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An American journalist travels to India to cover Bollywood weddings, only to uncover a mosaic of cultural clashes, transgender tangles and lost loves with her travels culminating at a destination where the only journey is the one within.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A vengeful Jew adopts an abducted Roman child, who grows up and unknowingly falls in love with a Roman.

Living a poor lifestyle with his widowed mother, Shankar sells toys for a living, but is addicted to alcohol. He is attracted to Parvati, who also lives a poor lifestyle along with her step-brother, Jagat Narayan, his wife, and their daughter, Pushpa. After an argument with his mother, Shankar departs to the city, gives up drinking, earns a lot of money, and returns home just to time to pay off his mortgage. But his world will soon be shattered after he goes to ask for the hand of a now wealthy Parvati. This is where he will be forced to face his past, and ultimately be told that Parvati's marriage has been arranged elsewhere. Unable to live without Parvati, he takes up drinking again and heads on to a path of self-destruction.

Indira (Suraiya) is an orphan brought up the strict and uprighteous Rani (Veena). Indira grows up to be a beauty and is sought by three suitors Raj (Raj Kapoor), Kundan (Al Nasir), and Ramesh (Suresh). Rani does not like Indira to marry into her family as both Raj and Kundan are her brothers, and she wants Indira to marry Ramesh, and as such arranges a meeting with Ramesh's mom (Pratima Devi) and finalizes the marriage. Indira does not appreciate this and refuses to marry Ramesh. Raj speaks of his love with Rani, and Rani warns him that Indira is to marry Ramesh, but also has an on-going affair with his brother Kundan. Who does Indira really love? Will she ever marry her dream man?

Radha (Sardar Akhtar) is an indomitable woman, toiling away to feed her three sons and to pay off Sukhilala (Kanhaiyalal), the village's rapacious moneylender. When she learns that she is pregnant again, her husband, Shamu (Arun Kumar Ahuja), runs far away, leaving her to fend for herself against poverty and the lecherous advances of Sukhilala. Later, the two eldest children die, leaving her with only two sons: the straight-laced Ramu (Surendra) and the wild Birju (Yakub). Ramu becomes a bandit which eventually forces Radha to take drastic actions.

Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenament, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone. His attempts to locate her are in vain. Then after several months he finds her living in a small dilapidated hut with a young man named Mastram and a child - she calls her own - but claims that she is unmarried. Who is the biological father of this child? Where is he located?

