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Rachael Harris was born in Worthington, Ohio, where she spent most of her early life. In 1986, she graduated from Worthington High School. She then attended Otterbein College, a liberal arts college located in Westerville, Ohio. She graduated in 1989, with a Bachelor of Fine Arts.

Harris joined the Groundlings, an improvisational and sketch comedy troupe. The troupe maintains its own school in Los Angeles, where experienced members train young performers. Harris has served as a teacher in the school.

In the 1990s, Harris made a number of appearances in American television shows, starting with single-episode roles in the science fiction series "seaQuest DSV" and "Star Trek: Voyager". Her "Star Trek" role had her playing Martis, mother of Kes (a regular character of the series). Harris had a recurring role in the sitcom "Sister, Sister" as Simone. Her character was a senior college student, attending the University of Michigan where the last few seasons of the series were set.

Harris continued making guest appearances on television shows throughout the 2000s, and also appeared in a number of documentaries and advertisement campaigns. She appeared as a correspondent of the news satire "The Daily Show" for a single season (2002-2003). Harris was cast as Kevyn Shecket, a member of the supporting cast in the comedy series "Fat Actress" (2005). She appeared in all seven episodes of the first season of the show, but the series was then canceled.

Harris has played parts in various theatrical films, though often in minor roles. In the comedy film "The Hangover" (2009), Harris played Melissa, the bossy and cheating girlfriend of Dr. Stuart "Stu" Price (played by Ed Helms). Harris had a recurring film role in the film series "Diary of a Wimpy Kid" (2010-2012), where she played Susan Heffley (the protagonist's mother).

In the 2010s, Harris continues to appear in various film and television roles. She was cast as main cast member in the short-lived sitcom "Surviving Jack" (2014). In the sitcom Harris was cast as Joanne Dunlevy, a married mother to two teenagers, who decides to resume her college studies. The main plot of the sitcom had Joanne's husband adjusting to life as a full-time parent.

Harris gained a main cast role in the fantasy series "Lucifer" (2016-2021). She played Dr. Linda Martin, a professional psychotherapist who maintains a sexual relationship with her patient Lucifer Morningstar. Part of the series' plot is that Lucifer is a fallen angel and former ruler of Hell, who is trying to adjust to life among humans and to deal with his emotional issues. Linda initially helps him under the misconception that he is a mortal human being, but eventually learns parts of his secret.

Cynthia Addai-Robinson is an English-born actress. She was born in London; her mother is from Ghana and her father is a United States citizen. She moved to US when she was four, and was raised by her mother in a suburb of Washington, DC. She is a graduate of Montgomery Blair High School in Silver Spring, MD, and studied at the Tisch School of the Arts with a Bachelor of Fine Arts in Theater. In addition, she trained at Lee Strasberg Theater Institute and in dance forms ballet, jazz, tap. She received Navy Seal and New Zealand Special Forces training during the filming of Spartacus: War of the Damned.

Jo-Issa Rae Diop, credited professionally as Issa Rae, is an American actress, writer, producer, and comedian. Rae first garnered attention for her work on the YouTube web series Awkward Black Girl. Since 2011, Rae has continued to develop her YouTube channel, which features various short films, web series, and other content created by black people.

Sam Richardson is an American actor, comedian, writer and producer. He is best known for playing Richard Splett in the HBO political comedy series Veep (2012-2019), co-creating and co-starring in the Comedy Central comedy series Detroiters (2017-2018) alongside Tim Robinson, and playing various characters in the Netflix sketch show I Think You Should Leave with Tim Robinson (2019-present), and co-starring in The Afterparty (2022).

Kirstie Louise Alley was an American actress. Her breakout role was as Rebecca Howe in the NBC sitcom Cheers (1987-1993), receiving an Emmy Award and a Golden Globe in 1991 for the role. From 1997 to 2000, she starred in the sitcom Veronica's Closet, earning additional Emmy and Golden Globe nominations.

Oliver Platt was born in Windsor, Ontario, to American parents, Sheila Maynard, a social worker, and Nicholas Platt, a career diplomat. His parents were both from upper-class families, and his maternal great-grandmother, Cynthia Roche, was the sister of Princess Diana's maternal grandfather, Maurice Roche.

Platt spent his childhood in Washington, D.C., Asia, and the Middle East. Oliver graduated with a Bachelor of Arts degree with a major in Drama in 1983 from Tufts University. He then trained at Shakespeare & Co. with Kristin Linklater.

Zabryna Guevara (born January 12, 1972) is an American actress. She is known for playing the role of Melania Ortiz in 3 lbs and Sarah Essen in Gotham. Guevara is also a theatrical actress and in 2013 held the role of Yazmin in the award-winning Quiara Alegría Hudes play Water by the Spoonful at Second Stage Theater. She is of mixed Hispanic and black descent.

