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Fyodor Mikhailovich Dostoevsky was born on November 11, 1821, in Moscow, Russia. He was the second of seven children of Mikhail Andreevich and Maria Dostoevsky. His father, a doctor, was a member of the Russian nobility, owned serfs and had a considerable estate near Moscow where he lived with his family. It's believed that he was murdered by his own serfs in revenge for the violence he would commit against them while in drunken rages. As a child Fyodor was traumatized when he witnessed the rape of a young female serf and suffered from epileptic seizures. He was sent to a boarding school, where he studied sciences, languages and literature. He was devastated when his favorite writer, Alexander Pushkin, was killed in a duel in St. Petersburg in 1837. That same year Dostoevsky's mother died, and he moved to St. Petersburg. There he graduated from the Military Engineering Academy, and served in the Tsar's government for a year.

Dostoevsky was active in St. Petersburg literary life; he grew out of his early influence by Nikolay Gogol, translated "Eugenia Grande" by Honoré de Balzac in 1844 and published his own first novel, "Poor Folk", in 1845, and became friends with Ivan Turgenev and Nikolai A. Nekrasov, but it ended abruptly after they criticized his writing. At that time he became indirectly involved in a revolutionary movement, for which he was arrested in 1849, convicted of treason and sentenced to death. His execution was scheduled for a freezing winter day in St. Petersburg, and at the appointed hour he was blindfolded and ordered to stand before the firing squad, waiting to be shot. The execution was called off at the last minute, however, and his sentence was commuted to a prison term and exile in Siberia, where his health declined amid increased epileptic seizures. After serving ten years in prison and exile, he regained his title in the nobility and returned to St. Petersburg with permission from the Tsar. He abandoned his formerly liberal views and became increasingly conservative and religious. That, however, didn't stop him from developing an acute gambling problem, and he accumulated massive gambling debts.

In 1862, after returning from his first major tour of Western Europe, Dostoevsky wrote that "Russia needs to be reformed, by learning the new ideas that are developing in Europe." On his next trip to Europe, in 1863, he spent all of his money on a manipulative woman, A. Suslova, went on a losing gambling spree, returned home flat broke and sank into a depression. At that time he wrote "Notes from Underground" (1864), preceding existentialism in literature. His first wife died in 1864, after six years of a childless marriage, and he adopted her son from her previous marriage. Painful experiences caused him to fall further into depression, but it was during this period that he wrote what many consider his finest work: "Crime and Punishment" (1866).

After completion of "The Gambler" (1867), the 47-year-old Dostoevsky married his loyal friend and literary secretary, 20-year-old Anna Snitkina, and they had four children. His first baby died at three months of age, causing him to sink further into depression and triggering more epileptic seizures. At that time Dostoevsky expressed his disillusionment with the Utopian ideas in his novels "The Idiot" (1868) and "The Devils" (aka "The Possessed") (1871), where the "devils" are destructive people, such as revolutionaries and terrorists. Dostoevsky was the main speaker at the opening of the monument to Alexander Pushkin in 1880, calling Pushkin a "wandering Russian, searching for universal happiness". In his final great novel, "The Brothers Karamazov" (1880), Dostoevsky revealed the components of his own split personality, depicted in four main characters; humble monk Alyosha, compulsive gambler Dmitri, rebellious intellectual Ivan, and their cynical father Fyodor Karamazov.

Dostoevsky died on February 9, 1881, of a lung hemorrhage caused by emphysema and epileptic seizures. He lived his entire life under the pall of epilepsy, much like the mythical "Sword of Damocles", and was fearless in telling the truth. His writings are an uncanny reflection on his own life - the fate of a genius in Russia.

Pyotr (Peter) Ilyich Tchaikovsky was born on May 7, 1840, in Votkinsk, Vyatka region, Russia. He was the second of six children (five brothers and one sister). His father, named Ilya Chaikovsky, was a mining business executive in Votkinsk. His father's ancestors were from Ukraine and Poland. His mother, named Aleksandra Assier, was of Russian and French ancestry.

Tchaikovsky played piano since the age of 5, he also enjoyed his mother's playing and singing. He was a sensitive and emotional child, and became deeply traumatized by the death of his mother of cholera, in 1854. At that time he was sent to a boarding school in St. Petersburg. He graduated from the St. Petersburg School of Law in 1859, then worked for 3 years at the Justice Department of Russian Empire. In 1862-1865 he studied music under Anton Rubinstein at the St. Petersburg Conservatory. In 1866-1878 he was a professor of theory and harmony at the Moscow Conservatory. At that time he met Franz Liszt and Hector Berlioz, who visited Russia with concert tours. During that period Tchaikovsky wrote his first ballet 'The Swan Lake', opera 'Eugene Onegin', four Symphonies, and the brilliant Piano Concerto No1.

As a young man Tchaikovsky suffered traumatic personal experiences. He was sincerely attached to a beautiful soprano, named Desiree Artot, but their engagement was destroyed by her mother and she married another man. His homosexuality was causing him a painful guilt feeling. In 1876 he wrote to his brother, Modest, about his decision to "marry whoever will have me." One of his admirers, a Moscow Conservatory student Antonina Ivanovna Milyukova, was persistently writing him love letters. She threatened to take her life if Tchaikovsky didn't marry her. Their brief marriage in the summer of 1877 lasted only a few weeks and caused him a nervous breakdown. He even made a suicide attempt by throwing himself into a river. In September of 1877 Tchaikovsky separated from Milyukova. She eventually ended up in an insane asylum, where she spent over 20 years and died. They never saw each other again. Although their marriage was terminated legally, Tchaikovsky generously supported her financially until his death.

Tchaikovsky was ordered by the doctors to leave Russia until his emotional health was restored. He went to live in Europe for a few years. Tchaikovsky settled together with his brother, Modest, in a quiet village of Clarens on Lake Geneva in Switzerland and lived there in 1877-1878. There he wrote his very popular Violin Concerto in D. He also completed his Symphony No.4, which was inspired by Russian folk songs, and dedicated it to Nadezhda von Meck. From 1877 to 1890 Tchaikovsky was financially supported by a wealthy widow Nadezhda von Meck, who also supported Claude Debussy. She loved Tchaikovsky's music and became his devoted pen-friend. They exchanged over a thousand letters in 14 years; but they never met, at her insistence. In 1890 she abruptly terminated all communication and support, claiming bankruptcy.

Tchaikovsky played an important role in the artistic development of Sergei Rachmaninoff. They met in 1886, when Rachmaninov was only 13 years old, and studied the music of Tchaikovsky under the tutelage of their mutual friend, composer Aleksandr Zverev. Tchaikovsky was the member of the Moscow conservatory graduation board. He joined many other musicians in recommendation that Rachmaninov was to be awarded the Gold Medal in 1892. Later Tchaikovsky was involved in popularization of Rachmaninov's graduation work, opera 'Aleko'. Upon Tchaikovsky's promotion Rachmaninov's opera "Aleko" was included in the repertory and performed at the Bolshoi Theatre in Moscow.