Legendary film company, The Bombay Talkies Studios along with Kamini Dube, Bombay Talkies Foundation, Vishwa Sahitya Parishad, Aazaad Federation, World Literature Organization and filmmaker Aazaad made the first film in history of Indian cinema which gives insights about life and thoughts of the greatest revolutionary Chandrashekhar Azad. His thoughts were like the flames of fire and acts were deadly blasts. The forgotten hero return back from the darkness, created by selfish politics to the silver screen as the daring and dynamic protagonist of all time created by writer, director, actor Aazaad. The nationalistic flavour - colour - nature combination of the movie is a continuation of what he has been portraying in his earlier movies. While his earlier movies had element of nationalism, Rashtraputra showcased the reality, the lesser known facts of the greatest revolutionary, Chandrashekhar Azad. Azad was not only the commander - in - chief of Hindustan Socialist Republican Army (HSRA) but an unmatched mentor, friend - philosopher - guide of over two thousand and five hundred revolutionaries of HSRA like Bhagat Singh, Rajguru, Sukhdev Thapar, Bhagwaticharan Vohra, Durga Bhabhi, Batukeshwar Dutt, Madanlal Dhingra, etc. In the true sense of meaning Chandrashekhar Azad was the supreme force of the bloodstained revolutionary freedom movement of India. In this film Rashtraputra we have shown that Azad is a timeless cinematic creation. He was, He is and he will be the relevant hero of all time. Time changes but the problems remain the same in different looks. What would Azad do, how he would react if he was alive today? He would be the same motivational force for today's youth as he was in his lifetime. Rashtraputra described as a great motivational movie with high voltage drama and entertainment values for the youth as well as the enlightened audience of twenty first century. Movie Rashtraputra is based on life and thoughts of Chandrashekhar Azad and also a tribute to all those forgotten heroes of freedom movement and to all those revolutionaries who didn't earned the fame they deserved viz. Mangal Pandey (Indian rebellion of 1857), Balwant Vasudev Phadke (Indian independence activist), Krantiveer Lahuji Raghoji Salve, Khudiram Bose (Bengali-Indian revolutionary), Rani Lakshmi Bai (Indian Rebellion of 1857), Chapekar Brothers (Assassination of W. C. Rand), Rash Behari Bose (Indian Independence Movement, Ghadar Revolution, Indian National Army, Jugantar), Aurobindo Ghosh (Alipore Bomb Case), Barindra Kumar Ghosh (Alipore Bomb Case, Jugantar), Jatindra Nath Das (Lahore Conspiracy Case), Bagha Jatin alias Jatin Das Mukherjee (German Plot during World War I), Ullaskar Dutta (Alipore Bomb Case), Hemu Kalani (Mahatma Gandhi's Quit India movement), Udham Singh (Jallianwala Bagh massacre in Amritsar), Subhash Chandra Bose (the Commander in Chief and founder of Azad Hind Fauj) and many more. And also tribute to the activists of Kakori Conspiracy and closest associates of greatest revolutionary Chandrashekhar Azad (The prime activists of Kakori Conspiracy) viz. Ramprasad Bismil, Ashafakulla Khan, Roshan Singh, Faninder Nath Ghosh, Jogesh Chandra Chatterjee, Keshab Chakravarty, Murari Lal Gupta (fake name of Murari Lal Khanna), Mukundi Lal (Mukundi Lal Gupta), Banwari Lal, Rajendra Lahiri, Manmath Nath Gupt and Sachindra Bakshi. Rashtraputra is written, directed and acted by Aazaad, who has been introduced by the legendary film company, The Bombay Talkies Studios. Aazaad and his forefathers hail from the holy city of Kashi i.e Varanasi (Banaras) which is mythologically known as the city of Lord Shiva. Aazaad is a great devotee of Lord Shiva although he is born and bought up in the city of Mumba Devi, City of dreams and the commercial capital of India, Mumbai. Aazaad an alumnus of Bhonsala Military School, Nashik, which was founded by Dr. B.S. Moonje who founded RSS along with Keshav Baliram Hedgewar and others in 1925. In 1935, Dr. B.S. Moonje established the Central Hindu Military Education Society at Nashik with the aim of 'Indianisation' of the army (Indian Defense) and started 'Bhonsala Military School' in 1937. Dr. B.S. Moonjealso was the All India President of the Hindu Mahasabha from 1927 until he handed over the charge to Vinayak Damodar Savarkar in 1937. At the very nascent age of the cinema Rajnarayan Dube's Bombay Talkies was born in India when other contemporary film companies of the world such as Warner Bros. Entertainment, Universal Pictures, 20th Century Fox, Paramount Pictures were born and brought up to create cinematic magic for the world audience, but Bombay Talkies (under the command of Girish Ghanshyam Dube), is the only premiere film company which has made charismatic comeback and repeating its old pride and glory after sixty-three years of utter darkness. The legendary film company, The Bombay Talkies Studios was formed in 1934 by the pillar of Indian Cinema, Rajnarayan Dube along with Himanshu Rai & Devika