After their latest rocket fails, Dr. Charles Cargraves and retired General Thayer have to start over again. This time, Gen. Thayer approaches Jim Barnes, the head of his own aviation ... See full summary »
A planet is discovered in the same orbit as Earth's but is located on the exact opposite side of the sun, making it not visible from Earth. The European Space Exploration Council decide to send American astronaut Glenn Ross and British scientist John Kane via spaceship to explore the other planet. After a disastrous crash-landing Ross awakes to learn that Kane lies near death and that they apparently have returned to Earth, as evidenced by the presence of the Council director and his staff. Released to the custody of his wife, he soon learns things are not as they seem.Written by
Doug Sederberg <email@example.com>
The Phoenix spacecraft's power reactor is depicted as having been manufactured by Rolls Royce. See more »
When Jason Webb's first is seen, in the video briefing room, there's a shot of the NASA liaison, however, even though NASA is an acronym for National Air and Space Administration, it never was written with full-stops after each letter, i.e; N.A.S.A. See more »
What if there were a parallel world to Earth's always hidden from us on the other side of the Sun?
This is the question that astronauts Roy Thinnes and Ian Hendry ask themselves when they discover a parallel world of Earth always hidden on the far side of the sun in this 1969 cult science fiction melodrama, released here in America as JOURNEY TO THE FAR SIDE OF THE SUN. The plot of the film was devised by British writers Gerry and Sylvia Anderson, the creators of such TV shows as "UFO", "The Thunderbirds" and "Space 1999". It is exceedingly weird at times, betraying the influence of "The Twilight Zone" and even Stanley Kubrick's 1968 sci-fi classic 2001: A SPACE ODYSSEY. The visual effects work of Derek Meddings, who would also later work on SUPERMAN: THE MOVIE, holds up surprisingly well under the last four and a half decades of special effects advancements (including CGI); and while they are not really on the same exalted level of the Kubrick film, they are very superb. If you don't anticipate a STAR WARS-type of a film and can overcome the occasionally trite dialogue, DOPPELGANGER is a good film; it was good enough for me to rank it a '7' and consider it an undiscovered sci-fi gem.
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