In 1883-1893 Tchaikovsky wrote his best Symphonies No.5 and No.6, ballets 'The Sleeping Beauty' and 'The Nutcracker', operas 'The Queen of Spades' and 'Iolanta'. In 1888-1889, he made a successful conducting tour of Europe, appearing in Prague, Leipzig, Hamburg, Paris, and London. In 1891, he went on a two month tour of America, where he gave concerts in New York, Baltimore, and Philadelphia. In May of 1891 Tchaikovsky was the conductor on the official opening night of Carnegie Hall in New York. He was a friend of Edvard Grieg and Antonín Dvorák. In 1892 he heard Gustav Mahler conducting his opera 'Eugene Onegin' in Hamburg. Tchaikovsky himself conducted the premiere of his Symphony No.6 in St. Petersburg, Russia, on the 16th of October, 1893. A week later he died of cholera after having a glass of tap water. He was laid to rest in the Necropolis of Artists at St. Aleksandr Nevsky Monastery in St. Petersburg, Russia.

Aleksei German was born on 20 July 1938 in Leningrad, Russian SFSR, USSR [now St. Petersburg, Russia]. He was an actor and writer, known for Khrustalyov, My Car! (1998), Hard to Be a God (2013) and My Friend Ivan Lapshin (1985). He was married to Svetlana Karmalita. He died on 21 February 2013 in St. Petersburg, Russia.

Gregory Rasputin was one of Russia's most controversial and mysterious figures who posed as a "holy man" and destroyed the political image and reputation of Russia's Emperor Tsar Nicholas II and his family through a series of political manipulations, disgusting scandals and treachery, provoking a huge wave of public anger and helping the communists to prepare the disastrous Russian revolution. His mysterious activity is still disputed by historians and religious authors, mostly because he left no papers or documents with the exception of a few messages, while acting behind-the-scenes inside the Palaces of the Russian Tsars, and he remained inaccessible to public because of the heavy security that surrounded the Russian Imperial family.

He was born Gregory Efimovich Rasputin in 1869 into a Russian peasant family in Pokrovskoye village, Tobolsk province in Siberia. He was the only surviving child of Efim Yakovlevich Rasputin and Anna Vasilevna Rasputina--their four previous children died before he was born. The family name, Rasputin, has a negative connotation, similar to "ill-behaved" or "ill-aimed". His mother died when Rasputin was young and his father was imprisoned for some time. Gregory had very little schooling and was unable to read or write. At age 16 he was arrested for theft, and the citizens of Pokrovskoe appealed to the authorities to excommunicate and exile him. Rasputin was sentenced to three months in prison, which was later commuted to serving his term at Verkhoturye Monastery in Siberia. Rasputin settled with the lonely monk Makariy, who lived in a rugged hut and practiced rituals akin to ancient shamanic and tribal traditions of the Siberian people. Rasputin mentioned that Makariy had cured him of a severe sleep disorder and trained him to practice hypnotism and a vegetarian lifestyle, which included some alcohol and also the use of various weeds and drugs for "spiritual transformation" according to ancient shamanic rituals.

Rasputin stated later that he modeled himself after Makariy. At that time he became interested in manipulating people through their weaknesses and beliefs, including use of their personal and social habits as well as their politics and religion. He was also introduced to the banned mystical sect of Khlysty (flagellants), whose had a strong sexual content among other exotic practices. Rasputin evolved into a cynical and ruthless manipulator who practiced his principle that "any sin shall make me a holy man" and was spreading his beliefs around. In 1889 Rasputin married Praskovia Feodorovna and had three children, but left his family in Siberia and became a wanderer. He walked across Russia on foot from Siberia to Kiev and back several times during the 1890s, then made a pilgrimage on foot to Greece and Jerusalem during 1901, walking back to Russia and staying in Kazan with a local priest who gave him a letter of recommendation to St. Peterburg, the Russian capital. He arrived in the city in 1903, and solicited money to build a church in his home village of Pokrovskoe. In St. Petersburg Rasputin was accommodated by none other than Father Sergiy (who later, in 1942, was appointed by Joseph Stalin the Head of Orthodox Christianity in the Soviet Union), who was at that time Director of St. Petersburg Holy Academy and Seminary and also was a clandestine political opponent of Tsar Nicholas II. At several reception parties staged by Father Sergiy, Rasputin stunned St. Petersburg society by his forecasts that Russia would be defeated in the Russo-Japanese war of 1904, and that the Russian navy "would sink down", which was exactly what happened next.

Soon the Ober-Procurator of Russia, Pobedonostsev, issued a ban on public appearances of Father Sergiy and Rasputin, declaring that Rasputin was hiding his manipulative traits under the cover of "holyness" and illegally declared himself an Orthodox Christian mystic. Rasputin, however, ignored that ban and continued posing as a "prophet" and healer. He continued his wanderings as a self-proclaimed "holy man", often using lies and hypnotism to intimidate people into submission and then used them for his own goals. He made loose affiliations with various monasteries, then appointed himself a religious "elder" in St. Petersburg. At that time mystical interpretations of Christianity were in vogue, and official Orthodox Christianity was losing its control over people amidst the proliferation of disastrous wars and civil unrest, including revolutions. After the failure of several "religious advisers" to bring peace into the seriously dysfunctional Russian royal family of Tsar Nicholas II, Rasputin was summoned by Anna Vyrubova and the famous ascetic mystic, Father Theofan, the religious adviser to the royal family. In October of 1905 Father Sergiy and Father Theofan arranged Rasputin's introduction to the royal household through some relatives of reigning Romanov family. Rasputin instantly found a way to use the weaknesses and insecurities of Crown Prince Aleksey Nikolaeyvitch Romanov, whose incurable illness--he was a hemophiliac, having inherited the disease from his grandmother, Britain's Queen Victoria--was the main concern of the royal family. Rasputin convinced the Empress, Tsarina Alexandra, that he could improve the health of young Crown Prince Aleksey. Both Tsar Nicholas II and his wife were devastated and demoralized by their son's illness, and their anxiety and desperation was used by Rasputin, and the people behind him, in a crafty way to achieve goals that suited their political agenda.

At the same time Tsar Nicholas was warned by his loyal prime minister, Count Stolypin, that Rasputin was a dangerous fraud who could become a threat to the royal family and to Russia. However, at Tsar Nicholas' insistence, Stolypin had a private meeting with Rasputin. Not long afterward Stolypin was assassinated by a hired terrorist, and the resulting investigation by the authorities was stopped order of the Emperor. Stolypin's records revealed that he had an argument with Rasputin, but he was stopped and intimidated by the hypnotic stare of Rasputin's piercing eyes. Stolypin and many other political figures of that time had documented that Rasputin had "satanic eyes" and he was possessed of a powerful and hypnotic glare that he used to intimidate and cow his enemies. Rasputin also often used verbal abuse and intimidation, including the most foul profanities--a practice considered shocking in the rarefied air of the Russian court--to intimidate and manipulate people into submission. At the height of his political influence, Rasputin was constantly guarded by six agents provided by the Russian security service by order of Tsarina Alexandra. Also by the Imperial order Rasputin was given a new name, Novykh, meaning the "new man", an exclamation attributed to the suffering boy, Crown Prince Aleksey.

