A runaway couple go on an unforgettable journey in the faithful old RV they call The Leisure Seeker, traveling from Boston to The Ernest Hemingway Home in Key West. They recapture their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.
The film reunited director Paolo Virzì with producers Fabrizio Donvito, Benedetto Habib, and Marco Cohen from the Indiana Production Company, since their collaboration in Human Capital and Like Crazy which also won many festival awards. See more »
Various locales throughout Key West and the Florida Keys are used as locations along the Atlantic coastal states (i.e., Key West's Higgs Beach is a stand-in for a locale outside the state). Key West's South Roosevelt Boulevard and its adjacent Smathers Beach are also used as a locale somewhere on the Florida mainland. In addition, numerous scenes that are supposed to take place in Key West actually were filmed in Bahia Honda State Park, Big Pine Key, and other areas in the Lower Keys (i.e, Fisherman's Hospital - which is prominently shown as being in Key West - is located nearly 30 miles away in Big Pine Key). The RV park also shown is quite clearly at Bahia Honda State Park as the closest RV park to Key West - Boyd's RV Campground - has no water access, though on screen their RV is parked right at the water's edge. A scene where the leads get on a trolley ride through Key West also clearly begins at the Welcome Center at Bahia Honda State Park, roughly 37 miles away from Key West proper, though in the next shot, the trolley is in Key West. (Electrically-powered and propane-powered vehicles such as tourist trolleys would never be allowed to go over the Florida Keys' many bridges and highways, nor would anyone wish to do so, as said vehicles have little in the way of shock absorption.) See more »
So you know what happened, when was it, last year? I opened their bedroom door and she was on the bed and he was kneeling in front of her and... I can't even say it.
Dad was muff diving? Yodelling in the canyon?
I wanted to vomit.
Why? I hope it happens to me when I'm their age.
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I saw this at an AARP pre-screening and found it to be funny and poignant. The entire audience, composed of young and old people, laughed aloud and applauded often throughout the film. Why? Because the topic, situations presented, and dialogue resonated with experiences common to the lives of everyone watching.
The film addresses topics not often seen in films: intimate loving relationships and romance in the elderly, Alzheimer's, end-of-life issues and family dynamics involved, dying with dignity, personal choice, euthanasia and suicide. There is no preachiness; the viewers are respectfully left with an emotional invitation to reflect upon these issues for themselves. Remarkably, this is done with humour and grace, without self pity or undue sentimentality.
The film is not Hollywood glitzy, it may even seem a bit drab at times, but this is part of why it rings true and makes the film work. Everything from the couple's home and basement, the RV they run off in, the campgrounds they stay in, and the nursing home they visit - all of it, remarkably familiar to most Americans. We are being asked to think about extraordinary issues relating to ordinary lives, similar to those we all lead, and it seems that this less glossy calling card works. This approach is also supported by the beautifully nuanced performances given by Mirren and Southerland as they let us into their world of romance, aging, family, incurable illness, and end-of-life choices, all while travelling the landscape of US Route #1.
From start to closing credits, group laughter, applause, and cheering revealed a palpable comradery among the audience members, which told volumes about how well the film accomplished its goal of raising awareness of important emotional, personal, social issues while still offerring an enjoyable night at the movies. I hope you have an opportunity to see it.
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