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Silent short film, set on the Greek Cycladic island of Tenos. A woman in black is mourning inside a simple house. Reality blends with dreamy imagination, and tradition with insidious desires.

The Germans are coming. To snoop, pry and inspect once again, because the Greek are always under suspicion to lie, cheat and scam. And rightfully so. Jörg Geissner, an employee of the Munich based AVO-Bank arrives on the island of Paladiki, to check on the registered securities of a credit granted years ago by his bank. His suspicion: the registered securities - a hospital and a power generating plant - don't really exist. But the Greeks aren't stupid - they will make Geissner prove that the securities don't exist. And so a completely overwhelmed Geissner embarks on an unexpected Odyssey all by himself, against the rest of the island. His constant companion being the shrewd German-Greek gigolo Panos, who will see to it that Geissner's search for the power-plant will get him nowhere. In the meantime Paladiki's Mayor Spyros will desperately try to conjure something up, which would maybe look like a power plant, at least at night and with the help of a few drink and then some more drinks. Losing the loan would be a catastrophe for the already destitute island and would mean certain bankruptcy. A frantic race ensues on the island of Paladiki, while a decrepit sheepfold is haphazardly turned into - what might hopefully look like - a power plant, while at the same time the fastidious auditor Geissner and the freedom-loving man-about-town (or better -island) Panos get to know each other a little better and somehow also begin to like each other.

On a small Greek island in the early 1920s, a wild orphan boy falls in love with the village mayor's daughter, despite the differences in their social status. He kidnaps her one night and makes her his wife.

We are in Athens. The city is like a ship sailing upon the Aegean Sea with passengers of all cultures. There is not enough space for everyone on this ship and so the class cannibalism begins. The heroine in the film vacillates between individualism and collective action, the luxury of abstention from public life and the emotional struggle of participating in it. Will she be able to save the next child to be eaten.

A man writes- what?- his life story or the storyline of a movie. He has trouble and entrusts the task to his double, Lucifer. Together, they review his life. The memories flock. Flashbacks to childhood, excerpts from his old movies and... life goes on. Between refrains, beautiful and daring escapes, the film ends up being written and done before our eyes. A palimpsest film, sampled, enchanting. A history of cinema by itself. The myth of Faust revisited. A long poem, a little paper boat on a river of ink.

A documentary which presents the work of the Greek sculptor Yannoulis Chalepas.

Two men , strangers to each other are fighting to support their families . But when the circumstances are getting harder for them because of covid-19 , them and their need will be facing each other .

The world's first production electric vehicle, introduced in the early '70s -40 years before the auto industry rediscovered the benefits of electric mobility-, was manufactured on a Greek island.

Having dedicated his whole life to the community of a distant small Greek village and its church, a catholic priest starts doubting his faith towards God.

Manipulated, colored footage of a static Greek seascape yields a jarring, strobe-like effect. The title refers to a Greek ship sunk in 1940, the victim of an Italian torpedo.

A woman tries to navigate her emotional spectrum, against the backdrop of an idyllic Greek island sunset.