Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...Written by
Upham only fires his rifle once during the entire movie which was a kill shot. While he was made into an ammo runner he did not fire any other weapons in the movie. This means Upham during the film has the best shooting record at 100% hit rate. See more »
When they go to find Private Ryan there are eight of them, when they go to a French town and a solider picks up the little girl and he gets killed there are seven, right? Wrong. A few scenes later, the camera shows all eight of them marching on to the next town, only in a far away camera shot so it's hard to see. See more »
[running to comfort his father]
[flashback to D-Day]
[shouting out the soldiers on the raft]
CLEAR THE RAMP! THIRTY SECONDS! GOD BE WITH YA!
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The DreamWorks and Paramount logos play in complete silence. See more »
Originally, when the US broadcasting rights were acquired by TNT, they were required to broadcast the film uncensored, with all violence and language intact. Although recent (2008) airings have kept all the violence and gore, at least one dubbed all uses of 'fuck' with the word 'friggin'' or 'freakin''. All broadcasts carry the "TV-MA LV" rating and carry a lead-in disclaimer after every commercial break. See also: Schindler's List. See more »
I have never been affected by a movie the way Saving Private Ryan affected me. That movie really took me out of my seat in the movie theater and practically had me believing I was really in the battle with John Miller. When somebody was dying in that movie, it felt as if you could almost feel their pain. Speilberg did an unbelievable job of putting realism into this movie with the camera-work and everything else. Simply amazing. An all time great.
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