Rasputin apparently persuaded both the Empress and her ailing son to ensure that he kept a permanent presence in the tsar's palaces, and he was appointed to an official court position as "personal healer" to Crown Prince Aleksey Nikolaeyvitch Romanov. Rasputin may had some limited beneficial effect on Prince Aleksey's condition through hypnotism, but it apparently was enough to convince both the Empress and the Prince to depend more and more on Rasputin's presence and his hypnotic abilities. Rasputin also insisted that real medical doctors should be kept away from Alexey, constantly telling the family, "Don't let the doctors bother him, let him rest." On the occasions when Aleksey's health had actually improved, Rasputin used the opportunity to take personal credit for the Prince's "improvement", thereby solidifying his control over access to the royal family.

The Empress became a patron of Rasputin, who soon established himself as an extremely powerful figure within the Russian court. The Emperor was calling Rasputin a "holy man" and referred to him as "our friend". Rasputin referred to the Emperor and the Empress only as "papa" and "mama" and always used a frank and "sincere" tone in conversations with the royal family. Meanwhile, government security sources reported about wild orgies at the many parties and gatherings at Rasputin's residence, located just a few blocks away from the Tsar's palace and paid for out of the Russian Treasury. Rasputin's drinking binges were reported as "massive and wild" that often degenerated into drunken and violent sex orgies, designed to entangle politicians and other guests who could prove useful to Rasputin's ambitions. He aggressively indoctrinated his victims by using, among other methods, his motto "Sin that you may obtain forgiveness!", which was in line with the views he learned from the sect of Khlysty.

Soon Rasputin and people behind him succeeded in using his influence to entangle many politicians in scandals, including dirty manipulations involving their wives, drinking parties, promiscuity, and massive embezzlement of the government funds during the First World War, by diverting money to special interests through insiders within the Treasury of Russia. Rasputin also manipulated the Empress Tsarina Alexandra to make controversial political appointments, which led to a bitter divide within all classes of the Russian society, causing a blow to the public image of the Imperial House of the Romanovs. Rasputin's manipulative activities provoked many conflicts within the Russian government and the Russian military command during the First World War. Rasputin was using his position inside the Tsar's Palace to directly interfere with Tsar's communications with the government and media, thus undermining the Tsar's public image. At several times Rasputin was able to interfere with the Tsar's schedule of meetings with political figures as well as military commanders during the war.

In 1914, while visiting a church in Siberian city of Tobolsk, Rasputin was attacked by his former prostitute-friend, Khionia Guseva, who then turned a religious disciple of monk Iliodor. Ms. Guseva approached Rasputin with a knife and wounded him in the stomach, but he recovered from the wound and soon gained an even stronger influence on the Empress Tsarina Alexandra. Later Ms. Guseva said to the Grand Jury that she acted in clear mind and full understanding that "Rasputin is the Antichrist harmful to the people of Russia." However she was declared insane and was forcefully placed in an asylum in Siberia. Rasputin's most destructive actions were committed in 1916, when he convinced the Tsar Nicholas II to move from the Russian capital, St. Petersburg, to the front-lines in Belarus, leaving the Empress Alexandra alone under his influence and in charge of internal politics of the country. In absence of the Tsar, St. Petersburg was surreptitiously over-taken by the revolutionary communists, who penetrated into many regiments of the Army, the Navy, as well as into the local political circles in the capital of Russia, thus preparing for the Communist Revolution of 1917. The decade of Rasputin's destructive manipulations led to irreparable political and economic damage and caused a bitter divide within the government and military command, as well as within all social layers of Russia. At that time the French ambassador Maurice Paléologue made a record that the "Russian Empress is mystically devoted to Rasputin."

Communist leader Vladimir Lenin wrote, "monstrous Rasputin is pushing the Tsar's regime to a disaster", which was helping the communist revolution. According to historians Rasputin was used by a secret group behind the communist revolutionaries, which acted to destroy the Romanov dynasty and the monarchy, and eventually fulfilled their plans and came to power through revolution. That explained how and why Rasputin was manipulated to discredit the royal family and personally the Tsar Nicholas II. Rasputin's main handler was a St. Petersburg's underworld drug lord, named Dr. Badmayev, who controlled Rasputin through his drug addiction and often instructed Rasputin about his political moves. Rasputin often stayed overnight after having a fix at Dr. Badmayev's home in St. Petersburg. At the same time, Rasputin's hypnotic influence over the Empress Alexandra and the Crown Prince Alexey remained very strong, allowing him to make political, ecclesiastical and military appointments for those who served his interests. Rasputin created and used public scandals and rumors about his sexual and alcoholic excesses, and designed crafty entrapments for many members of the Russian political establishment into orgies and scandals for immediate blackmail and exploitation. He polarized the society by using his political influence in securing the appointments and dismissals of several military commanders and government ministers during the First World War. Rasputin's abuse of power and his notorious debauchery was used by the communist propaganda to depict Rasputin with the Empress Alexandra in numerous pornographic comics, drawings and provocative publications as part of a massive negative publicity campaign against the House of Romanovs and the Russian monarchy. In the communist propaganda Rasputin was shown as a peasant who turned the Russian Tsar into a wimp, so the country was in "bad hands" and "proletarians must join with peasants to overthrow the monarchy and take power", so declared the communist leader Vladimir Lenin, who in turn was secretly financed by the German military.

In 1916, during the most difficult time in the First World War, brothers of Tsar Nicholas II obtained evidence that Rasputin was secretly negotiating a peace treaty with Germany while Russia's position in the war was not good. Rasputin said on record that "too many peasants were dead because of the war", indicating his agenda to settle "peace at any cost" which was also in line with the communist propaganda, and helped the German Armies. Peasants deserted from the Russian Army by hundreds of thousands, then armed peasants came to St. Petersburg and joined the communist revolutionary brigades. Rasputin's secret activity and his contacts with the Germans became a political scandal. Tsar's cousin, Grand Prince Nicholas, announced that he wants to hang Rasputin for treachery as a spy in German employ, albeit Rasputin was under the protection of the Empress Tsarina Alexandra, who herself was German. That led to a plot by a group of aristocrats, led by Prince Feliks Yusupov, a relative of the Tsar, to assassinate him, but Rasputin was officially guarded by six agents from the Russian Imperial Security under constant supervision of specially assigned officers who lived in Rasputin's house in St. Petersburg.

