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Goya's Ghosts (2006)

Trailer
2:27 | Trailer
Painter Francisco Goya faces a scandal involving his muse, who is labeled a heretic by a monk.

Director:

Milos Forman
2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Javier Bardem ... Lorenzo
Natalie Portman ... Inés / Alicia
Stellan Skarsgård ... Francisco Goya
Randy Quaid ... King Carlos IV
José Luis Gómez ... Tomás Bilbatúa
Michael Lonsdale ... Inquisitor General
Blanca Portillo ... Queen María Luisa
Mabel Rivera ... María Isabel Bilbatúa
Unax Ugalde ... Ángel Bilbatúa
Fernando Tielve ... Álvaro Bilbatúa
David Calder ... Monk 1
Frank Baker Frank Baker ... Monk 2
Ramón Langa Ramón Langa ... Hooded Monk
Manuel de Blas ... Pyre Monk
Andrés Lima Andrés Lima ... Confiscating Monk
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Storyline

The painter Goya becomes involved with the Spanish Inquisition when his muse, Ines, is arrested by the church for heresy. Her father, Thomas, comes to him hoping that his connection with Brother Lorenzo, whom he is painting, can secure the release of his daughter. Written by Ploy P.

Plot Summary | Plot Synopsis

Taglines:

Tell me what the truth is


Motion Picture Rating (MPAA)

Rated R for violence, disturbing images, some sexual content and nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site | Official site [Japan] | See more »

Country:

USA | Spain

Language:

English

Release Date:

10 November 2006 (Spain) See more »

Also Known As:

Les fantômes de Goya See more »

Filming Locations:

Madrid, Spain See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$159,671, 22 July 2007

Gross USA:

$1,000,626

Cumulative Worldwide Gross:

$9,448,082
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When asked why a film about such a quintessentially Spanish artist was made in English, the director replied "I don't speak Spanish." See more »

Goofs

When Ines is kneeling in Lorenzo's office, the mic is visible at the top of the screen, above and to the left of her head. See more »

Quotes

Inés: [model pointing at defaced portrait] Why doesn't that painting have a face?
Goya: Because he is a ghost.
Inés: No, he is not.
Goya: Have you ever seen a ghost?
Inés: No. But I have seen a witch.
Goya: Oh, did you?
Inés: Yes, but she had a face.
Goya: So what did she look like?
Inés: She was... all bent and creepy, and she...
[whispers:]
[...]
See more »

Connections

Referenced in Tvoje tvár má známý hlas: Episode #2.7 (2016) See more »

Soundtracks

Domine Jesu Christie (Offertorium)
Performed by Aurora Surgit
Music recordings licensed by Naxos
See more »

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User Reviews

 
Brilliant Portrait of Goya and Spain in the 18th/19th Century
22 August 2007 | by martys-7See all my reviews

Imagine the paintings and drawings of Goya in all their darkness and beauty coming to life - this is Milos Forman's masterful film. Goya (and us)witness the folly of the Spanish royal court, the murderous sadistic perversion of the Catholic Church, the cruel inhumane madness of the Napoleonic War, along with the sensuality and beauty of life passing. This is the film's main focus: to let us experience the time and place as if seen through Francisco de Goya's eyes. As expected of a Milos Forman's film, the locales, the customs, and the overall production replicates the Spain of the late 18th century and early 19th century with the exactitude of a court painting. The cast is also excellent. As an Inquisitor turned a Napoleon's officer, Javier Bardem deserves another Oscar nomination. Stellan Skargsdar as usual does a chameleon-like transformation this time into Goya. Natalie Portman elevates herself into a higher realm of acting as the doomed, beautiful Ines. And Randy Quaid steals the screen for a few seconds as the King. Milos Forman again has given us an emotionally- and intellectually-challenging portrait of a dark era and the role of art and artist. Although some of the dramatization is slightly contrived, the film is compelling and moving and its vision lingers as Goya's art.


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