The House of the Devil (1896)

With the help of a magic cauldron, Mephistopheles conjures up a variety of supernatural characters.

Director:

Georges Méliès

Writer:

Georges Méliès

Stars:

Jehanne d'Alcy, Jules-Eugène Legris, Georges Méliès

Cast

Credited cast:
Jehanne d'Alcy	...	Young woman (as Jeanne d'Alcy)
Jules-Eugène Legris	...	Mephistopheles (unconfirmed)
Georges Méliès	...	Mephistopheles

Storyline

A bat flies into an ancient castle and transforms itself into Mephistopheles himself. Producing a cauldron, Mephistopheles conjures up a young girl and various supernatural creatures, one of which brandishes a crucifix in an effort to force the devil-vampire to vanish.

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Plot Keywords:

monster | mephistopheles | supernatural | cauldron | castle | 

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Genres:

Short | Horror

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Certificate:

Not Rated

Details

Country:

France

Also Known As:

The Haunted Castle

Filming Locations:

Montreuil, Seine-Saint-Denis, France

Company Credits

Production Co:

Georges Méliès,Star-Film

Technical Specs

Runtime:

3 min

Sound Mix:

Silent

Color:

Color (hand-colored) Black and White

Did You Know?

Trivia

Film historians argue that this is the first film depiction of a vampire. While director and actor credited his character as Mephistopheles, a legendary demon, many horror elements associated with vampires exist in the film and are exhibited by the character. These include the transformation from bat to human form, conjuring a harem of demonic brides, apparent mesmeric control, and the ability to conjure humans and creatures to serve him. Many of vampire stereotypes featured here remained tropes in early films about vampires.

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Goofs

One of the ghosts (all of whom are wearing a white sheet over their head) cannot see where he is going, and walks right into a wall.

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Connections

Featured in Monster Vision: A History and Analysis of Horror Cinema (2016)

User Reviews

not a horror but a comedy

this film, although generally seen as the first horror, was in fact originally intended to amuse rather than scare. its only when you look at it with todays understanding of horror conventions that we see it as such. yes, it does correspond with the whole dark and impending thing and have aspects of the supernatural and creatures that we, as a modern cinema going audience connect automatically with horror, but if you view it as those at the time would have, you start to see that contrary to being a fear inspiring piece, it is actually a very interesting and cleverly put together series of artistic images. also, bearing in mind the level of filmic technology available at the time, is a fairly superior piece, but most definitely not a horror.