In November of 1916, Prince Yusupov pretended that he had chest pains and obtained a high recommendation to become a patient of Rasputin. Prince Feliks Yusupov made several visits to Rasputin as a patient and soon he made friends with Rasputin and presented him a picture of his wife, beautiful Princess Irene Yusupov, niece of the Emperor Tsar Nicholas II. Rasputin immediately became horny and expressed his desire to meet the beauty. On December 16, 1916, Prince Yusupov and his fellow officers designed a plan centered on using the beautiful Princess Irina Yusupov, as a bait. On December 29, 1916, Prince Feliks Yusupov personally invited Rasputin to a dinner and drove him to Yusupov's Moika Palace in St. Petersburg. There Rasputin was waiting for the appearance of the Princess Irina Yusupov, but she never showed up. Meanwhile, Rasputin was plied with wine and food that had been laced with cyanide, albeit the plotters were oblivious to the fact of chemistry that cyanide is often neutralized by some ingredients in food, as it turns into a harmless salt in most desserts and wines. Rasputin also had a condition with hyper-acidity and post-surgical stomach problems which caused him to minimize his intake of sugar and alcohol. When the poison had no apparent effect on Rasputin, Prince Feliks Yusupov pulled out his gun and fired, but Rasputin's life was saved because the first bullet was reflected by the hard metal button on his coat, he was wounded, but still managed to jump up and tried to escape out of the Moika Palace. Then Prince Yusupov and Count Vladimir Purishkevich together with their friend, British intelligence officer Oswald Rayner, pulled out their guns and fired at Rasputin, then, noticing that he was still trying to get up, they clubbed him into submission. In the early morning of December 30, 1916, members of the plot wrapped Rasputin and dragged him into the icy waters until he finally drowned in the Neva River.

Even after his death, Rasputin still remained dangerous and could be used as a destructive and divisive tool, because he left a wild and threatening message to Emperor Tsar Nicholas II and Alexandra, predicting their death and disaster for Russia. Crown Prince Alexey remained gravely ill and was heavily dependent and conditioned to Rasputin's hypnotic influence. Rasputin's body was buried upon Empress Alexandra's and Prince Alexey's request at the location in the park of Tsarkoe Selo, near the Summer Palace of the Russian Tsars. Two months after Rasputin's assassination, Emperor Tsar Nicholas II abdicated, then was arrested as citizen Romanov who was obediently sweeping snow from roads while waiting for his sentence under supervision of communist revolutionaries. Soon both Nicholas and Alexandra became increasingly paranoid about having Rasputin's grave next to his Summer Palace. Ironically, Tsar Nicholas II was under the house arrest in that same palace during the year of 1917, and both Empress Alexandra and Prince Alexey were not allowed to make visits to Rasputin's grave, which was vandalized by revolutionaries in search for valuables. By that time, Rasputin's body was removed upon the order from Aleksandr Kerensky, the head of the Russian provisional government, who previously was a student at the same school and at the same time with the future communist leader Vladimir Lenin. Initially Kerensky ordered to remove Rasputin's body to a remote cemetery, but during the move, Rasputin's body, masked as a piano in a wooden box, was destroyed in the fire started by a group of revolutionaries. Shortly after the Communist Revolution, the entire family of Tsar Tsar Nicholas II with his wife and five children were executed, then Tsar's Palaces were vandalized by the revolutionary communists and Rasputin's grave was again burglarized by poor proletarians in search for jewelery.

Later, while in emigration outside of the Communist Russia (then Soviet Union), both accounts by Prince Feliks Yusupov (who lived through the 1960s) and Count Vladimir Purishkevich (who died in the 1920s) were published in their respectful books of memoirs about their plot and assassination of Rasputin in the context of their participation in the historic events. Prince Yusupov compared Rasputin's cynical and manipulative treatment of the Tsar's family to the Communist Party's ruthless methods of control over innocent people of Russia. Rasputin's own "religious" speeches were interpreted and recorded by his enchanted admirers and titled "holy wanderings" and "holy thoughts" when first published in Russia in 1907 and in 1915. In 1942, Soviet dictator Joseph Stalin appointed the notorious St. Petersburg Bishop Sergiy the Patriarch of Orthodix Christianity in the Soviet Union. Then Patriarch Sergiy brought back the name of Gregory Rasputin from oblivion. At the same time some sectarian monks organized rumors about possible canonization of Gregory Rasputin as a "martyr and saint" who was assassinated by the family of the "bad" tsar.

Rasputin's daughter, Matrena Solovyova-Rasputina, and her husband, Boris Solovyov, who secretly collaborated with the Communist regime, took money and jewelery from Empress Tsarina Alexandra in exchange for a promise of assist the Tsar Nicholas II and his family to escape from the Communist regime. They betrayed the Tsar and his family and left them to be killed by the communists, while themselves escaped to France. There Rasputin's daughter, who was money hungry, read the memoirs of Prince Feliks Yusupov, and filed several law suits against Prince Yusupov, who gave accounts of Rasputin's death under oath in 1934 and 1965. Eventually Rasputin's daughter ended up working for a circus as a tiger tamer, then she moved to Los Angeles, and died there in 1977.

Aleksandr Sergeevich Demyanenko was born on May 30, 1937, in Ekaterinburg (Sverdlovsk), Russia. His father, named Sergei Demyanenko, was an actor in Moscow, but moved to live in Sverdlovsk in the 1930's. Young Aleksandr Demyanenko was spending much time with his father at his acting class. From the age of 9 to15 he went to Sverdlovsk Music School and studied singing and piano. He failed his entry exams at the Moscow Art Theatre in 1954, and became a student at the Law School of the Sverdlovsk University. From there Demyanenko escaped in less than a year.

In 1955, Demyanenko successfully passed all acting tests and became a student at the Moscow Thatre Institute, GITIS. There he was cast for his first film work, a supporting role in 'Veter' (1958), a film by directors Aleksandr Alov and Vladimir Naumov. Demyanenko graduated from the Moscow Theatre Institute (GITIS) in 1959, and worked as an actor at the Moscow Theatre of Mayakovsky under the directorship of Andrei Goncharov. He still did not have a place to live in Moscow, and was unsettled.

At that time Demyanenko played more roles in the films produced at the Lenfilm Studion in St. Petersburg (then Leningrad). There he was invited to have a permanent job as an actor with the Lenfilm Studio. The offer included an apartment. In 1961, Demyanenko moved to Leningrad, settled in a nice apartment and eventually built his 'Dacha' at the resort of Sosnovo, near Finland. He later married an assistant director from the Lenfilm Studios. He had no interest in going back to Moscow, and actually turned down many offers from the Moscow theatres and film studios.

Demyanenko shot to fame after he played the leading role of 'Shurik' in 'Operatsiya Y i drugie priklyucheniya Shurika' (1965), a popular comedy by director Leonid Gaidai. His next work with Leonid Gaidai in the comedy 'Kavkazskaya Plennitsa' (1966) was even more popular. It became a huge Soviet blockbuster. Gaidai made a well-crafted film where everything works just right. Natalya Varley with the team of four men - Demyanenko as 'Shurik', and his brilliant partners Yuriy Nikulin, Georgiy Vitsin, and Evgeniy Morgunov, created a memorable acting ensemble.

