6.9/10
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For Whom the Bell Tolls (1943)

Passed | | Adventure, Drama, History | 16 July 1943 (USA)
During the Spanish Civil War, an American allied with the Republicans finds romance during a desperate mission to blow up a strategically important bridge.

Director:

Sam Wood

Writers:

Dudley Nichols (screen play), Ernest Hemingway (from the celebrated novel by)
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Won 1 Oscar. Another 3 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gary Cooper ... Robert Jordan
Ingrid Bergman ... María
Akim Tamiroff ... Pablo
Arturo de Córdova ... Agustín (as Arturo de Cordova)
Vladimir Sokoloff ... Anselmo
Mikhail Rasumny ... Rafael
Fortunio Bonanova ... Fernando
Eric Feldary ... Andres
Victor Varconi ... Primitivo
Katina Paxinou ... Pilar
Joseph Calleia ... El Sordo
Lilo Yarson Lilo Yarson ... Joaquin
Alexander Granach ... Paco
Adia Kuznetzoff Adia Kuznetzoff ... Gustavo
Leonid Snegoff Leonid Snegoff ... Ignacio
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Storyline

Spain in the 1930s is the place to be for a man of action like Robert Jordan. There is a civil war going on and Jordan who has joined up on the side that appeals most to idealists of that era -- like Ernest Hemingway and his friends -- has been given a high-risk assignment up in the mountains. He awaits the right time to blow up a bridge in a cave. Pilar, who is in charge there, has an ability to foretell the future. And so that night she encourages Maria, a young girl ravaged by enemy soldiers, to join Jordan who has decided to spend the night under the stars. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

The Most Thrilling Moment Ever Screened See more »


Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

16 July 1943 (USA) See more »

Also Known As:

For Whom the Bell Tolls See more »

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Box Office

Budget:

$3,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (restored)

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The book (and movie's title) is taken from John Donne's "Meditation XVII" from 1624: ..."No man is an island, entire of itself... any man's death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee." See more »

Goofs

On the dawn of the second day (at around 43 mins), as Jordan is waking up, a large metal fan can be seen spinning on the left. See more »

Quotes

Maria: She
[Pilar]
Maria: said, 'we must live all our life in the time that remains.'
See more »

Crazy Credits

Opening credits prologue: any mans death diminishes me, because I am involved in Mankinde: and therefore never send to know For Whom The Bell Tolls It tolls for thee.

Spain, 1937 See more »

Alternate Versions

Prior to its domestic release on VHS in 1995, "For Whom the Bell Tolls" was only available for home media on a Japanese-released laserdisc. That version ran 125 minutes. See more »

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User Reviews

 
One Of The Greats!!!!
10 June 2004 | by twm-2See all my reviews

Reading some of the comments here left me wondering, in some cases, whether the writers had this film confused with some B-movie potboiler. Some have written scathing contumelies with not a single positive remark to be found. It's amazing how differently two people from the same planet, same culture, can view the same thing. For me, this has always been one of my favorite movies, with very few flaws to be found. Gary Cooper could never be accused here (or anywhere else) of over acting. His style has always been one of understatement. He, in fact, was one of the actors who helped change the style of acting from the theatricality of the silents, to the more realistic method still in vogue today. Here, he is perfectly cast (Hemingway would accept no other)--the quiet, stoic, ruggedly handsome American.

Ingrid Bergman is my favorite actress, so it's probably hard for me to be objective, but I feel this is one of her greatest roles, playing the damaged, yet still innocent, Maria (it was, in fact, the role for which Bergman felt she would be most remembered). True, her accent could hardly be mistaken for Spanish, but this seems trivial when this is stacked up against her immense talent as an actress. The criticisms about her appearance have no justification at all, as has been pointed out by others. All Spaniards do not look alike. Ms. Bergman is absolutely radiant, luminous, stunningly beautiful. Her scenes with Coop are wonderful. You can see "Roberto's" interest in her immediately, first of a carnal nature, but increasingly with tenderness and concern. Their's is one of the best love stories on film.

The supporting characters are superlative; Akim Tamiroff is fine as the once courageous but now cowardly (and possibly treacherous) Pablo; Vladimir Sokoloff as the lovable aging guide--but where did they find Ms. Paxinou? Her Pilar is a fascinatingly vibrant character, full of grit and valor and indomitable courage, and yet capable of being deeply wounded by the thoughtless actions of a child. She apparently never did another film either before or after this one--just taking her well deserved Oscar and slipping away {Edit (Dec. 2005): I've since discovered that Ms. Paxinou DID appear in a few less prominent films after this one.}

It's true that war is not romantic, and the film shows some of the horrors of this enterprise. It is also true that it does to some extent romanticize this war in that it emphasizes the self-sacrifice and courage of these people. In any case, I feel most people will find themselves moved by the sacrifices and **SPOILERS** the doomed romance of the leads. The story has been altered a bit from the wonderful novel, but this is inevitable. Still, it follows it much more closely than most Hollywood filmizations. The scenery is spectacular--the color, the cinematography are top notch, and Victor Young has composed a lush and moving score that wonderfully underscores the action and emotions of the players--his creation being among the best in cinema history. The direction strikes an excellent balance between showing us the details of day to day survival by these hunted insurgents, the suspense of battle, and the growing romance. Some have criticized the dialogue, but I find it quite believable. That last speech of Jordan's and his thoughts right after, have in particular been singled out for scorn. But for me, it is extraordinarily real. He doesn't utter some plasticized ideal of what a parting speech should be--no it's something someone might actually say, filled with simple but heartfelt phrases.

Well, dear reader, you simply must see this film. Then judge for yourself whose comments are more accurate--those above, or those who have reviled the film. I know where I'd put my money.


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