Tom Powers and Matt Doyle are best friends and fellow gangsters, their lives frowned upon by Tom's straight laced brother, Mike, and Matt's straight laced sister, Molly. From their teen-aged years into young adulthood, Tom and Matt have an increasingly lucrative life, bootlegging during the Prohibition era. But Tom in particular becomes more and more brazen in what he is willing to do, and becomes more obstinate and violent against those who either disagree with him or cross him. When one of their colleagues dies in a freak accident, a rival bootlegging faction senses weakness among Tom and Matt's gang, which is led by Paddy Ryan. A gang war ensues, resulting in Paddy suggesting that Tom and Matt lay low. But because of Tom's basic nature, he decides instead to take matters into his own hands.Written by
Further connection to the Charles Dion O'Bannion reference is that the rival gang in the film are led by "Schemer Burns", an obvious reference to the real-life "Schemer Drucci", who was part of the North Side Gang led by O'Bannion. See more »
Opening the scene where Paddy Ryan's bar is bombed we see two individuals standing up in an open car preparing to throw the bombs that will destroy the building. They throw the bombs and as the car pulls away both of the bombs have bounced off the building and can be seen rolling in the street immediately behind the car as it accelerates out of the frame and the building blows up anyway. See more »
It is the ambition of the authors of "The Public Enemy" to honestly depict the environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the criminal. While the story of "The Public Enemy" is essentially a true story, all names and characters appearing herein, are purely fictional. See more »
For a 1941 re-release, three scenes in "The Public Enemy" were censored to comply with the Production Code. These censored segments (including an extended edit of the scene involving the gay tailor) were restored for the 2005 DVD release. See more »
"The Godfather" trilogy and "Goodfellas" owe a lot to this gangster film that preceded them both by at least fifty years. "The Public Enemy" was perhaps one of the first mob films that followed the rise and fall of a gangster and showed not only the implication of his actions on himself but on his family as well.
The film is far from perfect. The first ten minutes of the film in which we are shown a glimpse into the characters' childhood are jerky at best and feel as if much of it was left on the cutting room floor. The movie's incessant fast pace thereafter don't allow for much to sink in, but Cagney saves the day with an absolutely fiery performance. Not one person is spared from his bubbling anger and ferocious delivery.
Finally, the ending will leave you gasping - even by today's standards.
"The Public Enemy" is a must see for any true fan of the mob movie genre.
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