Demyanenko made a nice work in one of the best comedies from Leonid Gaidai, 'Ivan Vasilievich: Back to the Future'. In this film Demyanenko's character 'Shurik' builds a working Time Machine that throws a pair of Soviet jerks into the 16-th century Moscow under the Czar Ivan the Terrible. At the same time the Czar Ivan the Terrible goes into the year 1973 in the Soviet time Moscow. 'Shurik', played by Demyaneko, became a special character, that connected three comedies, directed by Leonid Gaidai.

His tremendous popularity in the character of 'Shurik' came at a painful price. Demyanenko was called 'Shurik' everywhere. That image got stuck in the public perception of actor Demyanenko. He was avoided by most film directors, because of his extreme popularity in the image of 'Shurik'. At that time he suffered from alcohol dependency. He also had a heart attack, which was not treated properly at that time. He briefly worked on stage at the Akimov Theatre of Comedy. He also went back to Lenfilm Studios, where he made voice-overs in more than 100 Russian and foreign films.

During his last years, from 1995-1999, Aleksandr Demyanenko worked on stage at the St. Petersburg Theatre 'Priyut Komedianta'. He died on August 22, 1999, of a heart failure, in St. Petersburg, Russia.

The preeminent Russian actor, at least in Western eyes, of the first half of the twentieth century. He became interested in the theatre as a teenager and joined the Teatr Mariinskij as a stagehand in 1918. He apprenticed with various traveling companies and therein learned ballet, pantomime, and acrobatics. He studied at the St. Petersburg (Leningrad) Theater Institute and made his stage debut in 1926. The following year, he entered films and his commanding presence soon brought him leading roles and enormous acclaim, as well as the approbation of the Soviet leadership, which elected him a deputy of the Supreme Soviet. His greatest fame world-wide came with his work in the films of Sergei Eisenstein. Following the masterpieces _Aleksandr Nevsky (1938)_ and _Ivan Groznyj I (1945)_ he was named to the Order of Lenin and made People's Artist of the USSR, respectively. He died in 1966. He should not be confused with the actor Nikolay P. Cherkasov who starred in many Russian films.

Vladimir Garin was born on 25 January 1987 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia]. He was an actor, known for The Return (2003). He died on 24 June 2003 in St. Petersburg, Russia.

Kirill Lavrov was a notable Russian actor, director and political figure who was also longtime Chairman of Theatrical Union of the USSR and the leader of Bolshoi Drama Theatre (BDT) in St. Petersburg (Leningrad), Russia.

He was born Kirill Yuryevich Lavrov on September 15, 1925, in Leningrad, USSR (now St. Petersburg, Russia), into a family with deep roots in St. Petersburg society. He was baptized by the Russian Orthodox Church of St. John the Divine in Lavrushinskoe Podvorie Monastery in Leningrad.

Young Kirill Lavrov was brought up in Leningrad (St. Petersburg), in a noble family which was part of the St. Petersburg cultural milieu. His grandmother, named Olga Leonidovna Lykoshina, was related to writer Aleksandr Griboyedov and belonged to Polish Nobility. His grandfather was member of Imperial Humanitarian Society and Director of Gymnasium in St. Petersburg. His father, named Yuri Lavrov, was an actor at the Bolshoi Drama Theatre (BDT) in St. Petersburg, where his stage costumes were designed by Alexandre Benois. His mother, named Olga Ivanovna Gudim-Levkovich, was an actress.

Kirill Lavrov's family was at risk during the dictatorship of Joseph Stalin, because Lavrov's grandfather, a member of Imperial Humanitarian Society in St. Petersburg, was an anti-communist who fled Russia after the Bolshevik Revolution of 1917. Russian intellectuals suffered badly under the dictatorship of Joseph Stalin. The murder of the popular governor of Leningrad, Sergei Kirov, triggered massive extermination of intellectuals and destruction of culture and society under repressions known as "The Great Purge." In 1938, the Lavrovs escaped repressions by moving from Leningrad to Kiev.

During the Second World War Kirill Lavrov was evacuated to Novosibirsk in Siberia. In 1943, then 17-year-old Lavrov applied to join the Red Army to fight the Nazis. He was sent to Astrakhan Aviation Technical School from which he graduated in 1945, and then served as an aircraft technician in the Air Force in the Kuril Island of Iturup until 1950. He was also an amateur actor at a local army club.

In 1950 Kirill Lavrov reunited with his parents in Kiev. There he became a professional actor of the Russian Drama Theatre named after Lesya Ukrainka, where his father was the leading actor at that time. Although Kirill Lavrov did not study acting professionally, he had a natural talent. He made his stage acting debut in Kiev, and appeared alongside with his father in several plays at the Russian Drama Theatre named after Lesya Ukrainka. In 1955, Lavrov came back to Leningrad; he was invited by director Georgi Tovstonogov and joined the troupe at BDT.

From 1955 - 2007 Kirill Lavrov was a permanent member of the legendary troupe at the Bolshoi Drama Theatre (BDT) in St. Petersburg (Leningrad). Lavrov worked under directorship of Georgi Tovstonogov for 33 years. After the death of Tovstonogov, Lavrov remained the leader of outstanding ensemble of actors at BDT. There his stage partners were such stars as Oleg Basilashvili, Tatyana Doronina, Alisa Freyndlikh, Lyudmila Makarova, Svetlana Kryuchkova, Zinaida Sharko, Valentina Kovel, Innokentiy Smoktunovskiy, Sergey Yurskiy, Nikolay Trofimov, Oleg Borisov, Vladislav Strzhelchik, Yefim Kopelyan, Evgeniy Lebedev, Georgiy Shtil, Vsevolod Kuznetsov, Pavel Luspekayev, Vadim Medvedev, Yuriy Demich, Leonid Nevedomsky, Gennadiy Bogachyov, Andrey Tolubeev, and many other remarkable Russian actors.

In 1989, Kirill Lavrov was unanimously elected the Artistic Director of the Bolshoi Drama Theatre (BDT) in St. Petersburg. He managed to preserve the artistic tradition established by the great Russian director Georgi Tovstonogov, and to rename BDT after G. A. Tovstonogov. Kirill Lavrov was awarded the State Prizes of the USSR and Russia for his works on stage and in film. He received numerous decorations and was designated People's Actor of the USSR (1972). He was elected representative to the Supreme Soviet of the USSR, and later was also an active political and cultural figure in the new Russia. From 1992 - 2006 Lavrov was President of the International Confederation of Theatrical Unions.

