Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart's-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he's really after is revenge.
Mark Thompson <firstname.lastname@example.org>
IN DANGER AS VIOLENT AS THEIR LOVE!!! (one-sheet poster)
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Did You Know?
Warner Bros. introduced the theme song, "Too Marvelous for Words," ten years earlier in Ready, Willing and Able (1937), sung by Ross Alexander to Ruby Keeler dancing on the keys of a giant typewriter. See more
During the final confrontation between Vincent Parry and Madge Rapf, she doesn't recognize him at first because he's had his face altered by plastic surgery. But she previously knew him well enough she should have recognized his voice immediately, even if it came from an unfamiliar face. See more
Gert didn't hate you. Gert just didn't care for you. There's a difference. She would have walked out on you if she'd have found somebody permanent. She wouldn't frame you when she was dying. She was no prize package, but she wouldn't frame you. Madge framed you. Madge wanted to hook you, and when she found she couldn't have you, she framed you, sent you up for life. We both know that.
My attorney couldn't shake her story. Maybe someday she'll get run over or something.
That's what I pray for ...
Referenced in Stepfather III
Too Marvelous for Words
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Performed on record twice by Jo Stafford
Also played on the jukebox at the bus station
Also played at the cafe in Peru and during the end credits See more