Rani. Under the command of Rajnarayan Dube, Bombay Talkies had Produced 115 films like Achhut Kannya, Kismet, Bandhan, Mahal, Jhoola, Jeevan Naiya, Neel Kamal, Baadbaan, Daag, Majboor, Drishtidan (Bengali), Janmabhoomi, Izzat, Prem Kahani, Punarmilan, Aawaz, Pratima, Raj Mahal, Apnapan, Anyaya, Roti, Farrar, Ziddi, Mashal, Azad, Jwar Bhata, Basant, Sangram, Patita, Bhabi (1938), Durga, Kala Patthar, Indian Lady, Jeevan Prabhat, Hamari Baat, Anand, Aurangzeb, Bemisaal, Mamta, Sipahi, Milan, Naya Sansar, Anjaan, Adalat, Aandolan, Zindagi, Zamindar, Kanjoos, Ravan, Raja Rani, Phaansi, Kasam, Parakh, Dhobi Doctor, Deewana, Darpan, Dr. Kumar, Maa, Khamosh, Nauka Doobi, Talaq, Zakhmi, Maharaja, Nirmala, Vilayati Babu, Dushman, Khandani, Puraskar, Tawaif, Asha, Aandhi, Sadma, Anaath, Loafer, Muqaddar, Prem Kahani, Vachan, Lahore to Calcutta, Navjeevan, Ramdhari B.A., Saudagar, Ghajini, Hero, Sawa Lakh, Pratima, Bulandi, Char Aankhen, Chanakya, Nakli Heera, Lahore, Rail Ka Dibba, Dost, Chhoti Si Duniya, Cinema and many more, Distributed 259 films, Launched over 280 Legends like Ashok Kumar, Leela Chitnis, Madhubala (who began as a child artist and was given her stage name by Rajnarayan Dube himself, Dilip Kumar, Raj Kapoor, Dev Anand, Leela Chitnis, David Abraham Cheulkar, Phani Majumdar, Gyan Mukherjee, K.A. Abbas, Saadat Hasan Manto, Nabendu Ghosh, Hansa Wadkar, Uttam Kumar, Kedar Sharma, Gemini Ganesan, P.L. Santoshi, Shakti Samanta, Niranjan Pal, Pt. Narendra Sharma, Kishor Sahu, P. Jairaj, Asit Sen, Mumtaj Ali, Nalini Jaywant, Kamini Kaushal, Snehprabha, Joseph Wirsching, Kanan Devi, Sharat Chandra Chattopadhyay, Shaheed Lateef, Sita Devi, Abhi Bhattacharya, R.D. Mathur, Aghajani Kashmiri, Kamal Bose, Pran, Usha Kiran, Renuka Devi, Munshi Premchand (Written 2 Films for Bombay Talkies), Mukri, Bhagwati Charan Verma, Mehmood, Kishore Kumar, Kamal Amrohi, Guru Dutt, Suraiya, Bimal Roy, Nitin Bose, Salil Chowdhary, Kavi Pradeep, Franz Osten, Hrishikesh Mukherjee, Sashadhar Mukherjee, Asha Bhonsle, Lata Mangeshkar, Satyajit Ray, Amiya Chakravarti, S. D. Burman, Manna Dey, Saraswati Devi (who was the first woman music director of Asia) and many more, Supported various new theatres such as BN Sircar's New Theatres in Calcutta, V Shantaram's Prabhat Pictures, Homi Wadia's Wadia Movietone, Sohrab Modi's Minerva Movietone, LV Prasad's Prasad Labs and Pictures (Prasad was an ex-technician from Bombay Talkies), SS Vasan's Gemini Pictures and Mehboob Khan's theatres, Tarachand Barjatya's Rajshri Productions (Barjatya served as a distribution manager for Bombay Talkies for the period of seven years), Constructed 400 Cinema Halls and Financed more than 700 Films. Rajnarayan Dube had also established one of oldest finance company of India, in 1929 named Dube Industries. Maintaining the legacy and keeping the Nationalistic flavour of Chandrashekhar Azad under the command of military school alumnus and filmmaker Aazaad, The Bombay Talkies Studios released Rashtraputra on 2nd November 2018 which received enormous appreciation from the audience and has praised from the critics after the magnificent triumph of the film. Rashtraputra has grossed a massive business in Indian Box Office. The magnum opus Rashtraputra flagged on 21st May 2019 at 72nd Festival De Cannes (Marche Du Film), Riviera France. The film earned huge respect at the arena and received enormous applauds and appreciation from global audience and the team Bombay Talkies has successfully premiered the ultimate cinematic creation of filmmaker Aazaad in the world's most glamorous and prestigious cine extravaganza and made the country proud. Filmmaker Aazaad along with Kamini Dube, The Bombay Talkies Studios, Bombay Talkies Foundation, Vishwa Sahitya Parishad, World Literature Organization and Aazaad Federation are also ready to showcase the film in 28 Indian and Foreign Languages which is a first time global phenomenon in the history of world cinema. In the year of 2019, during Mid-day showbiz iconic awards, Rashtraputra got awarded in four categories. It was a moment of great triumph. Megastar Aazaad got the prestigious Mid-day showbiz iconic awards held at Grand Hyatt, Mumbai as the best director, best actor, best writer whereas the first sanatani revolutionary women producer and filmmaker Kamini Dube was awarded the Mid-day showbiz iconic award for the best producer for her film Rashtraputra which was produced by herself along with the legendary film company, The Bombay Talkies Studios. After the international success of Rashtraputra, legendary film company Bombay Talkies is ready with another master piece titled 'Aham Brahmasmi' which is the first mainstream film in Sanskrit. The great purpose of Aham Brahmasmi is to rejuvenate the Indian ancient language and to create meaningful relevant and thought provoking cinema. The world of today will acquaint with the forgotten languages and traditions. Our ambition is to entertain and unite the global audience by means of cinema.

