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The Irishman (2019)

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A mob hitman recalls his possible involvement with the slaying of Jimmy Hoffa.

Director:

Martin Scorsese

Writers:

Steven Zaillian (screenplay), Charles Brandt (book)

A Guide to the Films of Martin Scorsese

For the past 50 years, Academy Award-winning filmmaker Martin Scorsese has crafted iconic films like Taxi Driver, Goodfellas, and The Irishman. We dive into Scorsese's trademarks.

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Top Rated Movies #159 | Nominated for 5 Golden Globes. Another 26 wins & 124 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert De Niro ... Frank Sheeran
Al Pacino ... Jimmy Hoffa
Joe Pesci ... Russell Bufalino
Harvey Keitel ... Angelo Bruno
Ray Romano ... Bill Bufalino
Bobby Cannavale ... Skinny Razor
Anna Paquin ... Older Peggy Sheeran
Stephen Graham ... Anthony 'Tony Pro' Provenzano
Stephanie Kurtzuba ... Irene Sheeran
Jack Huston ... Robert Kennedy / RFK
Kathrine Narducci ... Carrie Bufalino
Jesse Plemons ... Chuckie O'Brien
Domenick Lombardozzi ... Fat Tony Salerno
Paul Herman ... Whispers DiTullio
Gary Basaraba ... Frank 'Fitz' Fitzsimmons
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Storyline

Frank "The Irishman" Sheeran is a man with a lot on his mind. The former labor union high official and hitman, learned to kill serving in Italy during the Second World War. He now looks back on his life and the hits that defined his mob career, maintaining connections with the Bufalino crime family. In particular, the part he claims to have played in the disappearance of his life-long friend, Jimmy Hoffa, the former president of the International Brotherhood of Teamsters, who mysteriously vanished in late July 1975 at the age of 62. Written by bcarruthers-76500

Plot Summary | Add Synopsis

Taglines:

Time Changes Nothing See more »

Genres:

Biography | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language and strong violence. | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Italian | Latin | Spanish

Release Date:

27 November 2019 (USA) See more »

Also Known As:

I Heard You Paint Houses See more »

Filming Locations:

New Jersey, USA See more »

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Box Office

Budget:

$159,000,000 (estimated)

Cumulative Worldwide Gross:

$885,600
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color | Color (HD)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Steve Witting, who plays Judge William Miller, played the role of Elliot Cookson in Hoffa (1992), a film about Jimmy Hoffa. See more »

Goofs

When the taxis are being dumped into the water there are 2 distinct models of Checker cars, some have side maker lights on the front and back fenders, others do not. Side marker lighting was not made mandatory in the USA until 1968, meaning some of the cars in the shot are pre-1968 model Checkers, and others are 1968 or newer. See more »

Quotes

[first lines]
Frank Sheeran: [narrating] When I was young, I thought house painters painted houses. What did I know? I was a working guy. A business agent for Teamster Local 107 out of South Philly.
Frank Sheeran: One of a thousand working stiffs... until I wasn't no more. And then I started painting houses... myself.
See more »

Crazy Credits

Other than the Netflix logo and the film's original title (I Heard You Paint Houses), there are no opening credits for this movie. See more »


Soundtracks

The Fat Man
Written by David Bartholomew and Fats Domino (as Antonie Domino)
Performed by Fats Domino
Courtesy of Capitol Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
Weak by any standard but by Scorsese it's very
27 November 2019 | by CarsonTrentSee all my reviews

Sadly a sub-par effort from one of my all time favorite directors. The story is weak (by Scorsese standard) and overly stretched. I can understand the appeal to revisit his trademark Italian gangster genre one more time, but this one feels unnecessary. The also trademark Scorsese humor is in-existent (except for the painting walls bit). De Niro looks disoriented, in the worst physical (hunched over almost the whole movie) and acting shape ever and out of place. Not very surprising, either. He spent the better part of the last 15 to 20 years doing mock impressions of himself which after the novelty faded ended him up in a series of quite dubious productions. That's a very long time to lower the bar and obviously takes its toll.

The De-aging technique is unconvincing when the actors move. Their faces look animated, fake. There is little and uninspired music. Keitel looks fantastic but is underused. Pacino kinda overacts on occasion. Pesci looks fantastic and is in top form acting-wise but he's also in a supporting role (he's the best part of the movie) so he doesn't have a big impact on the movie. Romano is in top form but his part is also small.

The movie is slow, linear, extremely long, predictable (how often have we seen the Hoffa story on screen? a superior version starring Nicholson comes to mind) and dull. There isn't much going on action-wise. A lot of innuendo and he said they said, but aside some quite dull hit-jobs where de Niro is supposed to be in his prime but moves like a 75 year old the story is quite static. The dialog is stale. Stunts are weak to say the least (Pacino's double excessively hiding his face when he hits the floor in a fight and obviously wearing a wig and body padding, and the store owner more than obviously throwing himself through the window of the store while De Niro clumsily mimics hitting him around come to mind, rendering those scenes borderline laughable). Colors, interiors, costumes are all in shades of beige. Camera work is rigid. Plus the Hoffa story is old news to begin with, there are so many insane things going on right now and would translate better to the screen in 2019. The edgy fast paced crazy energy of the more recent Wolf of Wall Street (not to mention his earlier masterpieces Casino, Raging Bull, Taxi Driver, Mean Streets or Goodfellas etc) seems that of a different director.

All in all the weakest film in Scorsese's portfolio and not above a 6 stars out of 10 by any standard (I'm inclined to be lenient mainly because he managed to bring Pesci out of retirement for this. But by Scorsese standard it's well below that). It's more of a self-indulgent piece of nostalgia best left unmentioned when it's all said and done. And I'm hopeful that Marty will surprise us with more of his best work in the future and we can sweep this one under the rug.


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