It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ...Written by
When George is leaving for work in his car, and looking at the girl who lives in the house across the street dancing in slow-motion, the house behind her has dimensional-style shingles, which were first available in the 1980s. See more »
Let's leave the Jews out of this just for a moment and think of another minority, one that can go unnoticed if it has to.
See more »
Isherwood, Ford and Firth, not necessarily in that order
A startling surprise. Tom Ford's debut as a director tells, in exquisite images, a very personal story, based on a short story by Christopher Isherwood. What makes everything fly so high is a fantastic performance by Colin Firth. I've followed Colin Firth career from the very beginning "Tumbledown", "Another Country", "Apartment Zero" where he creates a character never seen on the screen before or since, "Pride and Prejudice" where he reinvented D'Arcy's character, "Fever Pitch" where he showed a new face in riveting tragicomic strokes. So I should have been prepared for something new and special and maybe I was but the effect his performance in "A Single Man" had on me was (is) totally unexpected. It changed my perception of things, it made me look inwards and think of things I had put aside. I can't wait to see it again. I saw the look of love and that look remains knocking in my mind as if to keep me awake and aware. Tom Ford takes enormous visual risks in the telling of his story. It may work for some, some others will certainly dismiss or ridicule. I, for one, stand up and applaud.
304 of 363 people found this review helpful.
Was this review helpful to you?
| Report this