Prem Shankar lives a wealthy life-style circa after the British Rule in India, with his businessman father, Girija, and housewife mother, Kamini. He is now of marriageable age, and his parents would like him to marry Seth Heerachand's daughter, but Prem wants to marry someone of his own choice, without any pressure from his parents. He befriends a young woman named Kasturi, who falls in love with him. Prem also meets with a gypsy woman named Dulari, and falls head over heels in love with her. When his father finds out, he is enraged, forbids Prem to ever see Dulari again, and warns him that he can only marry a woman from a good and wealthy family background. It is now up to Prem to decide to follow his father's instructions or do as his heart tells him.

Two movie actors are confronted by startling and hilarious obstacles.

A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too.The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.

A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.

Two lovers are separated by the girl's conniving uncle, who marries her off to another man. Heartbroken, the man wanders around aimlessly until a common friend decides to reunite the two lovers.

The only son of the Royal Astrologer, Narsin (Om Prakash) namely Gopal (Bharat Bhushan) is not interested in astrology but in music and songs, much to the dismay of Narsin. Gopal's talents are well-known and he could become the Emperor's Chief Musician if he wins in the contest. His rivals live next door, and in order to win the approval of the emperor (Chandrashekhar), they poison Gopal's drink, and Gopal loses his voice completely. His mom (Leela Chitnis) is sorry at the loss of his voice. A young dancing girl, Gopi (Nimmi) takes interest in Gopal, and through her help and a hard knock on the head, he recovers his voice. But Gopal's challenges are far from over, and he will be called upon to prove his worth, as well as his association with Gopi.

