John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.

Director:

John Moore

Writers:

Skip Woods, Roderick Thorp (certain original characters by)
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Popularity
3,797 ( 647)
5 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bruce Willis ... John McClane
Jai Courtney ... Jack McClane
Sebastian Koch ... Komarov
Mary Elizabeth Winstead ... Lucy
Yulia Snigir ... Irina
Radivoje Bukvic ... Alik (as Rasha Bukvic)
Cole Hauser ... Collins
Amaury Nolasco ... Murphy
Sergey Kolesnikov ... Chagarin
Roman Luknár ... Anton
Zolee Ganxsta Zolee Ganxsta ... MRAP Driver (as Ganxsta Doglegy Zolee)
Péter Takátsy ... Prosecutor
Pasha D. Lychnikoff ... Cabbie
Megalyn Echikunwoke ... Pretty Reporter
Melissa Tang ... Lucas
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Storyline

Iconoclastic, take-no-prisoners cop John McClane, for the first time, finds himself on foreign soil after traveling to Moscow to help his wayward son Jack - unaware that Jack is really a highly-trained CIA operative out to stop a nuclear weapons heist. With the Russian underworld in pursuit, and battling a countdown to war, the two McClanes discover that their opposing methods make them unstoppable heroes. Written by Guy from Estonia

Plot Summary | Plot Synopsis

Taglines:

Yippee Ki-Yay Mother Russia See more »

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Noam Murro was originally the director, but his commitment to the film 300: Rise of an Empire (2014) prevented him from working on this film. Other directors considered including Joe Cornish, Justin Lin and Nicolas Winding Refn. See more »

Goofs

In the chase scene, the blue van with Jack and Komarov has a loose headlight. In the next shot, it's fixed, and then broken again in the next. See more »

Quotes

John McClane: Me and my boy here, we're gonna put a whuppin' on ya!
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Alternate Versions

After the UK censors informed Fox that the R-rated cut of the film would be carry a 15 rating, the distributors cut out almost all strong language, some scenes of fisticuffs and bloodier violence in order to release the film with a 12A rating for theatrical exhibition only. The cuts were waived when released on DVD and Blu-ray in the UK in 2013 with a '15' rating thus presenting the US R-rated Theatrical Version uncut for home video release. The UK 12A Theatrical cut is not released on home video formats. See more »

Connections

Referenced in Friday Night with Jonathan Ross: Episode #12.14 (2007) See more »

Soundtracks

McClane's Brain
(uncredited)
Written by Marco Beltrami
Performed by Marco Beltrami
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User Reviews

 
I kept an open mind, but so much was left to be desired.
14 February 2013 | by johnnymacbestSee all my reviews

In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.

So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.

Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.

The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.

In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.

I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.


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Frequently Asked Questions

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Details

Country:

USA | UK | Hungary

Language:

English | Russian | Hindi | Punjabi

Release Date:

14 February 2013 (USA) See more »

Also Known As:

Die Hard 5 See more »

Filming Locations:

Hungary See more »

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Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend USA:

$24,834,845, 17 February 2013

Gross USA:

$67,349,198

Cumulative Worldwide Gross:

$304,654,182
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Company Credits

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Technical Specs

Runtime:

| (Extended Cut)

Color:

Color

Aspect Ratio:

1.85 : 1
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