An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. ...
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In a hotel lobby an inebriated Charlie runs into an elegant lady, gets tied hup in her dog's leash, and falls down. He later runs into her in the hotel corridor, locked out of her room. ... See full summary »
Charlie and another man compete in trying to help a young lady cross a muddy street. The rival finds a wooden plank which Charlie takes from him. They fight over an umbrella belonging to ... See full summary »
Charlie meets a couple and agrees to care for the man's crippled uncle. After the couple breaks up the man's new girl drops some eggs which Charlie slips on while trying to control the ... See full summary »
Two drunks live in the same hotel. One beats his wife, the other is beaten by his. They go off and get drunk together. They try to sleep in a restaurant using tables as beds and are thrown ... See full summary »
Roscoe 'Fatty' Arbuckle,
Charlie is hanging around in the park, finding problems with a jealous suitor, a man who thinks that Charlie has robbed him a watch, a policeman and even a little boy, all because our friend can't stop snooping.
An out-of-work swindler takes a job as a reporter. After witnessing a car go over cliff, he grabs a rival reporter's camera and races to the newspaper office to enter the photo as his own. His rival is delayed when he gets caught in a woman's bedroom by her jealous husband. The swindler follows the distribution of the paper containing his 'scoop' around town where he is once again chased by the rival reporter. Both end up on the cow-catcher of a streetcar.Written by
Ed Stephan <email@example.com>
Chaplin's character is named Edgar English, but most of the characters he played (usually in the persona of the Tramp) would be either nameless, or would informally be given the name Charlie. See more »
This is poorly done, not funny really, and just not that well put together. But, when viewing this sort of thing, I think its important to keep two things in mind ... #1: The film industry was new and inexperienced. It was a treat for most folks just to see images thrown up on a screen. #2: Chaplin was also new and inexperienced. He had not yet grown into that lovable Little Tramp. This was a period of learning via experimentation. Given all of that, this is worth watching once if you're a Chaplin fan just because it is such an early example of his work. If, on the other hand, you're not really into Chaplin so much but just a fan of flicks before the "talkies" fad came along, well, you can safely pass on this one and not miss much.
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