When the king of Denmark dies suddenly, his son, crown prince Hamlet, returns home to find that his uncle Claudius has usurped the throne and married Hamlet's recently widowed mother. Then, one night, Hamlet is visited by his father's ghost who commands him to avenge his murder at the hands of Claudius.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
War begets revenge. Victorious General Titus Andronicus (Sir Anthony Hopkins) returns to Rome with hostages: Tamora (Jessica Lange), Queen of the Goths, and her sons. He orders the eldest hewn to appease the Roman dead. He declines the proffered Emperor's crown, nominating Saturninus (Alan Cumming), the last ruler's venal elder son. Saturninus, to spite his brother Bassianus (James Frain), demands the hand of Lavinia (Laura Fraser), Titus' daughter. When Bassianus, Lavinia, and Titus' sons flee in protest, Titus stands against them and slays one of his own. Saturninus marries the honey-tongued Tamora, who vows vengeance against Titus. The ensuing maelstrom serves up tongues, hands, rape, adultery, racism, and Goth-meat pie. There's irony in which two sons survive.Written by
The position of the spoon as Lucius jams it down Saturninus' throat. See more »
Chiron, thy years wants wit, thy wit wants edge and manners, to intrude where I am graced, and may for aught thou knowest, affected be.
Demetrius, thou dost overween it all and so in this, to bare me down with braves. 'Tis not the difference of a year or two makes me less gracious or thee more fortunate. I am as able and as fit as thou to serve and deserve my mistress' grace, and that my sword upon thee shall approve. And plead my passions for Lavinia's love.
[to the camera]
Clubs, clubs! These ...
[...] See more »
This film demonstrates how a stage director can combine the unique atmosphere of theater with the stark realism--and fantastic effects-- of film and make a beautiful, moving masterpiece. The words are Shakespeare, the staging is fabulous, the costumes and sets are remarkable and memorable. Jessica Lange and Anthony Hopkins and Alan Cummings radiate. Seeing Titus leaves one exhausted and exhilarated, believing one has seen true, gifted, timeless film making.
Titus is one of Shakespeare's little-known, earlier works, and it is a violent, disturbing tragedy. The producer and director took incredible risks to bring this remarkable experience to you. I know you will be moved.
75 of 89 people found this review helpful.
Was this review helpful to you?
| Report this