In Paris outskirts Blanche, a young clerk, befriends Lea, a girl livelier than she is. Lea is going steady with Fabien who is a friend to Alexandre who is going steady with Adrienne but is ... See full summary »
Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues ... See full summary »
Simple conversations engender complicated human interactions. Jeanne is open and even-tempered, a philosophy teacher at a lycée. Her fiancé is away and she doesn't want to stay at his messy... See full summary »
A shy maths graduate takes a holiday in Dinard before starting his first job. He hopes his sort-of girlfriend will join him, but soon strikes up a friendship with another girl working in ... See full summary »
On lakeside summer holiday, a conflicted older man is dared to have a flirt with two beautiful teenage stepsisters despite his betrothal to a diplomat's daughter and the fact that the girls have boyfriends.
Reinette and Mirabelle are two young girls. Reinette lives in the countryside, Mirabelle in Paris. They meet during a holiday of Mirabelle in the country, when Reinette helps her to repair ... See full summary »
Delphine's traveling companion cancels two weeks before her holiday, so Delphine, a Parisian secretary, is at loose ends. She doesn't want to travel by herself, but has no boyfriend and seems unable to meet new people. A friend takes her to Cherbourg; after a few days there, the weepy and self-pitying Delphine goes back to Paris. She tries the Alps, but returns the same day. Next, it's the beach: once there, she chats with an outgoing Swede, a party girl, and a friendship seems to bud; then, suddenly, Delphine bolts, heading back to Paris. As she waits at the Biarritz train station, a young man catches her eye; perhaps a sunset and the sun's green ray await.Written by
Marie Rivière first encountered Éric Rohmer's work in the early 1970s. She wrote a letter to the director, expressing an interest in working with him. This led to small parts in some of his films, culminating in this full collaboration with Rohmer where Riviere's contribution to the screenplay was so extensive, she received a co-writing credit. As such, the screenplay was actually just a framework for the actors as practically all the dialogue was improvised. Riviere would actually go on to make a documentary about Rohmer which she completed in 2010, just months before the director's death. See more »
We have been conditioned as a culture to believe that happiness lies in an ideal, future state. For example, we think it will all turn out when we finish school, when we get a job, when we get married, when we have children, then when we get divorced, or when we retire. It is always something or someplace more, better, or different but the more things change, the more they seem to remain the same. In Summer, aka The Green Ray, one of Eric Rohmer's most insightful and charming films, Delphine (Marie Riviere) is a young, intelligent, and good-looking Parisian secretary who has spent her life looking for "Mr Right". Like many who spend their life "searching", she is a perfectionist who keeps people away by maintaining impossible standards, then feels inadequate and unloved when things do not work out. She is interesting rather than interested.
When vacation time comes, her girlfriend goes to Greece with a boyfriend and she is left alone and feeling rejected. Turning down an offer to visit Ireland with her sister's family, she decides to take a trip to Cherbourg with a friend and her boyfriend, and does her best to fit in but it only leads to more frustration. After her friends prepare an elaborate dinner she tells them that she doesn't meat, seafood, or eggs and prefers vegetables like lettuce because they make her feel "light". She won't go sailing because it makes her seasick and she refuses a gift of apple blossoms because she thinks it's wrong to tear such large branches from trees. Rohmer impeccably captures Delphine's intense loneliness, a feeling of isolation that is even more pronounced when the people around you are doing what they think will make you happy. Near tears, she returns to Paris after only a few days in Cherbourg, then visits the Alps thinking she will go mountain climbing but she stays only one day.
When Delphine borrows a friend's apartment in Biarritz, however, she does settle down long enough to unpack. In Biarritz, the story is pretty much the same, however. Delphine says that she wants to meet people but when the opportunity arises in the form of two young men and Lena (Carita), a young Swedish blond, she runs the other way, although from all indications, leaving seems to be the most sensible option. Lena advises her to play cat and mouse with men. "It's like a card game", she says, "you can't reveal your hand right off". Delphine uses this piece of advice as another reason for beating herself up. "My hand is empty", she declares.
Delphine doesn't seem to believe in much, but, like many lonely people, she looks for signs that things are going to turn out all right. She is fascinated with playing cards and when she finds a green card lying in the street, she knows that green is her color of destiny for this year. While strolling the beach at Biarritz she overhears a conversation about a Jules Verne novel about an atmospheric phenomenon known as the Green Ray and she is mesmerized. According to Verne, just before the sun sets below the horizon, if you can see a burst of green light, it will help allow you gain an insight into your true self.
A synopsis of the plot, however, tells us little about what actually goes on in this mostly improvised film. Like most Rohmer works, what happens in the silences is more revealing than in the conversations. An entire world is written in the gestures, the facial expressions, and the nuances that reveal each character's personality. Summer is an intimate story of a woman's loneliness that rings true and brought back a flood of painful memories for me. Delphine, for all her warts, is very human. Somewhere up ahead always looks better than right here. When she can open herself up to the perfection of the moment, however, she becomes directly present to the world and can share its ineffable beauty.
49 of 52 people found this review helpful.
Was this review helpful to you?
| Report this