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Pedro, a 70-year-old gay nurse, is taking care of Daniela, his ailing transgender friend. In order to find her a vacant hospital bed, he decides to help an arrested and wounded criminal to escape.

A small village in the Brazilian outback is considered the nation's capital of jeans. It's also a microcosm that depicts modern day capitalism and its transgressions.

Paloma, a farm worker, wants a traditional wedding in a church with her boyfriend Zé. The local priest refuses her request. But Paloma, a transgender woman, will fight back for her dream.

The carnival is over. A young French woman was brutally murdered in the city of Recife. Officer Breno returns early from his vacation to investigate the crime, surprising his son with three friends staying at his home.

A jornalist following a big scandal case becomes a hostage after a shooting starts. All hell breaks loose, with things unraveling after this incident.

The series rescues the zeitgeist of Recife in the 1990s, using fiction to portray the boiling period of the Manguebeat movement.

The return of an absent daughter to the city where she was born -absent for fear of a crisis from her bipolar mother- is the trigger for a family reunion.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

"If you don't identify with the place where you were born and in one way or another create about it, write me" - Letícia Simões' announcement in the classified ads of a newspaper enables encounters with the stories of six artists based in Berlin. Themes such as identity, territory, and immigration permeate shared experiences with the filmmaker responsible for "Casa" (Olhar '19) and "O Chalé É Uma Ilha Batida de Vento e Chuva" (Olhar '18). With her wandering interlocution, the director fuses different worlds, inspiring a hospitable feeling of impermanence.