Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-50 of 92
- When you wage war on your community, you wage war on your family.
- Within Brooklyn's ultra-orthodox Jewish community, a widower battles for custody of his son. A tender drama performed entirely in Yiddish, the film intimately explores the nature of faith and the price of parenthood.
- The 1941 invasion of Soviet Ukraine by Nazi Germany is shown through the life of inhabitants of a Yiddish village at the border of Poland.
- The mystical love story between Chonen, a poor Talmud student, and Lea, a girl from a wealthy family, depicts the traditional folk culture of Polish Jews before WW2.
- In a kosher meat packaging plant. Avrum one of the owners uncovers a operation involving his partner selling nonkosher meat under their company name. Can he stop it before it becomes a scandal and ruines the company?
- The action of the movie takes place in the thirties before the Jewish pogrom in the border town of Poland, which became a kind of emigration zone. Two teenagers - Ivan and Abram - run away from the dictates of adults into a big life.
- The original, non-musical film version of the book which inspired "Fiddler on the Roof".
- Saül Birnbaum is a "hidden child", who, at the age of six, was separated from his parents to escape the Holocaust. He was sent away by the so-called "Kindertransport". In 1986, Saül is on the path to recovery: he has opened a delicatessen unlike any other, where movies are shown every day. Saül and his protégé, Joakin, a young Chilean director who fled from Pinochet's dictatorship, decide to write the story of Saül's childhood and turn it into a film, allowing both of them to "heal" just a little more. However, love comes knocking on Saül's door, forcing him to confront his past.
- A young woman posing as a man in a group of klezmer musicians in Poland.
- Ulmer's soulful, open-air adaptation of Peretz Hirshbein's classic play heralded the Golden Age of Yiddish cinema. When an ascetic young scholar ventures into the countryside, searching for the city of "true Jews," he learns some unexpected lessons from the Jewish peasants who take him in as a tutor for their children.
- One of the last Yiddish films made in Poland before the Nazi invasion, this film tells the story of a mother's persistent struggles to support her three children in pre-war World War II Polish Ukraine. After her family is pulled apart by severe poverty and the turmoil of war, she and her children make their way to New York and turn to the Hebrew Immigrant Aid Society for help.
- Fictional re-enactments about the early years in Belgium of the director's parents, Jewish immigrants from Poland, and scenes taken in modern Brussels in this elliptical experimental feature.
- From an early age Yossi Klein received a special education. He was prepared for another Holocaust. So were other children in Boro Park, the largest Orthodox survivor community in America, and this candid portrait of a young Jewish activist coming to terms with his father's traumatic history is as bracing as any fiction. Through his writing and activism, Yossi attempts to carry on the legacy of struggle passed on to him. A portrait emerges of a young man whose world view and personal outlook have been principally shaped by an event that took place before he was born.
- This musical drama marks the screen debut of Moishe Oysher, in a film critic J. Hoberman calls an "anti-Jazz Singer." Oysher stars as a wayward youth who makes his way from his Polish shtetl to New York's Lower East Side where he is "discovered" and becomes a well-known singer. Ultimately, he returns home to the Old Country and reunites with his parents and his childhood sweetheart.
- A jewish cantor is seduced by the allure of opera when introduced to it by two attractive young Poles.
- Mamele embraces the entire gamut of interwar Jewish life in Lodz - tenements and unemployed Jews, nightclubs and gangsters, religious Jews celebrating Sukkot - but the film belongs to Molly Picon who romps undaunted through her dutiful daughter role saving siblings, keeping the family intact, singing and acting her way through the stages of a woman's life from childhood to old age.
- Mothers of Today includes the sole motion picture performance of radio star Esther Field, who was well known on the airwaves of the 1930s as the 'Yiddishe Mama.' The film exemplifies the Yiddish film genre of shund, a brand of popular entertainment which appealed to working-class Jewish-American immigrant audiences with broadly-drawn, sentimental stories that reflected the daily life and culture of a distinctively American Yiddish community. While the shund films were invariably low-budget (and low-brow) affairs, these humble productions formed an important part of life in the United States for their audience. For actresses such as Field or Celia Adler (star of Where is My Child?, also directed by Lynn in 1939), shund offered one of the few opportunities to play strong leading roles. In retrospect, Mothers of Today is an important cultural artifact expressing the anxieties of Jewish immigrant families faced with the younger generation's increasing assimilation into mainstream American society. Shund often dealt with the plight of the Jewish mother, recognizing the important role women played in Jewish family life during the difficult period of immigration. Such is the case with Mothers of Today, in which Field plays a mother coping with her children's troubles resulting from their straying from Jewish tradition. In one subplot, a cantor's son led astray by a woman of "questionable morality" becomes involved with gangsters and ends up stealing the deed to his mother's store. On March 14, 1939, Film Daily reviewed Mothers of Today as follows: "Heavy tragedy, which seems to be an essential basis of all Yiddish dramas, is done to a turn in this new film and it should please the dyed in the wool Yiddish fans. Produced on a small budget with a hurried shooting schedule, the film has considerable merit. Cast members, with the exception of the talented Esther Field, were recruited from the stage for their initial appearance on the screen, and they give Miss Field adequate support. Henry Lynn directs the film feelingly. The story deals with the tragedies which beset Miss Field as her children get in trouble."
- Nat Silver has been engaged 7 times already. This time, his 8th, he's really going to get married. But a visitor shows up, Shirley's old boyfriend. With a gun ! He'll kill himself unless he can have Shirley back, and Nat graciously gives in. According to Nat's mother, his Uncle Shya was unlucky at love but lucky as a matchmaker, and Nat is just like Shya. Nat tells his family he's going to Italy. But he remains in New York and sets himself up with a new name and new business, Nat Gold, Advisor in Human Relations...
