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Rough Sea at Dover (1895)

Not Rated | | Documentary, Short | 14 January 1896 (UK)
The sea is quite rough, and at Dover a series of heavy waves pounds against a pier and along the adjacent shoreline. The scene then shifts to a different view of flowing water, and shows a heavy current from a point along a riverbank.
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Storyline

The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

dover england | ocean | See All (2) »

Genres:

Documentary | Short

Certificate:

Not Rated
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Details

Country:

UK

Release Date:

14 January 1896 (UK) See more »

Also Known As:

A South-West Storm in Dover See more »

Company Credits

Production Co:

Birt Acres,Robert W. Paul See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent
See full technical specs »

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User Reviews

Somewhat Unrefined, But Memorable Footage
4 August 2005 | by Snow LeopardSee all my reviews

The footage in "Rough Sea At Dover" is rather unrefined, at least in its present condition, but it features some memorable views. The main footage is now rather blurry and unclear, and it's hard to tell just how realistic it may have looked originally. Again as it now stands, the movie consists of two different scenes that may have been edited together after the fact - once again, it's probably impossible to tell with certainty. But in any event, this short movie is one of the more effective examples of the type of early 'actuality' that features water in motion.

The scene at Dover catches the wall of a pier as heavy waves crash against it, and the slightly diagonal camera angle adds to the power of the sea as it comes towards the viewer. If the picture were less blurry, it might be an excellent shot. The second scene must come from an entirely different, inland location, but it too shows a good view of water in motion, from a different perspective.

The early cinema team of Birt Acres and R.W. Paul did not stick together very long, but this feature shows what they were capable of doing.


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