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Flesh and the Devil (1926)

Passed | | Drama, Romance | 25 December 1926 (USA)
Childhood friends are torn apart when one of them marries the woman the other once fiercely loved.

Director:

Clarence Brown

Writers:

Benjamin Glazer (screen play) (as Benjamin F. Glazer), Hermann Sudermann (from the novel "The Undying Past" by) | 1 more credit »
Reviews
1 win. See more awards »

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Cast

Complete credited cast:
John Gilbert ... Leo von Harden
Greta Garbo ... Felicitas
Lars Hanson ... Ulrich von Eltz
Barbara Kent ... Hertha
William Orlamond ... Uncle Kutowski
George Fawcett ... Pastor Voss
Eugenie Besserer ... Leo's Mother
Marc McDermott ... Count von Rhaden (as Marc MacDermott)
Marcelle Corday ... Minna
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Storyline

Leo and Ulrich are life long friends. Home, on leave from their military training, Leo sees the beautiful Felicitas at the railroad station. Awed by her beauty, they meet again at the ball and quietly leave together. In her room, her husband, about whom she has neglected to inform Leo, comes in and challenges Leo to a duel. The duel is done, the Count is killed and Felicitas is a widow. Leo, however, is 'requested' to serve 5 years in Africa and he tells Ulrich to watch over Felicitas while he is gone. After 3 years, Ulrich is able to get a pardon for Leo and all that Leo thinks about on the way home is Felicitas. When he arrives, he learns that Felicitas has married Ulrich. Felicitas likes that Ulrich is rich and she never told Ulrich the truth about Leo and her. Leo is crushed and does not visit them which saddens Ulrich as he does not know the reason why. Leo tries to stay away from her, but Felicitas uses every opportunity to tempt him to return to her as her lover. She creating a... Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Plot Synopsis

Taglines:

The Screen's Great Lover- The Screen's Great Vampire- One Great Picture- (Print Ad- Greensburg Daily Tribune, ((Greensburg, Penna.)) 5 March 1927)

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Release Date:

25 December 1926 (USA) See more »

Also Known As:

El demonio y la carne See more »

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Box Office

Budget:

$373,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1988 sound)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The first scene between John Gilbert and Greta Garbo, in the train station, was also the first time Gilbert ever saw Garbo. He falls in love on camera, so completely in love that he never went back home to his wife. See more »

Goofs

When Leo is talking to Felicitas on the bench in the park and tells her that he must go to Africa, the position of the collar of his overcoat repeatedly changes from pulled up to flat. See more »

Quotes

Train Station Announcer: Schwarzburgsonderhausen... Schwarzburgrudolstadt... Lippedetmoldt-Hannoveranderlein!... Blankenburgamharz!
See more »

Alternate Versions

An alternate ending (included on the "Garbo Silents" DVD release of 2005) continues on from Leo and Ulrich embracing to show Leo deciding to strike up a relationship with Hertha. According to Garbo biographer Barry Paris (speaking on the DVD commentary track), this happy ending was shot by the director under protest. See more »

Connections

Featured in Sizzle (1981) See more »

Soundtracks

Flesh and the Devil Theme
(1926) (uncredited)
Music by Frank Owens
See more »

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User Reviews

 
An undeniable chemistry
11 May 2013 | by jjnxn-1See all my reviews

Famed silent is for the time period a well made melodrama. The story is of no real consequence and now seems very familiar as it probably was at the time of it's release. The communion scene is provocative, very erotic even today and must have been a sensation in '26. The real interest is of course the cast, Garbo especially. Of all the players she is the acting standout, with the exception of a few scenes her performance feels very naturalistic. The same goes for her appearance, whereas everybody else looks like they belong in the 1920's her unadorned hairdos and streamlined clothes convey a contemporary feeling, a flesh impact. Gilbert, who was then wildly popular, is a relic from a bygone era. He looks like he could be attractive but his ridiculous mustache and the heavy makeup required at the time sabotage his handsomeness. His acting is quite mannered and uneven, he was much better in The Big Parade, but he and Garbo share an undeniable chemistry. The real offender in overacting is Lars Hanson his eye-popping and herky jerky movements are a textbook example of the worst kind of silent screen performance, the impression that keeps a lot of people from giving silents a try. The other major person in this passion play is Barbara Kent as the angelic young thing in contrast to Garbo's rapacious strumpet. Kent passed away at 103 in 2011 one of the last remaining silent screen stars although she turned her back on public life and had been a recluse since the 50's.


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