In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
A man opens the big gates to the Lumière factory. Through the gateway and a smaller doorway beside it, workers are streaming out, turning either left or right. Most of them are women in ... See full summary »
A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised, and looks into the nozzle to find out why... See full summary »
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
George Melie's "A Trip to the Moon" welcomes a change in film making of the twentieth century.
George Melies's `A Trip to the Moon' welcomes a change in film making of the twentieth century. Combined with live action as well as models, the movie tells a story about astronauts who take a trip to the moon. The moon, having a human face captures the astronauts after they crash into its eye. They later escape the moon and it's moon-men and make it back to earth safely. Melies wrote, directed and starred in this movie. He used many important techniques in his films to make them successful. Not only did he develop editing skills and superimposed images, he also used double exposure to complete the magic behind his films. Still used today, Melies's special effects, small models, painted backgrounds, weird makeup and costumes were just some of the important things used in the movie `A Trip to the Moon.'
For the filmmaker Melies, the use of stop action photography played an important role in `A Trip to the Moon.' He specialized in making objects vanish or change by stopping and restarting his camera. The use of self-painted sets, real people along with animated figures and the placement of real faces on objects helped this 1902 movie draw in his audience and leave them with many astonished looks.
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