Younger Son
    Wallace Reid
    Wallace Reid
    • Jeff - The Blacksmith
    • (as Wallace Reed)
    Joseph Henabery
    Joseph Henabery
    • Abraham Lincoln
    • (as Jos. Henabery)
    Elmer Clifton
    Elmer Clifton
    • Phil - Stoneman's Elder Son
    Josephine Crowell
    Josephine Crowell
    • Mrs. Cameron
    Spottiswoode Aitken
    Spottiswoode Aitken
    • Dr. Cameron
    George Beranger
    George Beranger
    • Wade Cameron - The Second Son
    • (as J.A. Beringer)
    Maxfield Stanley
    • Duke Cameron - The Youngest Son
    • (as John French)
    Jennie Lee
    Jennie Lee
    • Mammy - The Faithful Servant
    Donald Crisp
    Donald Crisp
    • Gen. Ulysses S. Grant
    • Director
      • D.W. Griffith
    • Writers
      • Thomas Dixon Jr.(adapted from his novel: "The Clansman) (play "The Clansman") (novel "The Leopard's Spots")
      • D.W. Griffith
      • Frank E. Woods
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      President Woodrow Wilson is famously rumored to have responded to the film with the remark: "It is like writing history with lightning. And my only regret is that it is all so terribly true." After the film became subject of controversy due to its heroic portrayal of the Ku Klux Klan, Wilson denied through his press secretary as to having known about the nature of the film before screening it at the White House, or having ever endorsed it. Nevertheless, Wilson's published works as a historian are closely aligned with the film's negative portrayal of Reconstruction (some of his writings are even quoted onscreen in certain prints of the film). Wilson was also notably a consistent pro-segregationist as President.
    • Goofs
      Car tire tracks are visible in the KKK segment.
    • Quotes

      intertitle: This is an historical presentation of the Civil War and Reconstruction Period, and is not meant to reflect on any race or people of today.

    • Crazy credits
      The following was listed in the opening credits: A PLEA FOR THE ART OF THE MOTION PICTURE: We do not fear censorship, for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue - the same liberty that is conceeded to the art of the written word - that art to which we owe the Bible and the works of Shakespeare.
    • Alternate versions
      In both 1921 and 1927, edited versions of the film were released to reflect current political viewpoints.
    • Connections
      Edited into Coonskin (1974)

    User reviews383

    Review
    Review
    Featured review
    technically overrated, and historically laughable
    The technical: It's amazing how so many throw out their own common sense and swallow an idea if it's fed to them enough. So many people use the defense that this film was so innovative in order to excuse the extreme racism in depicts. First of all, there is still a dispute as to whether Griffith did indeed "invent" the close up shot and cross-cutting of scenes. But even if you accept that, so what? The film was made in 1915, during the very early stages of film-making. Just like with any industry, film-making was progressing, and such obvious shots were only a matter of time. To say that Griffith was ahead of his time is not saying much considering the youth of the industry. The film, even technically, does not stand the test of time. If it did, we would not have to continually be reminded that the film was made in 1915, and that's why we should be impressed. Citizen Kane was made in 1939, and it was truly ahead of it's time. The shots in that film wow me to this day. It just so happens that this film, BOAN, was the first to use simple techniques that were inevitable. (Some of which are believed to have been suggested by the cameraman, and not Griffith himself).

    The history (Reconstruction): For those who argue that this film is historically accurate, I can only guess that you have another agenda, much like those who argued the same at the time. The debate about the reconstruction will never end because there was not the technology and a media capable of recording the events in a clear and unbiased way. The written accounts are widely varied, and debated. But again, let's use common sense. Of course there was violence and I'm sure some amount of treachery after the civil war. You have a new "regime" coming into a place full of strong feelings and tradition. Reconstruction would of course have meant getting rid of old leaders and old traditions, and it would have been met with opposition. Still, had the reconstruction been anywhere near as it was depicted in this film, the country would not have recovered and rebuilt as quickly as it did. I've read too much from both sides about the reconstruction to buy this extreme point of view.

    We are in a rough time in this country right now. Should an anti-Bush filmmaker make a film about this time 50 years from now in the same vein as BOAN, it would depict this administration as Nazi-like extreme rightist who peer through citizens' window, randomly imprison Muslim-Americans and attack all underdeveloped Muslim countries with oil on their land. The whole administration would look like sinister villains and Bush would be a dopey puppet like imbecile. Of course, if it wasn't for us having the technology to record today's news, anyone with an anti-Bush agenda would rally behind the film and argue that it is historically accurate. Some might even believe it. Pro-Bush folks would argue that it had no validity at all. But like anything, it's more complicated than either extreme will admit.

    This film was a racist satire of Reconstruction at best.

    Quick response to volksgeist, from Canada: I've read all of your "reviews" and they are nothing more than quotes by historical racists and anti-Semites. Your agenda if obvious. Still, since your non-review made it on the site, I'd like to take the time and respond briefly to your quote. It is indeed an interesting quote. But, like this film, it's from a particular point of view with a particular agenda. Yes, Africans did walk among diamonds for generations. Yes they did have abundant natural resources. And, that remained true until they were invaded.

    Perhaps, it was out of wisdom that they chose not to destroy the resources for wealth, but to live among them in balance with nature. Diamonds, after all, are not food or shelter. They are used mainly as symbols of status because they are "pretty". And now, people lose their lives over these pretty stones. Where is the wisdom in that? The natural resources of Africa have been diminished to almost nothing, and the continent is in shambles due to the "progressive" thinkers such as yourself. Maybe, just maybe, your ideas of progress are simply different from those of the natives of Africa. And considering where we are headed now, I'd argue that they were wiser.

    Also, since that quote, it has been proved that Africans did indeed travel across the seas. In fact they visited the "Americas" long before Columbus "discovered" them. All your quote proves, to me, is that racists can be eloquent, but it doesn't make them any less wrong.
    helpful•106
    108
    • ReelReal
    • Apr 18, 2007

    FAQ1

    • Wallace Reid---What Happened to Him?

    Details

    Edit
    • Release date
      • March 21, 1915 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • In the Clutches of the Ku Klux Klan
    • Filming locations
      • Calexico, California, USA
    • Production companies
      • David W. Griffith Corp.
      • Epoch Producing Corporation
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $110,000 (estimated)
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      3 hours 15 minutes
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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