Cast overview, first billed only: | |||
George Sanders | ... | Georges Duroy | |
Angela Lansbury | ... | Clotilde de Marelle | |
Ann Dvorak | ... | Claire Madeleine Forestier | |
John Carradine | ... | Charles Forestier | |
Susan Douglas Rubes | ... | Suzanne Walter (as Susan Douglas) | |
Hugo Haas | ... | Monsieur Walter | |
Warren William | ... | Laroche-Mathieu | |
Frances Dee | ... | Marie de Varenne | |
Albert Bassermann | ... | Jacques Rival | |
Marie Wilson | ... | Rachel Michot | |
Katherine Emery | ... | Madame Walter | |
Richard Fraser | ... | Philippe de Cantel | |
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John Good | ... | Paul de Cazolles |
David Bond | ... | Norbert de Varenne | |
Leonard Mudie | ... | Potin |
Writer Georges Duroy (George Sanders) is one social-climbing S.O.B. who does most of his climbing over the warm (and cold) bodies of women. He begins with Rachel (Marie Wilson), a hanger-on in the cafés and Folies Bergere crowd, and then moves on to dally with Clotilde de Morelle (Dame Angela Lansbury). Always striving to move upward on the social scale, he ditches her to marry Madeleine Forestier (Ann Dvorak). Now he gets on the fast track. He persuades Madame Walter (Katherine Emery), the wife of his publisher, to fall in love with him, and then compromises Madeleine to frame a divorce, so he can pursue Madame Walter's daughter, Suzanne (Susan Douglas Rubes). He moves along so well that ere long he is in legal position to usurp the title of one of France's most noble houses. The moral, at the end, is it is okay to mess with French women, but triffling with French titles is going too far. Written by Les Adams <longhorn1939@suddenlink.net>
an adaptation. and a great cast. perfect choice for Georges Duroy character. a subtle, precise, impressive George Sanders in one of his magnificent roles. so, the key is not manner to adapted the novel of Maupassant but the art of each actor. because this movie is scene for a lot of stars. the story is old but the play is new. the novel is French and the science of details and nuances makes this American movie fruit of French cinema. the tale of Bel Ami is, in great measure, grace of Sanders and his partners, slice of Dorian Gray. it is not a masterpiece but it is a very interesting lesson. to define a world, to discover a book, to escape from Nick Ormerod last adaptation spell. a film as old yellow picture. good beginning to visit a world, to joy with drops of old fashion cinema style, to rediscover few crust of emotions and reflection to our small and bleak world.