Outside of his acting and political career, Kirill Lavrov was a dedicated football (soccer) fan, a passion he inherited from his father. Kirill Lavrov was a good sportsman since his youth; he was a member of the youth football (soccer) team at "Spartak" club in Leningrad. He also trained in skiing, gymnastics and fencing. For many years, Lavrov was a captain of the football team of actors at BDT, and also a follower of Zenit, a football club in St. Petersburg.

Kirill Lavrov was Honorary Citizen of St. Petersburg. He died of a heart failure, aged 81, on April 27, 2007, in St Petersburg. His burial service was held at the Bolshoi Drama Theatre (BDT) and then at the same Russian Orthodox Church where he was baptized as a child. Kirill Lavrov was laid to rest next to his late wife in Bogoslovskoe Cemetery in St. Petersburg, Russia.

Sergey Filippov was born on 24 June 1912 in Saratov, Saratov uyezd, Saratov Governorate, Russian Empire [now Saratov Oblast, Russia]. He was an actor, known for Twelve Chairs (1971), Carnival Night (1956) and Dvenadtsataya noch (1955). He died on 19 April 1990 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia].

Aleksandr Rogozhkin was born on 3 October 1949 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia]. He was a director and writer, known for Blokpost (1999), The Cuckoo (2002) and Peculiarities of the National Hunt (1995). He was married to Yuliya Rumyantseva. He died on 23 October 2021 in St. Petersburg, Russia.

Grigori Mikhailovich Kozintsev was born on March 22, 1905, in Kiev, Russian Empire (now Kiev, Ukraine). His father, named Mikhail Kozintsev, was a medical doctor. Young Kozintsev studied at the Kiev Gymnazium. There, in 1919, he organized experimental theatre "Arlekin" together with his fellow students Sergei Yutkevich and Aleksei Kapler. During 1919 and 1920 Kozintsev studied art at the Kiev School of Art under the tutelage of Alexandra Exter.

Experiments. In 1920 Kozintsev moved to Petrograd (Leningrad or St. Petersburg). There he studied art at the "VKHUTEMAS" at the Academy of Fine Arts for two years. In 1921 Kozintsev with Sergei Yutkevich, Leonid Trauberg, and Leonid Kryzhitsky organized and led the Factory of Excentric Actors (FEKS). There Kozintsev directed radically avant-garde staging of plays "Zhenitba" (Marriage 1922) by Nikolay Gogol and "Vneshtorg na Eifelevoi Bashne" (Foreign trade on Eiffel Tower 1923). They were based in the former Eliseev Mansion on Gagarinskaya street No. 1 in St. Petersburg. Kozintsev and FEKS collaborated with writer Yuri Tynyanov, cinematographer Andrey Moskvin, young actor-director Sergey Gerasimov, artist Igor Vuskovich, and young composer Dmitri Shostakovich among others. Initially FEKS was the main platform for experimental actors, directors and artists, and was strongly influenced by Vsevolod Meyerhold and Vladimir Mayakovsky.

Artistic position. In 1924 Kozintsev and Trauberg came to "SevZapKino" Studios (now Lenfilm Studios). There Kozintsev continued his FEKS experiments in his first eccentric comedy 'Pokhozhdenie Oktyabriny' (1924). Kozintsev's early films were strongly criticized by official Soviet critics. His film 'Shinel' (1926) was compared to German Expressionism and accused of distortion of the original classic story by Nikolay Gogol. Kozintsev strongly argued against such comparisons with German expressionism; he was unhappy until the end of his life about such criticism of his early experimental works. Kozintsev insisted that his cheerful experiments were essential in the city of Petrograd (St. Petersburg) after the Russian Revolution of 1917, which brought destruction, depression, crime, and degradation of culture.

Early films. Kozintsev made twelve films together with Leonid Trauberg. Their collaboration began in 1921, in Petrograd (St. Petersburg). Their film-trilogy about Russian revolutionary hero Maxim was made from 1935-1941, when people in the Soviet Russia were terrorized under the most brutal dictatorship of Joseph Stalin. In departure from experimental youthfulness and freedom of their FEKS years, the Maxim trilogy was a trade-off blend of experiment and Soviet propaganda. It was still a powerful work and was even banned by censorship in the United States from the 1930s-1950s. For that work Kozintsev and Trauberg were awarded the Stalin's State Prize in 1941. After the Second World War Kozintsev and Trauberg made their last film together: 'Prostye Lyudi (Plain People 1946), which was censored and remained unreleased until 1958, when "Nikita Khrushchev' lifted the ban imposed by Stalin's censorship.

Highlights. Grigori Kozintsev ascended to his best works after the death of Stalin. Then Nikita Khrushchev initiated the "Thaw" which played a role in some liberation of individual creativity in the Soviet film industry. Kozintsev's adaptations of classical literature combined some experimental elements of his earlier silent films with the approach of a mature master. His Don Quixote (1957), King Lear (1969) and especially Hamlet (1963) were recognized worldwide as his highest achievements. In _Korol Lir (1969)_ Kozintsev made a brilliant decision to cast actors from the Baltic States as the Lear's family. Jüri Järvet, Regimantas Adomaitis, Donatas Banionis, Juozas Budraitis, and Elza Radzina together with Oleg Dal, Galina Volchek, Aleksey Petrenko made a powerful acting ensemble.

Hamlet and King Lear. Kozintsev first staged Shakespeare's "Hamlet" and 'King Lear" in 1941. His collaboration with Boris Pasternak began in 1940, when Pasternak was working on his Russian translation of the Shakespeare's originals. Both plays were prepared for stage under direction of Kozintsev. King Lear was staged in 1941, but further work was interrupted because of the Nazi invasion of the Soviet Union. Hamlet was staged in 1954. At the same time Kozintsev continued developing the idea of filming _Gamlet (1964)_, until everything came together in his legendary film. The adaptation by Boris Pasternak, the music by Dmitri Shostakovich, the direction by Kozintsev, and the acting talent of Innokentiy Smoktunovskiy produced special creative synergy. Innokentiy Smoktunovskiy was praised as the best Hamlet by Sir Laurence Olivier.

Legacy. In the 1920s Kozintsev taught at the Leningrad School of Acting. From 1944-1964 Kozintsev led his master-class for film directors at the Soviet State Film Institute (VGIK). Among his students were many prominent Russian directors and actors such as Sergey Gerasimov and others. Kozintsev was the head of master-class for film directors at Lenfilm Studios from 1964-1971. He wrote essays on William Shakespeare, Sergei Eisenstein, Charles Chaplin, and Vsevolod Meyerhold and published theoretical works on film direction. Grigori Kozintsev lived near Lenfilm Stidios in Leningrad (St. Petersburg) for the most part of his life. His work and presence was essential to the status of Lenfilm Studios as well as to the film community in Leningrad during the political and economic domination of Moscow as the Soviet capital. From his early works of the 1920s to his masterpiece _Gamlet (1964)_, Kozintsev was faithful to creative experimental approach.

