Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to...
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Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to god Moloch, Cabiria is rescued by both Fulvio Axilla, a Roman noble, and his giant slave Maciste. Maciste is captured just after having confided Cabiria to Sophinisbe's safe keeping, while Fulvio Axilla manages to escape from Carthage. Ten years went away with Punic wars before he is able to come back to Carthage...Written by
In Good morning Babilonia (1987) the leading characters (played by Vincent Spano and Joaquim de Almeida) are two stonemason's sons from Italy who go to the United States, and claim they worked in the movie "Cabiria" making statues. This ability gets them a job to do the same in David Wark Griffith's film "Intolerance". See more »
Eighteen Frame, Inc. copyrighted a version in 1990 with a piano music score based on the original score by Manlio Mazza, and performed by Jacques Gauthier. Intertitles were translated by Charles Affron and Mirella Jona Affron. It was distributed by Kino Video and runs 125 minutes, but there is also a two-minute introduction. See more »
It is a little known fact that the feature film was born in Italy - that is, a film longer than the standard one or two reels in length -ten to twenty minutes. It is the crop of early Italian features, all epics, birthed in 1914, that influenced America's Griffith and DeMille. The length of CABIRIA is staggering - originally 2-1/2 hours in Italy and just over two hours here - considering most audiences were used to sitting and concentrating on a plot for only twenty minutes at most.
Were there Oscars then, the extraordinary art direction and special effects would have garnered noms - they are outstanding. The cinematography is unique in using early scanning and dollying techniques heretofore unknown in film. The plot becomes very hard to follow because the title cards are history lessons of alliances and battles that have little meaning for us and often we are aware of the cut 22 minutes in the surviving USA version as symbols and relationships which have great dramatic meaning for the players leave us baffled.
The print used by Kino and Grapevine video as well as Turner Classic Movies is impeccable - crystal clear and sharp.
For all fans of epic movies and for all film historians, this is a must see.
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