The 1977 Broadway musical returns to the big screen with this Overbrook Entertainment/Sony Pictures production surrounding a 10-year-old Harlem foster child (played by Beasts of the Southern Wild's Quvenzhané Wallis) taken in by a calculating billionaire (Jamie Foxx) who's campaigning to be mayor. Abandoned by her biological parents as a baby, Annie (Wallis) spends every moment of every day attempting to avoid the wrath of her cruel foster mother Miss Colleen Hannigan (Cameron Diaz). Thing start to look up for Annie, however, when she has a very public encounter with Will Stacks (Foxx), a local cell-phone mogul with mayoral ambitions. Stacks' campaign isn't going too well until he meets Annie and invites her into his home at the suggestion of his trusted top assistant Grace (Rose Byrne) and his ambitious PR advisor Guy (Bobby Cannavale). Meanwhile, what was originally conceived as a PR stunt to win over skeptical voters becomes something much more personal when the jaded tycoon ...
Guy shows the clip of Will saving Annie on the screen, and says that someone recorded it and put it on the internet. However, the video was shown from the front angle of the van when it was approaching, then from the side of the van when Will pulled Annie out, the same edit the audience saw in the movie. If the bystander had recorded on the phone, it would only feature one angle. See more »
I can't believe I'm here. I'm in a dress that feels like a cloud. I'm standing in the middle of a giant cinnamon roll.
[looking up at the Guggenheim Museum's atrium]
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The first part of the credits feature the finale number as well as a number of outtakes. See more »
When the movie is aired on BYUTV, the following is cut: All profanity, no matter how mild The "group home" subplot The scenes with Miss Hannigan and the Inspector Miss Hannigan flirting with Will Stacks Miss Hannigan's line about how Guy "got a little handsy". See more »
Make This House a Home
Written by Kevin Bard, Blake Healy (as Timothy Healy) and Rachel Rabin
Performed by Rachel Rabin and Blake Healy
Under license from Sony/ATV Music Publishing See more »
The 1982 version is much better.
'ANNIE': Two and a Half Stars (Out of Five)
Modern-day adaptation of the 1977 Broadway musical (of the same name), which was based on the 1924 comic strip 'Little Orphan Annie'. It stars Quvenzhane Wallis (of 'BEASTS OF THE SOUTHERN WILD' fame), as Annie, and Jamie Foxx, as billionaire Will Stacks (an update on the Daddy Warbucks character, from the comic and musical). It costars Rose Byrne, Cameron Diaz, Bobby Cannavale, David Zayas and Adewale Akinnuoye-Agbaje. It was directed by Will Gluck (who also directed 'EASY A' and 'FRIENDS WITH BENEFITS') and written by Gluck and Aline Brosh McKenna. I don't think it's nearly as enjoyable as the 1982 film version (which I grew up on) but the music is still good (and there's three new songs).
The story, once again, centers on a ten-year-old orphan named Annie (Wallis). She lives at the home of a mean alcoholic, named Colleen Hannigan (Diaz), with four other foster children. Colleen is very abusive to the kids, constantly making them clean her apartment, and only takes care of them so she can collect money from the state. Annie dreams of being reunited with her parents, who promised they'd come back for her (long ago). She runs into New York City mayoral candidate Will Stacks (Foxx), while running home one day, and falls to the ground in the streets. Stacks saves her from being hit, by a truck, and the incident is caught on video. The video then goes viral and Stacks sees it as an excellent opportunity to save his failing campaign. An odd relationship develops between the two.
The film is filled with corny jokes, and bad acting, and it's even more cheesy than the 1982 movie (which I still love, for nostalgic reasons). The music is great, still though (especially my favorite: 'It's the Hard Knock Life'), and the movie does have a positive and upbeat message for kids (like it's source material). It's other saving grace is Quvenzhane Wallis, who has some really powerful scenes (towards the end of the film). She could have delivered another award worthy performance, if her part had been written a little better (she is nominated for a Golden Globe though, but doesn't quite deserve it). For those reasons the movie isn't horrible but the 1982 version is much better.
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