In Taipei, the crippled scientist Hashimoto uses his invention of "Menger Sponge" to capture the energy of the spirit of a child in an old building. He invites the specialist in reading ... See full summary »
"A land free of drugs depicts utopia, or so they say - Yet only those who have been there would know the eternal flames that burn in that place called Hell. It was with his creation of ... See full summary »
Tony Ka Fai Leung
Cheng Li-sheung is a young, upwardly mobile professional finally ready to invest in her first home. But when the deal falls through, she is forced to keep her dream alive - even if it means keeping her would-be neighbors dead.
The planned reburial of a village elder goes awry as the corpse resurrects into a hopping, bloodthirsty vampire, threatening mankind. Therefore, a Taoist Priest and his two disciples attempt to stop the terror.
In this eerie and chilling, contemporary, action/special effects laden homage to the classic Chinese vampire movies of the 1980's, writer-director-producer, Juno Mak makes his feature directorial debut. Co-produced by J-Horror icon Takashi Shimizu, and reuniting some of the original cast members of the classic Mr. Vampire series, RIGOR MORTIS is set in a creepy and moody Hong Kong public housing tower whose occupants we soon discover, run the gamut from the living to the dead, to the undead, along with ghosts, vampires and zombies.Written by
Michael J. Werner
Actor Siu-Ho Chin wanted to appear looking "tired" in the movie, so, he requested to be awaken before every 3rd hour after sleeping to prevent him from hitting a REM cycle. Director Juno Mak made the first call to his hotel room to wake him up everyday. See more »
Towards the beginning, we see Pak exiting the elevator through a reflection of Chin's sunglasses. In this image, we also see the floor number 24. However, since this is being seen via reflection, the number 24 should be reversed as a mirror image, but it is not. See more »
The split-second image that pops up before the cast credits begin, is actually of the director, Juno Mak, who is sitting on seat 13. See more »
Revival of the dead also revives Hong-Kong cinema.
Rigor Mortis, alongside Dream Home (2011) and Vulgaria (2012) is a string of strikingly local, one-hundred percent "Made in HK" cantonese productions thoroughly tickling the film buds of HK-cinefreaks like myself.
Prepared in a film industry long perceived as dead by me. One that since have been focusing on mainland China as its' main moviegoer, racking up Chinese-produced spectacles featuring dubbed mainland performers when not dishing out Lan Kwai Fong 1,2,3. This is a very, if not exceptionally, welcomed piece of what drove me to HK-cinema in the first place.
Take a slice of 80's hopping vampires sans the comedy, blended into perfection with stylish visuals, Ju-On-esque storytelling, loads of urban cantonese profanities and one can totally engulf himself in a genuine Hong-Kong movie experience. One rarely stumbled upon today.
Thank you, Juno Mak!
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