It was under the above arrangement, that a Lumiere cameraman arrived in Jerusalem during 1896. One film that he made had to have a profound effect on the audience of that day. People who had never been more than a few miles from home could be in Jerusalem and for one minute, actually see their departure from that holy city in that holy land.
We are standing on the observation platform, on the rear car of a train, for our last look at Jerusalem which is seen only through our eyes. Men are standing on the tracks looking at us. In the background are what appears to be stone ruins in an arid area. Abruptly, the train moves away from this scene and the view widens as the men appear to wave good-bye. As massive stone walls come into view, we realize there is a train station platform. We glide past the crowd in front of the station; there to bid us farewell. Christians, Jews or Muslims can relate to the people on the platform; seemingly wistful at our departure. There is a visceral appeal of being in a wonderful place and leaving it with sadness. Forty-four seconds after the start, the screen goes blank.
This type of picture, where the viewer is propelled through a scene by an unseen force, would be used (during the next few years) by a large number of cinematographers and would be called a "phantom ride."