Several survivors of a torpedoed merchant ship in World War II find themselves in the same lifeboat with one of the crew members of the U-boat that sank their ship.
In the Atlantic during WW II, a ship and a German U-boat are involved in battle, and both are sunk. The survivors - from a variety of backgrounds -gather in one of the life boats. Trouble begins when they pull a man out of the water who turns out to be from the U-boaWritten by
Col Needham <col@imdb.com>
During filming, several crew members noted that Tallulah Bankhead was not wearing underwear. When advised of this situation, Sir Alfred Hitchcock observed, "I don't know if this is a matter for the costume department, make-up, or hairdressing." See more »
Goofs
The fish bait is a large Cartier multi-link diamond bracelet. It is used unfastened, so hangs straight down when hooked to the fishing line. However, when underwater it is shown as a small, plain, ring. See more »
Quotes
[first lines]
[indistinct shouting]
John Kovac:
Ahoy there!
[climbs into boat]
John Kovac:
Lady, you certainly don't look like somebody that's just been shipwrecked.
Connie Porter:
Man, I certainly feel like it.
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Du, Du, Liegst Mir im Herzen
(uncredited)
Traditional German folk song
Played on flute by Canada Lee
Reprised by Lee and Sung in German by Walter Slezak See more »
I can't imagine why anyone would consider Bankhead's performance "terrible" or "over-the-top." First of all, the role is obviously written as a very theatrical, flamboyant woman. She plays the part the way it's written, and the style of her performance in no way takes away from the other characters, who are also fairly stylized, such as Henry Hull's industrialist or William Bendix Brooklynese seaman. The character also goes through real changes as the movie progresses, losing all of her worldly possessions (typewriter, fur coat, diamond bracelet), losing her head to John Hodiak, and finally becoming just another one of the dirty, downtrodden survivors. Honestly, I don't know how she could have been better, and she probably should have won the Academy Award that year.
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I can't imagine why anyone would consider Bankhead's performance "terrible" or "over-the-top." First of all, the role is obviously written as a very theatrical, flamboyant woman. She plays the part the way it's written, and the style of her performance in no way takes away from the other characters, who are also fairly stylized, such as Henry Hull's industrialist or William Bendix Brooklynese seaman. The character also goes through real changes as the movie progresses, losing all of her worldly possessions (typewriter, fur coat, diamond bracelet), losing her head to John Hodiak, and finally becoming just another one of the dirty, downtrodden survivors. Honestly, I don't know how she could have been better, and she probably should have won the Academy Award that year.