Kozintsev was designated the People's Artist of the USSR. He was awarded the State Lenin's Prize of the USSR (1965), and received other awards and nominations. He died in Leningrad (St. Petersburg) on May 11, 1973, and was laid to rest in the Necropolis of the Masters of Art in St. Aleksandr Nevsky Convent in St. Petersburg, Russia.

Bobby Farrell was born on 6 October 1949 in Oranjestad, Aruba. He was an actor, known for Deadly Spygames (1989), Boney M.: Ma Baker (1977) and Boney M.: Rivers of Babylon (1978). He was married to Jasmina. He died on 30 December 2010 in St. Petersburg, Russia.

Anna Samokhina was born on 14 January 1963 in Guryevsk, Kemerovo Oblast, Russian SFSR, USSR [now Russia]. She was an actress, known for Don Sezar de Bazan (1989), Zhenskiy den (1990) and Gangstery v okeane (1991). She was married to Dmitry Konorov and Aleksandr Samokhin. She died on 8 February 2010 in St. Petersburg, Russia.

Born to noble parents (his father Sergei was a retired major, and his mother, Nadezhda, was the granddaughter of an ennobled Ethiopian general) on the 26th of May, 1799 in Moscow, Alexander Sergeevich Pushkin became involved with a liberal underground revolutionary group that saw him exiled to the Caucasus.

He spent most of his time there writing poetry and novels. In 1826 Pushkin was pardoned by the Tsar and allowed to return home after six years of exile. He married Natalia Goncharova, whose coquettish behavior led to her husband challenging an admirer of hers to a duel in January 1837. Though both were wounded, only Pushkin died two days later from his injuries.

Sergey Dreyden was born on 14 September 1941 in Novosibirsk, Novosibirskaya oblast, RSFSR, USSR [now Russia]. He was an actor, known for Russian Ark (2002), Sumasshedshaya pomoshch (2009) and A Siege Diary (2020). He was married to ???, Tatyana Ponomarenko and Alla Sokolova. He died on 8 May 2023 in St Petersburg, Russia.

Aleksey Smirnov is a Soviet theater and film actor.

In 1940 he graduated from the theater studio at the Leningrad Theater of Musical Comedy and was accepted into the troupe of the same theater. In 1946, he was accepted into the troupe of the Leningrad Theater of Musical Comedy. In the early 1950s, he had several notable roles in the repertoire of the Musical Comedy Theater. By the end of the 1950s, he became famous among filmmakers. In 1961, when he became an actor in the Lenfilm film studio, two films with his participation were released on the screens of the country. All-Union fame for the actor brought the role in the films of Leonid Gayday. In all these films, he performed in comedic roles.

Born 1933 in Leningrad, RSFSR, USSR (now Saint Petersburg in Russia), Boris Natanovich Strugatskiy was a Soviet/Russian sci-fi writer, often writing in collaboration with his older brother Arkadiy Strugatskiy. Strugatskiys' father Natan Strugatskiy was a Jewish art critic and their mother was a Russian Orthodox teacher. Living in Leningrad with his mother, Boris survived the 1941-1944 siege of the city by the Nazi Germany army. In 1955 he graduated astronomy and went on to word as an astronomer and computer engineer. In 1958 the Strugatskiy brothers begun their artistic collaboration, which lasted until Arkadiy's death in 1991. In 1966 Boris quit his job to become a full-time writer and starting form 1972, he taught a speculative fiction writing seminar. In 1979, the brothers' best-known novel, "Piknik na obochine" ("Roadside Picnic") was loosely adapted for the screen by Andrei Tarkovsky as Stalker (1979). After his brother's death, Boris published two more books, which he wrote under a pseudonym. He died on November 19, 2012 in Saint Petersburg, Russia. Writings of the Strugatskiys continue to inspire creators of movies (such as Dark Planet (2008)) and video games (such as S.T.A.L.K.E.R.: Shadow of Chernobyl (2007) and its sequels).

Nikolai Nikolaevich Kryukov was born on July 8, 1915, in a village in Tver province, USSR. His parents were farmers. Young Kryukov was fond of silent films. In 1930, he decided to become an actor and moved to Leningrad. During the 1930s he was industrial worker at the "Sevkabel" plant in Leningrad. At that time he also attended acting class at the Bolshoi Drama Theatre (BDT) in Leningrad, graduating in 1935 as an actor. From 1936 - 1941 he was permanent member of the troupe with E. Radlov's theatre, then at Lensoveta Theatre in Leningrad. In 1940, Kryukov made his film debut in 'Politruk Kolyvanov' (1940), but the film was not completed because of the hardship in the Second World War.

During WWII, Nikolai Nikolaevich Kryukov worked as actor during the siege of Leningrad. In the beginning of 1942, he was evacuated from besieged Leningrad to the city of Pyatigorsk. There he was arrested by the advancing Nazi Army and was taken to Germany as a POW. In Germany, Nikolai Nikolaevich Kryukov worked as actor until liberation at the end of WWII. Then he was returned to the Soviet Union together with five million other POWs.

After the war, Nikolai Nikolaevich Kryukov undergone interrogation by the Red Army intelligence and the KGB, before he was allowed to work again as a stage actor with various theatre companies in such cities as Tbilisi, Tver, Rostov, and Riga. However, he was restricted from working in Leningrad/St. Petersburg until after the death of the Soviet dictator Joseph Stalin a series of political changes were initiated in the Soviet Union by Nikita Khrushchev. In 1958 Nikolai Kryukov returned to Leningrad and became staff actor at the Lenfilm Studios. He was regarded for his roles in such films as Tumannost Andromedy (1967), Devushka i Grand (1982), and in the popular Russian series about Sherlock Holmes.

Nikolai Nikolaevich Kryukov was married to actress Lilia Gurova and the couple lived in St. Petersburg, Russia. He was designated Honorable Actor of Russia (1992) and was a highly respected actor in Russia. He died of a heart failure on April 30, 1993, and was laid to rest in Serafimovskoe Cemetery in St. Petersburg, Russia.

Antonina Nikolaevna Shuranova was born on April 30, 1936, in Sevastopol, Crimea, USSR (now in Crimea, Ukraine). She was one of three sisters raised by a single mother. Her father, named Nikolai Shuranov, was a Navy officer; he died when she was 3 years old. Her mother moved with three daughters to Leningrad just before the beginning of the siege of Leningrad during the Second World War. The Shuranovs were lucky because they were evacuated out of Leningrad at the very beginning of the siege. They returned to Leningrad after the end of WWII.

Young Shuranova was fond of art. She studied painting at children's studio at the Hermitage Museum in Leningrad (St. Petersburg). There she had her first acting experience at the Hermitage Theatre. During the 1950's she studied at Leningrad Horticultural College; after graduation she worked at the Leningrad Department of Parks and Gardens for three years. From 1958-1962 Shuranova studied at the Leningrad Institute of Theatre, Music, and Cinematography with professor Tatiana Soinikova, and graduated with honors as an actress.

