This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by ...
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The first days of WWI. Adrien, a young and handsome lieutenant, is wounded by a piece of shrapnel. He will spend the entire wartime at the Val-de-Grâce Hospital, in Paris. Five long years, ... See full summary »
Set in France at the end of World War II Albert Dehousse finds out his father wasn't a war hero and his mother is a collaborator. He leaves his wife and goes to Paris. Gradually he ... See full summary »
A detective in post-Katrina New Orleans has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching, and corrupt local businessmen.
Tommy Lee Jones,
This gritty police drama shows us the underbelly of the Parisian drug trade. Lulu is a tough streetwise narcotics cop who, like a Frank Serpico or a Dirty Harry Callahan, doesn't play by the rules or kowtow to his weak and/or corrupt superiors. Lulu thrives in this violent world, where sheer guts can overcome his squad's deficiencies of money and equipment. Despite the ruthless environment that he lives and works in every day, he still manages somehow to maintain his humanity.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
A journal of working on the film was written by Bertrand Tavernier and published in Projections Issue No. 2 which is published yearly. The journal section is called "I Wake Up, Dreaming: A Journal for 1992" and begins on page 252. See more »
A police investigator specializes in busting as many narcotics dealers as he can, but aside from the sad fact that drugs seem to have permanently permeated society, his sincere efforts are often undermined by his own department superiors. Both aspects are very well dramatized. As well, he faces the problem in a more personal way because of his ambiguous relationship with a heroin addict prostitute. At one point his best street informant is exposed by one of the officers in his own police unit, who declares that "you can always find another one". Laying the groundwork, going from stakeout to stakeout and from slum to slum, the film has a gritty authenticity and the main character played by Didier Bezace makes a unique cop who actually believes in what he's doing.
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