- This rarely-seen later work by Yiddish cinema mogul Joseph Seiden observes the hardships and heartaches of three sisters as they seek romantic happiness, while struggling to remain faithful to the traditions of their parents. Kino Now
- The incredible story of Avraham Sutskever, the greatest Yiddish poet, who saved manuscripts from the Nazis, survived WWII due to Stalin's special rescue plane, testified in the Nuremberg Trials, and died anonymously in Tel Aviv.
- Wealthy, powerful sweatshop owner falls in love with employee's teenage daughter, who feels obligated to marry him after he shares his wealth with her parents, though she actually loves a young Marxist unionizer.
- Judith Trachtenberg (1920) re-edited with a new framing story to introduce and conclude the story.
- Getsel, a wandering Purim player, comes to a Galica village and gets a job with Reb Nuchem, the shoemaker. He falls in love with Esther, the shoemaker's daughter, but knows she is in love with a wandering circus player. However, Getzel is content in his work and dreams. Esther's father inherits a fortune and attempts to marry her to a man of his choice, but she flees with Getzel to Warsaw, where he meets and marries the circus player. Getzel returns to the village and is blamed for Esther's disappearance until she shows up and explains what happened. Getzel shoulders his pack and wanders on to another village.
- A German-Jewish artist encounters German anti-semitism when his masterpiece is rejected by the Berlin Academy of Art. Later, the figure in the painting comes to life and tells him the history of the Jews' persecution. This unusual film ends with footage of an anti-Hitler rally at New York City's Madison Square Garden.
- Historical documentary made up of footage and stills shot by the Nazis. A compilation of testimony from witnesses who appeared at the Eichmann trial provides a telling narrative.
- Moishe Oysher gives his most robust performance as a passionate shtetl blacksmith who must struggle against temptation to become a mensch. Ulmer's film is a musical version of David Pinski's classic 1906 play Yankl der Schmid.
- Setting off from Vilna to spend his last days in the Holy Land, an arrogant old man spurns the youngest of his three daughters and leaves his fortune in the wrong hands.
- Written by Israel Becker, this is the first feature film to represent the Holocaust from a Jewish perspective. Shot on location at Landsberg, the largest DP camp in U.S.-occupied Germany, and mixing neorealist and expressionist styles, the film follows a Polish Jew and his family from pre-war Warsaw through Auschwitz and the DP camps.
- In a small town in Russia in the 1880s, two young but poor lovers are helped by a wise old bookseller.
- Two young people experience love and loss while in hiding during WWII. After a life of regret, the young man, now old, is faced with an opportunity for redemption.
- In this musical comedy, the comic duo Dzigan and Shumacher play two small town "entrepreneurs" who believe they have struck oil in a local field. Thus begins a comedy of errors, including millionaire investors, American schemers, and insane asylums, with a little matchmaking on the side.
- A young woman tries to repay her adoptive parents' kindness by shielding their biological child, who has gotten involved with an embezzler, from the police.
- Jenny is a young woman torn between two childhood boyfriends. Refusing to marry Joseph, who has become a rabbi, she elopes instead with Jack, an actor who makes her pregnant and eventually abandons her.
- In this, Poland's last Yiddish feature film, comedy duo Dzigan and Shumacher play all the parts in a Sholem Aleichem story staged for an audience of children who survived the Holocaust.
- Motl, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide.
- The last Yiddish feature made in Poland before WWII, this 1939 film was based on a 1907 play by the prolific playwright Jacob Gordin. Best known for his folksy didacticism and moralism, Gordin brought the common life of the Lower East Side to the Yiddish stage. With over 100 plays to his credit, Gordin was a formative influence on modern Yiddish theater. He was so popular among theatergoers that reportedly a quarter of a million people attended his funeral in New York City. Without a Home is the story of the separation and hardships faced by immigrants in America at the turn of the century. Its touching portrayal of the hardships of immigrant life enthralled Jewish theater audiences and it became part of the standard Yiddish stage repertoire in America and Poland. The film provides a poignant and dramatic picture of a difficult era, focusing on the bleak prospects for the survival of traditional Jewish family values. When the eldest son of the Rivkin family is drowned, the father leaves his family in Europe to go to America. There he finds only financial hardship and loneliness, struggling to find a way to bring the rest of his family over. The stellar cast includes stage actress Ida Kaminska and the hilarious comedy duo, Dzigan and Shumacher, who provide a healthy measure of comic relief. The title, Without a Home, intended by Gordin to symbolize the uprooted Jewish immigrant family and by extension, the Jewish people, was a particularly poignant one for Jewish film audiences in Poland on the eve of WWII. The film underscored the growing sense among Polish Jews facing the Nazi threat and increasing antisemitism in Poland that they too might soon be "without a home."
- The journey of Nitza, the 78-year-old Holocaust survivor who still lives in the home of her adoptive parents. Decades later, as a mother and grandmother, she embarks on a journey hoping to decipher her identity and origins. Her childhood memory is completely erased. During her search, she is exposed to a transcript of a trial held in 1952 in Haifa and discusses her fate, the story of Nitza, torn between the adoptive mother and the biological mother, between the Holocaust and the revival, between traumatic memories and comforting forgetfulness.
- Celia Adler, doyenne of the Yiddish stage, gives a haunting performance as a new immigrant forced to give up her son. Obsessed with the thought of reuniting with him, she spends the next 25 years searching, pining, and bewailing her loss.
- Memories of the Shoah are documented by the filming of the everyday life of the director's aging mother and two aunts.