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The Messers. Lumière at Cards (1896)

Partie d'écarté (original title)
Two men play cards, as a third watches and a waiter brings drinks. The third man pours drinks as the waiter laughs.

Director:

Louis Lumière
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Cast

Credited cast:
Antoine Féraud Antoine Féraud ... Valet
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Storyline

Three men sit around a table at a terrace outside a bistro. Two of them are playing cards, while the third calls the waiter by knocking at the table. The waiter arrives, receives the order, and is swiftly back, carrying a tray with a bottle of wine and three glasses. While the third man fills the glasses with wine, the waiter follows the card game with great interest, applauding and laughing loudly. The three men raise their glasses and toast. The two card players put more money on the table and continue their game. Written by Maths Jesperson {maths.jesperson1@comhem.se}

Plot Summary | Add Synopsis

Genres:

Documentary | Short

Parents Guide:

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Details

Country:

France

Release Date:

23 February 1896 (France) See more »

Also Known As:

The Messers. Lumière at Cards See more »

Company Credits

Production Co:

Lumière See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Color:

Color (hand-colored)| Black and White

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Lumière Catalogue no. 73. See more »

Connections

Featured in The Magic of Méliès (1997) See more »

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User Reviews

 
Family movies: A window to different era...
26 April 2007 | by jluis1984See all my reviews

On December 28, 1985, the Lumière brothers showed a new invention to the world, able to project motion pictures in a screen, in the same way as slide-show photographs were done. Lumière's movies showed the common events of real life as they were captured by their camera and brought to life by the Cinématographe; the thirty-three people who saw their movies for the first time watched in awe as people walked through streets or played cards as if the photograph projected on the screen was alive. It is often said that photographs are captured memories of the past, that allow us to revisit moments long gone and to witness events from a distant time and place. Well, if cinema is basically moving photographs, the same thing can be said about it, as when Louis and August Lumière decided to experiment with moving pictures, their principal motivation was to capture real life as they knew it. And they more than succeeded in their attempt.

On that first screening, the brothers showed 10 movies, but many more moves were done for future screenings. "Partie De Cartes" (literally, "Card Game") was one of those made to follow that initial success. What made "Partie De Cartes" different to most of the Lumière's actuality films, is that in this movie, the focus is not in showing movement, but on the capture on film of the characters and their actions. While many of the early films by the pioneers were done focusing on moving elements (trains, traffic, etc), this movie was about capturing a relaxed family scene, like a vignette or a modern family vacation film. "Partie De Cartes" is about a game of cards played between Antoine Lumière (the brothers' father), Félicien Trewey and Alphonse Winckler, while a waiter (Antoine Féraud) brings them drinks and comments on their game. While it has not really a plot, it is a charming scene that reflects the filmmakers' life and times.

Like "Repas De Bébé" ("Baby's Meal"), "Card Game" is a movie that contrasts sharply with the Lumière's style of film-making, but at the same time it complements it. Considering that both were photographers besides being inventors, it seems natural that this kind of vignettes were among the first movies done by the duo, as they perfectly understood the potential of cinema as an innovative form to capture memories with a higher realism than photographs. On a strictly technical level, "Partie De Cartes" is one of the best looking movies among their early films, and one could say that while no artists, the brothers had a pretty good idea of what would later be called "Mise-en-scène" (the overall visual composition), as they really set the camera in the best place to capture the action. While lacking the strong initial impact of their first movie ("La Sortie Des Usines Lumière") or the creativity of "L' Arroseur Arrosé", this Lumière movie is really interesting as one of the very first family movies ever made. 6/10


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