International brand ambassador of Sanskrit, Megastar Aazaad created a mega movie titled Aham Brahmasmi to project, promote and protect the oldest ancient Language of the world, Sanskrit which is the first mainstream feature film in world history. 6th September 2019, went as a remarkable day for Indian Cinema, as Capital of India New Delhi and spiritual capital of India Kashi ( Varanasi ) witnessed a historic moment with the first screening of timeless creation Aham Brahmasmi and Sanatani Nationalist Filmmaker Megastar Aazaad marked his great presence among the Sanskrit lovers. The cine lovers had welcome Megastar Aazaad's movie of creating cinematic extravaganza in Dev Bhasha Sanskrit. Viewers of all ages witnessed the mega show with the Writer, Editor, Music Director, Director and lead actor Megastar Aazaad with chanting "Har Har Mahadev", " Bum-Bum Bol Raha Hai Kashi " and "Jayatu Jayatu Sanskritam" as if Aham Brahmasmi is not merely a movie but a cultural maha-yagna. The great purpose of movie is to rejuvenate the ancient language of the world and to create meaningful relevant and thought-provoking cinema. So that the world of today, acquaint with the forgotten languages and traditions. The ambition behind making this cinematic extravaganza is to rejuvenate Sanskrit among common people and unite the global audience by means of cinema. The historical Mega Movie Aham Brahmasmi is produced by Cinematic Giant Rajnarayan Dube's Legendary Film Company The Bombay Talkies Studios along with Kamini Dube, Vishwa Sahitya Parishad, Bombay Talkies Foundation, Aazaad Federation and World Literature Organization. Sanatani Filmmaker Kamini Dube is one of the most eminent female personality of India. After the grand success of first mainstream Sanskrit film in the history of world cinema Aham Brahmasmi, following the mission to promote, protect and strengthen the art, cultural languages and literature through cinematic creations, Megastar Aazaad is coming up with his Tamil venture namely Mahanayakan in one of the world's oldest language to unite the northern and southern part of India. To fill up any gap or remove any barrier of language, Aazaad is here to create a cinematic and rashtradharma for all and is ready with his timeless creation Mahanayakan in Tamil. Filmmaker and Megastar Aazaad has created his cinematic extravaganza Mahanayakan in Tamil to salute and pay respect to the enthusiastic and enlightened cine lovers of south India and has devoted his whole life to the mission of rejuvenating the ancient and forgotten languages worldwide and to unite the lingual division throughout the world by the means of art, literature, and cinematic creations.

Rich guy Puran is not allowed to marry poor girl Asha. Will his Zid (stubbornness) win over the family forms the plot of this film

Dilip, spoilt and careless grandson of wealthy Rai Bahadur, is in love with film actress Nayantara and wants to marry her. However, Nayantara wants to marry him only for his wealth. Rai Bahadur totally disapproves this. However, film actor Ashok Kumar knows the truth as he also loves Nayantara. Dilip, unaware of Nayantara's ulterior motives, deceives Rai Bahadur time & again. On a day, Rai Bahadur with the help of his doctor friend, plays a trick. He pretends to be on his death bed and asks Dilip to change his ways. Dilip tries to assure him that he is out of the alliance with Nayantara and is in love with a nice girl who he plans to marry with. Rai Bahadur asks him to bring that girl in. Helpless Dilip ropes in Kiran. Rai Bahadur likes Kiran and hires her to take care of his house and himself until Dilip marries her. Unwillingly, Dilip co-op with the situation but falls in love with Kiran as he is now aware of what Nayantara wants. But he cannot marry Kiran as Nayantara starts blackmailing him at the pretext of some photographs she has in her possession. She threatens to sue Dilip but Ashok Kumar comes in and saves Dilip.

The son of a priest falls in love with a Harijan girl and elopes with her. The film was a social drama that deals with untouchability prevalent in pre-independent India.

Successful adventure film. Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days. The film mainly revolves around the millionaire and how he survives out on his own. The story of his adventures was a big hit, including two songs by Motilal himself: 'Ghar apna yeh kursi apni' and 'Ik tum na hui to kay hua'.

When Shekhar comes to know that Rani became disabled because of him, he decides to help her by hiding his real identity.

The film tells of the decadent dancer, Madhuri (Kanchanmala), who seduces the upright Dr. Krishna Rao (Ramanujachari) into leaving his good wife Radha (Kannamba). The doctor becomes an alcoholic and is framed for the murder of Vishwasa Rao, the trustee of his father's estate. Krishna Rao's brother-in-law Gopinath (Nagaiah) helps the hero and later offers shelter to a destitute Radha. Radha has a scuffle with Madhuri, falls down the stairs and becomes mentally unbalanced, ending up waling the streets of Madras denouncing god, truth and justice.

After the death of his wife, a policeman fails to up-bring his only son in a good way and spoils him. This creates serious repercussions once the child becomes an adult.

A love affair and two feuding families who play out a Romeo and Juliet type drama in 17th century India, under the Emperor Jehangir.