8.0/10
6,860
61 user 39 critic

The Crowd (1928)

Not Rated | | Drama, Romance | 3 March 1928 (USA)
The life of a man and woman together in a large, impersonal metropolis through their hopes, struggles and downfalls.

Director:

King Vidor

Writers:

King Vidor (screen play), John V.A. Weaver (screen play) | 1 more credit »
Reviews
Nominated for 2 Oscars. Another 1 win. See more awards »

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A group of down-on-their-luck workers combine their abilities to make a Gallafentian-style commune... and bread!

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Cast

Complete credited cast:
Eleanor Boardman ... Mary Sims
James Murray ... John Sims
Bert Roach ... Bert
Estelle Clark ... Jane
Daniel G. Tomlinson Daniel G. Tomlinson ... Jim - Mary's Brother
Dell Henderson ... Dick - Mary's Brother
Lucy Beaumont ... Mary's Mother
Freddie Burke Frederick Freddie Burke Frederick ... Junior Sims
Alice Mildred Puter Alice Mildred Puter ... Baby Sims
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Storyline

Born on the fourth of July, 1900, the future holds unlimited potential for newborn John Sims. But dreams soon fade with the death of his father when John is but a lad. Like many before him, John sets out to make his mark in New York City, but ends up a faceless worker (#137) in a large office of a large business. Still he is happy with his fate and soon meets a young woman named Mary on a blind double date. Things take their course and they soon marry and live in a small apartment. Soon John is bickering with Mary and finds that he has no love for the in-laws. When the marriage looks like a bust, he finds that Mary is with child and he stays. After 5 years, he has a son and a daughter and the same dead end job. When tragedy strikes, John must find the conviction to continue or lose what little he has left. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

The Story of You and I, the man next door, told with a sweep of drama Magnificent and Amazing. (Print Ad- Picton Post, ((Picton, NSW)) 4 December 1929) See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Release Date:

3 March 1928 (USA) See more »

Also Known As:

One of the Mob See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

King Vidor used hidden cameras for many scenes on New York City streets using real crowds instead of extras, real buses and trains and even real traffic cops. In one scene a police officer is looking toward the camera, admonishing someone to "move along". In fact, he was actually addressing Vidor and his disguised film crew. Vidor cleverly incorporated it into the scene. See more »

Goofs

When a distraught John creates a ruckus at his office and leaves, shouting he's giving up his job, his suit is ragged and torn as he tussles with other workers. In the next scene, at home, his suit coat is perfect with no damage to it at all. See more »

Quotes

Party Girl at Bert's Place: Oh, Gee, Baby! How did the angels ever let you leave Heaven?
See more »

Alternate Versions

MGM forced director King Vidor to film seven different endings to the film, giving exhibitors the chance to pick a happy or sad one as they pleased. Not a single exhibitor chose to use a happy ending. See more »

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User Reviews

 
Depressing but fascinating
20 June 2003 | by preppy-3See all my reviews

Silent drama about John (James Murray) and Mary (Eleanor Boardman) meeting in NYC, falling in love and marrying. John wants to make it big--to be somebody. He looks down on those who, he feels, have failed. But, after marriage and two kids, he's still stuck in the same dead-end job and sees no way out. Then tragedy strikes and John starts to crack.

A failure when first released (it's easy to see why--it's very depressing) but now considered a masterpiece. The story is grim but the ending is happy and realistic. Murray and Boardman give superb performances (especially Murray during a scene with his son on a bridge) and King Vidor's direction is superb. The visuals in this film are decades ahead of their time. His use of the crowds and the individuals lost among them are just great.

Hard to describe but a definite must-see. Just don't expect a barrel of laughs.


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