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Den sorte drøm (1911)

Two men of high rank are both wooing the beautiful and famous equestrian acrobat Stella. While Stella ignores the jeweler Hirsch, she accepts Count von Waldberg's offer to follow her home, ... See full summary »

Director:

Urban Gad

Writers:

Urban Gad (screenplay), Gebhard Schätzler-Perasini (screenplay)
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Cast

Complete credited cast:
Asta Nielsen ... Stella
Valdemar Psilander ... Grev Johan Waldberg
Gunnar Helsengreen Gunnar Helsengreen ... Hofjuveler A. Hirsch
Rest of cast listed alphabetically:
Emil Albes Emil Albes
Hugo Flink Hugo Flink
Mary Hagen Mary Hagen
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Storyline

Two men of high rank are both wooing the beautiful and famous equestrian acrobat Stella. While Stella ignores the jeweler Hirsch, she accepts Count von Waldberg's offer to follow her home, where she falls in his arms. At her party some days later Hirsch turns up uninvited. He says he wants to give Stella a piece of jewelry, but she repulses his advances. When Waldberg sees this he knocks Hirsch down. Hirsch challenges him to a duel by cards. Waldberg loses all his money, and in the end also has to sign a promissory note on 85.000, which should be paid within 24 hours. To help Waldberg solve his debt Stella goes to Hirsch to receive the brooch he has promised her. While he turns away, she steals a precious necklace from him, but he happens to see the theft in a mirror. He tails her to a park, where he sees Stella giving the necklace to Waldberg. Hirsch tells Stella to come to him at midnight, if she wants him to be silent about the theft. When Waldberg finds out that Stella is going to... Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Add Synopsis

Plot Keywords:

menage a trois | See All (1) »

Genres:

Drama

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Details

Country:

Germany | Denmark

Release Date:

19 August 1911 (Germany) See more »

Also Known As:

The Black Dream See more »

Filming Locations:

Århus, Jylland, Denmark

Company Credits

Production Co:

Fotorama See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Connections

Featured in The Talking Muse (2003) See more »

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User Reviews

 
An eye opener
16 February 2007 | by MartSanderSee all my reviews

All four films made by Asta Nielsen in Denmark (in 1910, 1911 and 1919) , before she became an international superstar, have been released by the Danish Film Institute, which was created a hundred years ago and has taken care of Danish films ever since. Thus we usually get very good, clean and sharp copies of films almost 100 years old. The series is truly amazing, and the Asta Nielsen disk is one of the best. The four features (on one disk) are: Livets storme, Afrgrunden, Den sorte drøm, and Mod Lyset. I had only seen Asta Nielsen's later films, such as Hamlet, before, therefore I was astounded to see that she was a rather beautiful actress in her youth, with a figure of a Barbie doll which she isn't afraid to show. The films are remarkably good as well. In Afgrunden, we see Miss Nielsen as a shy piano teacher who abandons her fiancée in order to elope with a circus artist, who turns her into a harlot and a murderess; in Livets storme she is a dancer whose beauty brings along the ruin of her and of men; in Den sorte drom she is a circus star who does everything for the man she loves, and in Mod Lyset a reckless countess who has to destroy the lives of several men as well as her own before she learns the true values of life. The last tale is a bit moralizing for modern tastes, but the first three (from 1910-1911) are true gems. These films are naturalistic, strong portraits of life before the WW I. Miss Nielsen is a very good actress indeed, as well as a gorgeous clothes horse, wearing the trendiest models of the day around her nonexistent waist. The prints are very sharp, even though the first film shows some decomposition. They should have been released colour tinted and with somewhat more interesting musical accompaniment than the constantly meditating piano, but who cares? These films still were eye openers. When you thought the film wasn't a true art form back in 1910, think again: moving camera, panning camera, closeups, parallel editing, fluent narrative – it's all there, and years before these techniques became accepted in UK, US or Italy.


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