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Suspense

  • 1913
  • Not Rated
  • 10m
IMDb RATING
7.4/10
2K
YOUR RATING
Suspense (1913)
ShortDramaHorror

Abandoned by her maidservant in an isolated country house, a new mother must protect herself and her baby from an invading tramp while her husband races home in a stolen car to save them.Abandoned by her maidservant in an isolated country house, a new mother must protect herself and her baby from an invading tramp while her husband races home in a stolen car to save them.Abandoned by her maidservant in an isolated country house, a new mother must protect herself and her baby from an invading tramp while her husband races home in a stolen car to save them.

  • Directors
    • Phillips Smalley
    • Lois Weber
  • Writer
    • Lois Weber
  • Stars
    • Lois Weber
    • Val Paul
    • Douglas Gerrard
  • See production, box office & company info
  • IMDb RATING
    7.4/10
    2K
    YOUR RATING
    • Directors
      • Phillips Smalley
      • Lois Weber
    • Writer
      • Lois Weber
    • Stars
      • Lois Weber
      • Val Paul
      • Douglas Gerrard
    • 21User reviews
    • 11Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Awards
      • 1 win

    Photos

    Val Paul and Lois Weber in Suspense (1913)
    Sam Kaufman in Suspense (1913)
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    Top cast

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    Lois Weber
    Lois Weber
    • The Wife
    Val Paul
    • The Husband
    • (as Valentine Paul)
    Douglas Gerrard
    Douglas Gerrard
    • The Pursuer
    • (as Douglas Gerard)
    Sam Kaufman
    • The Tramp
    Lon Chaney
    Lon Chaney
    • A Hobo
    • (unconfirmed)
    • (uncredited)
    Lule Warrenton
    Lule Warrenton
    • Mamie - The Maid
    • (uncredited)
    • Directors
      • Phillips Smalley
      • Lois Weber
    • Writer
      • Lois Weber
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      A print survives in the National Film Archives in London and was preserved by the British Film Institute.
    • Quotes

      The Wife: [looks out the window] A tramp is prowling around the house!

    • Connections
      Featured in Hollywood (1980)

    User reviews21

    Review
    Review
    Featured review
    Surprisingly Advanced
    Lois Weber was one of the most interesting filmmakers of the 1910s and early 1920s, and despite being one of the most successful directors during that period, she is now largely neglected in the history books and by many silent film enthusiasts. This film of hers "Suspense" is only one of seven I've seen available on home video (as of yet). In 1996, Anthony Slide ("Lois Weber: The Director Who Lost Her Way in History") said that only a dozen or so of her films survive, which according to IMDb is out of the 132 pictures she directed. Regardless, it's a shame that such features of hers as "Discontent", "The Dumb Girl of Portici", "Shoes" (all 1916), "To Please One Woman" (1920) and "What's Worth While?" (1921) which exist aren't more accessible. It's no consolation that the films of many of Weber's contemporaries suffer worse fates.

    Weber specialized in producing social-problem dramas, or message films. "Suspense", however, is the only film of hers that I've seen which did not sermonize. It's a straightforward entry in the genre of last-minute rescue, action-suspense pictures made especially popular in the Nickelodeon age by D.W. Griffith, with such one-reelers as "The Lonely Villa" (1909), "The Lonedale Operator" (1911), "An Unseen Enemy" and "The Girl and Her Trust" (both 1912). Kevin Brownlow said that "Suspense" more specifically took from and one-upped the plot of Griffith's "A Woman Scorned" (1911). Indeed, the editing of "Suspense" is as fluid as in any of Griffith's short films, and Weber uses some novel camera perspectives that Griffith and his cinematographer Billy Bitzer never had.

    "Suspense" isn't quite as fast paced as Griffith's last-minute rescue films, or probably as hectic as the Keystone parodies of them, such as "The Bangville Police" and "Barney Oldfield's Race for a Life" (both 1913). I roughly counted 46 shots in "Suspense", which would be approximately just fewer than five shots per minute or 15.5 feet of film per shot. On the other hand, Griffith's "An Unseen Enemy", with about 119 shots, has approximately seven shots per minute or an average shot length of 8.4 feet. Even Griffith's earlier picture "The Lonely Villa" I counted to have about six shots per minute. Some of my numbers might be a bit off, but they give you a general idea: Weber's film is slower than Griffith's films. This isn't a weakness, though; the somewhat not as fast pace allows for a different tension over whether the husband speeding in a stolen car and chased by police will rescue his wife before the slowly approaching tramp reaches her, and it allows more time to capture the advanced viewpoints of Weber's camera. Moreover, the crosscutting, matching and rapid succession of shots is excellent.

    "Suspense" is a surprisingly advanced film for 1913, especially in regards to the camera angles. The oft-mentioned triptych shots had already been used in the Danish "The White Slave Trade" films (Den hvide slavehandel) (1910)--also for telephone conversations. The shot of the tramp where he approaches and passes nearby the camera for a close-up while climbing the staircase was borrowed from Griffith's "The Musketeers of Pig Alley" (1912). More original perspectives in "Suspense" include the overhead angles and mirror reflections. Overhead angles are employed when the tramp enters the home, such as one point-of-view shot from the perspective of the housewife (played by the director) looking down from a window, which menacingly catches the tramp looking back at her and thus the camera. A mirror shot in the bedroom shows the wife's reflection in frame before she enters it. Rearview mirror reflections show the police approaching the stolen car of the husband as he races home. Clearly, Weber thoughtfully considered and executed the perspectives of her camera views, as relating to the characters or the audience, and the connectivity and rhythm of the shots placed together. Quite exceptional for a generic one-reel plot.
    helpful•14
    1
    • Cineanalyst
    • Jan 30, 2010

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    Details

    Edit
    • Release date
      • July 6, 1913 (United States)
    • Country of origin
      • United States
    • Languages
      • None
      • English
    • Also known as
      • The Face Downstairs
    • Production company
      • Rex Motion Picture Company
    • See more company credits at IMDbPro

    Technical specs

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    • Runtime
      10 minutes
    • Color
      • Black and White
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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