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Kid Auto Races at Venice (1914)

Not Rated | | Short, Comedy | 7 February 1914 (USA)
The Tramp wanders into and disrupts the filming of a go-kart race.

Director:

Henry Lehrman

Writer:

Henry Lehrman
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Cast

Complete credited cast:
Charles Chaplin ... Tramp
Henry Lehrman ... Film Director
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Storyline

Charlie, dressed as a tramp for the first time, goes to a baby-cart race in Venice, California. He causes a great deal of trouble and confusion, both on off the track (getting in the way of the cameraman) and on (interfering with the race). He succeeds in irritating both the participants and the public. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Short | Comedy

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Instagram | Official Site

Country:

USA

Language:

English

Release Date:

7 February 1914 (USA) See more »

Also Known As:

The Pest See more »

Company Credits

Production Co:

Keystone Film Company See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Ontario)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

This was the first film in which Charles Chaplin played his most famous character, The Tramp. With only a small number of exceptions, Chaplin would play only The Tramp (or slight variations on the character) on film until The Great Dictator (1940). See more »

Connections

Referenced in Running on Empty (1988) See more »

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User Reviews

Must be seen at least once
11 June 2004 | by 23skidoo-4See all my reviews

Kid Auto Races at Venice is far from Chaplin's best moment on film, but it might be his most important. In an early combination of the reality short subjects that dominated early cinema, and fictional comedy, this short piece features Chaplin as a tramp who annoys several camera crews at a car race.

As the first appearance of Chaplin's Tramp character, this film's place in movie history is secure. As a comedy, it's mildly amusing. Obviously ad libbed, it has an amateurish quality that holds up surprisingly well. It also provides a few thrills as Chaplin is nearly hit by the vehicles several times -- I doubt any of the near-misses were scripted!

There is no denying that this short film is not an example of Chaplin's best work on film, but every serious Chaplin fan, or cinema historian, needs to see it at least once.


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