This George Méliès' extraordinary fairy-tale film adaptation of author Charles Perrault's "Cendrillon", is considered to be the first film to use a dissolve transition in-between scenes. With the use of twenty masterly coloured engravings by Gustave Doré to illustrate the storyline's interchanging scenes, the director portrays Cinderella's well-known story, as the Fairy Godmother works her magic, transforming a poor and ragged girl to a fine aristocratic Lady at the King's Ball. In less than seven minutes, everything is here: from the magnificent magical carriage and the jealous sisters, to the noble Prince Charming and the dainty slipper. Of course, here too, time is of the essence.
Did You Know?
In 1900, a film made by hand colored. See more