From 1962-1988 she was a permanent member of the Bryantsev Theatre for Young Audience in St. Petersburg. There she worked with the renown theatrical director Zinovi Korogodsky. During the 1960's and 1970's she was at the height of her film career. In 1976, Shuranova left her husband, a medical doctor, and married her stage partner actor Aleksandr Khochinsky. Their home at Pokrovsky area in St. Petersburg was an informal meeting place for the St. Petersburg cultural milieu.

Shuranova shot to fame in 1966 after her film debut as Princess Mariya opposite Anatoli Ktorov in War and Peace (1965) by director Sergey Bondarchuk. She made a remarkable performance as Nadezhda von Mekk opposite Innokentiy Smoktunovskiy in _Chaikovskiy (1969)_. Shuranova was designated the title of People's Artist of Russia (1980). She was awarded the "Golden Seashell" for her role in Unfinished Piece for the Player Piano (1977). She played over 20 roles in film and television, and also played over 50 roles on stage.

From 1995-2003 Shuranova was a permanent member of the troupe at Theatre of Satire on Vasilevsky in St. Petersburg. Her last work on stage was her remarkable performance in the role of Vassa Zheleznova in the eponymous play by Maxim Gorky. Antonina Shuranova died on February 5, 2003, in St. Petersburg, Russia and was laid to rest in Serafimovskoe Cemetery in st. Petersburg, Russia.

Anna Kast was an actress, known for Little Big: We Will Push the Button (2013), Little Big: We Will Push the Button (2013) and Little Big: With Russia from Love (2014). She died on 28 February 2021 in St. Petersburg, Russia.

In 1856 Moussorgsky joined the Russian army where he met the piano player and composer 'Balakirev' who taught him composition. As he could not finish his studies in music, Moussorgsky did not know all stylistic means of composition perfectly and thus had to follow his instinct in his works becoming the pathmaker of the musical impressionism as well as expressionism: He was the first to compose realistic pictures, e.g. "Pictures at an Exhibition". Having no success during his lifetime Moussorgsky spent all of his fortune ending up a poor man addicted to alcohol.

Vera Andreevna Kuznetsova was born on October 6, 1907, in Saratov, Russian Empire (now Saratov, Russia). In 1928 she made her stage debut, while being a student of Theatre Workers' Acting Studio in Leningrad. In 1933 Kuznetsova was one of the founders of the Lensoveta theatre in St. Petersburg (then Leningrad). Her staged career spanned over 45 years. She played leading and supporting roles in plays of Maxim Gorky, Lev Tolstoy, and Anton Chekhov among other authors.

Kuznetsova was best known for her portrayal of kind and generous Russian mothers and grandmothers in many stage and film productions. Her stage and film partners were such stars as Georgi Zhzhyonov, Nikolay Cherkasov, Aleksey Batalov, Boris Andreyev, Kirill Lavrov, Vitali Solomin, Petr Shelokhonov, Yefim Kopelyan, Igor Vladimirov, Alisa Freyndlikh, Aleksey Petrenko, Mikhail Boyarskiy and other notable Russian actors. She worked with such film directors as Grigoriy Chukhray, Viktor Tregubovich, Iosif Kheifits, Nikita Mikhalkov, Leonid Gaidai, Vladimir Basov, Aleksandr Alov, Vladimir Naumov, Daniil Khrabrovitsky, Viktor Sadovsky, and others. From 1973-1994 she was a staff actress of the Lenfilm Studios in St. Petersburg, Russia.

Vera Kuznetsova won the Best Actress Award at Cannes Film Festival in 1955 for 'Bolshaya Semya' (1954) by director Iosif Kheifits. She won a Special Mention Award at Cannes Film Festival in 1966, for 'There Was an Old Couple' (1965) by director Grigoriy Chukhray. She was designated the People's Artist of Russia and received other awards and decorations from the Soviet and Russian State. Vera Kuznetsova died on December 11, 1994, in St. Petersburg, Russia.

Aleksandra Yakovleva was born on 2 July 1957 in Kaliningrad, Kaliningradskaya oblast, RSFSR, USSR [now Russia]. She was an actress, known for Ekipazh (1980), Beloe proklyate (1988) and A Man from Boulevard des Capucines (1987). She was married to Kalyu Aasmyae, Valeriy Kukhareshin and Aleksandr Nevzorov. She died on 1 April 2022 in St. Petersburg, Russia.

Pavel Kadochnikov was born on 29 July 1915 in Petrograd, Russian Empire [now St. Petersburg, Russia]. He was an actor and director, known for Secret Agent (1947), Povest o nastoyashchem cheloveke (1948) and A Big Family (1954). He was married to Rozaliya Kotovich. He died on 2 May 1988 in Leningrad, RSFSR, USSR [now St. Petersburg, Russia].

Bruno Arturovich Freindlikh was born on October 10, 1909, in Russia. His German ancestors were invited to Russia by Tsar Peter the Great and settled in St. Petersburg around 1700's. The Freindlikh family started a successful glass-making factory in the Russian capital. Young Bruno Freindlikh received an excellent private education and was amateur actor at school. From 1931-1934 he studied acting at the Leningrad Theatrical School, then studied at the Leningrad Institute of Arts from which he graduated in 1938 as an actor.

Freindlikh worked on stage at the Leningrad State Theatre named after Komsomol, which was evacuated to the city of Tashkent during the Second World War. During the German invasion of the Soviet Union in 1941, all members of the Freindlikh family were arrested "as German suspects" upon the order from Joseph Stalin. Actor Bruno Freindlikh escaped the arrest because he was evacuated with the theatre to the city of Tashkent, Uzbekistan. From 1941-1945 he worked at the Leningrad Theatre for the Young Audience in evacuation, and returned back to Leningrad after the end of the siege in 1945. From 1946-1948 he worked with the Leningrad Bolshoi Drama Theatre.

From 1948-2002 Bruno Freindlikh was the leading actor of the Pushkin Drama Theatre in Leningrad (St. Petersburg). There his best role was his highly acclaimed portrayal of Ivan Turgenev in the biographical play 'Elegy'. His stage partners at the Pushkin Drama Theatre were Nikolay Cherkasov, Nikolai Simonov, Konstantin Skorobogatov, Yuriy Tolubeev, Aleksandr Borisov, Vasiliy Merkurev, Leonid Vivyen, Olga Lebzak, Nina Urgant, Igor Gorbachyov, Valentina Panina, and other notable Russian actors. In 1941 Bruno Freindlikh played Hamlet on stage, in what was the first collaboration of director Grigoriy Kozintsev and writer Boris Pasternak, before they made the legendary film.

Bruno Freindlikh was awarded the State Prize of the USSR for his film work, and received many other awards and decorations from the State of the USSR. He was honored with the title of the People's Artist of the USSR. He died on July 9, 2002, in St. Petersburg, and was laid to rest in the "Literatorskie mostki" Necropolis of The Masters of Art at Volkovskoe Cemetery in St. Petersburg, Russia.