Monty Wildhorn, an alcoholic novelist of Westerns, has lost his drive. His nephew pushes him to summer in quiet Belle Isle. He begrudgingly befriends a newly single mom and her 3 girls who help him find the inspiration to write again.
David is a teenager whose parents are in a deteriorating marriage after their infant daughter dies. Clara is a chambermaid at a Jamaican resort who's hired to be a housekeeper. She and ... See full summary »
Ghosts of Mississippi is a real-life drama covering the final trial of Byron De La Beckwith, the assassin of heroic civil rights leader Medgar Evers. The movie begins with the murder on June 12, 1963 and the events surrounding the two initial trials which both ended in hung juries. The movie then covers district attorney Bobby De Laughter's transformation and alliance with Myrlie Evers, Medgar Evers' widow, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Byron De La Beckwith was convicted on February 5, 1994, after having remained a free man for much of the 30 years after the murder, giving justice for Medgar Evers' family.Written by
Joel Schesser <firstname.lastname@example.org>
Byron de la Beckwith was then residing in the county jail, not a half a mile from where they were filming the courtroom scenes. No one went to visit him, and he knew they were there. Rob Reiner claimed to have gotten a look at his cell, and said it was full of white supremacist literature Beckwith was still reading. See more »
When Bobby Delaughter is on the phone to Myrlie Evers and Charley attempts to interrupt him with the news that Byron was quoted of having confessed to killing Evers years earlier, Bobby is wearing his wedding ring. Shortly thereafter when he's in the hospital for his eldest son's injury (and first meets the doctor, his second wife), he is not wearing wedding ring. See more »
[quoting Medgar Evers]
I don't know if I'm going to Heaven or to Hell, but I'm going from Jackson.
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Glossy but highly effective thriller based on the true story of an attempt to bring a racially motivated killer to trial. The film suffers from a certain liberal obviousness: brave, charming white man (who loves his kids) and dignified black widow fight side by side for justice; but it's always compelling, and pertinent too. No magic, then, but a strong story: one of director Rob Reiner's better efforts.
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