Balduin, a student of Prague, leaves his roystering companions in the beer garden, when he finds he has reached the end of his resources. He is scarcely seated in a quiet corner when a ...
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In Part Two of Louis Feuillade's 5 1/2-hour epic follows FantÃ'mas, the criminal lord of Paris, master of disguise, the creeping assassin in black, as he is pursued by the equally resourceful Inspector Juve.
A Cashier in a bank in a small German town is alerted to the power of money by the visit of a rich Italian lady. He embezzles 60, 000 Marks and leaves for the capital city, where he ... See full summary »
For Balduin, going out to beer parties with his fellow students and fighting out disputes at the tip of the sword have lost their charms. He wants to find love; but how would he, a ... See full summary »
Elizza La Porta,
After a body disappears from inside the prison, a series of crimes take place, all seemingly by the dead man. With Juve presumed dead, Fandor must investigate alone. Will Fantomas finally be brought to justice?
Balduin, a student of Prague, leaves his roystering companions in the beer garden, when he finds he has reached the end of his resources. He is scarcely seated in a quiet corner when a hideous, shriveled-up old man taps him upon the shoulder and whispers vaguely of a big inheritance for Prague's finest swordsman and wildest student if he will enter into a certain agreement. Balduin rebuffs him, satirically asking his weird companion to procure him "the luckiest ticket in a lottery or a doweried wife." The old man goes off chuckling and thence onward persistently shadows Balduin, exerting a sinister influence over him, while Balduin is still disconsolate under the frowns of fortune. The Countess Margit Schwarzenberg, hunting with her cousin, to whom her father has betrothed her, meets with an accident. She is thrown over her horse's head into a river, but Balduin, who has been directed to the spot by his evil genius, plunges in and rescues her. Subsequently Balduin calls to inquire as ...Written by
Moving Picture World synopsis
If "The Cabinet of Dr. Caligari" is the father of all horror films (and of German expressionist cinema), this pre-WWI film is the grandfather. The titular student, starving in an empty garret, makes a deal with the Devil-- the Devil gives him a bottomless sack of gold, in exchange for "anything in this room." The Devil chooses the student's reflection in his mirror. He walks off with the student's doppelganger, who commits crimes for which the student is blamed.
The film is marred by some limitations arising out of the technically primitive state of 1913 filmmaking; the plot cries out for chiaroschuro effects, but the film is, of necessity, virtually all shot in shadowless daylight. But the scene where the reflection walks out of the mirror still packs a wallop.
More interesting for the trends it fortells than for its own sake, The Student of Prague is still worthwhile.
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