Guevara first role was in Law & Order as Lucita in 1997. Also in 1997, she starred in the film, The Hotel Manor Inn as Denise. Guevara would then guest star in 2 episodes of Law & Order: Special Victims Unit in 2002 and 2005 as Annie Colon and Julia Ortiz respectively. She would guest star in Law & Order again as Salma in 2003. In 2006, Guevara starred in the series 3 lbs as Melania Ortiz. In 2013 held the role of Yazmin in the award-winning Quiara Alegría Hudes play Water by the Spoonful at Second Stage Theater. In 2014, she landed the role of Trask's Secretary in the film X-Men: Days of Future Past. Also in 2014, Guevara landed the role of Sarah Essen in Gotham.

Naya Rivera was an Afro-Latina American actress, model and singer known for playing Santana Lopez from Glee and Hillary Winston from The Royal Family. She also was in The Master of Disguise, Baywatch, CSI: Miami, American Dad, Batman: The Long Halloween Parts 1 and 2, Even Stevens and The Bernie Mac Show.

Debra Feuer was born on 12 January 1959 in Las Vegas, Nevada, USA. She is an actress, known for To Live and Die in L.A. (1985), Homeboy (1988) and Miami Vice (1984). She is married to Scott Fuller. They have one child. She was previously married to Mickey Rourke.

Matt Malloy was born on 12 January 1963 in Hamilton, New York, USA. He is an actor and producer, known for Changing Lanes (2002), Armageddon (1998) and Drop Dead Gorgeous (1999). He is married to Cas Donovan.

Robert Bartleh Cummings, more famously known as Rob Zombie, was born in Haverhill, Massachusetts on January 12, 1965. He is the oldest son of Louise and Robert Cummings, and has a younger brother, Michael David (aka Spider One; b. 1968), who is the lead singer of Powerman 5000. Growing up, Zombie loved horror movies, which have greatly influenced his music and filmmaking career; in 1983, he graduated from Haverhill High School. After graduating, he moved to New York City to attend Parsons School of Design, also briefly working as a production assistant on Pee-wee's Playhouse (1986).

Zombie and his then-girlfriend, Sean Yseult, co-founded the band White Zombie, named after the Bela Lugosi classic horror film of the same name (White Zombie (1932)). The band released their debut studio album, 'Soul-Crusher', in 1987; their second, 'Make Them Die Slowly', followed in 1989, but generated little buzz.

Following the release of their fourth extended play, however, White Zombie caught the attention of Geffen Records, who in 1992 went on to release their third studio album, 'La Sexorcisto: Devil Music Volume One'. This album sold over two million copies in the U.S., becoming the band's breakout hit. White Zombie's fourth and final album, 'Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head', was released in 1995 to critical and commercial success, ultimately becoming their most successful album. The band released a remix album in 1996 and disbanded the same year, officially breaking up in 1998.

Rob Zombie began working on a debut album in 1997; 'Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International' came out in 1998, selling over three million copies. Zombie formed his own record label, Zombie-A-Go-Go Records, in 1998.

Zombie composed the original score for the video game Twisted Metal III (1998) and designed a haunted attraction for Universal Studios in 1999. In 2000, he began working on his directional debut, House of 1000 Corpses (2003). Inspired mainly by classics such as The Texas Chain Saw Massacre (1974), the film was delayed until 2003 due to distributional issues. Though criticized for its explicit depictions of violence and gore, it went on to gross over $16 million and has garnered a cult following.

Zombie's second studio album, 'The Sinister Urge', was released in 2001 and sold over a million copies. In 2002, he married his longtime girlfriend Sheri Moon Zombie, who has appeared in all of his movies to date and often accompanies him on tour to choreograph dance routines and create costumes. Zombie released a sequel to 'House of 1000 Corpses' in 2005, entitled The Devil's Rejects (2005). Although it received much more positive reviews than its predecessor, it was still criticized for its violent content. He released his third studio album, 'Educated Horses', the following year.

In 2007, Zombie decided to focus on his work as a filmmaker for a while; the same year, he would release his most polarizing movie to date: Halloween (2007), a remake of the 1978 classic of the same name (Halloween (1978)). It received a mixed reception, but was a box office hit, and still currently resides as the top Labor Day weekend grosser. Zombie directed a fictitious trailer entitled 'Werewolf Women of the SS' (inspired by the exploitation flick Ilsa: She Wolf of the SS (1975)) for Grindhouse (2007). In 2009, Zombie directed Halloween II (2009), which was critically panned, and The Haunted World of El Superbeasto (2009), which was based upon one of his comic book series.

Also in 2009, Zombie began working on a new album; 'Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool' came out the following year. In 2011, he directed a horror-themed commercial for Woolite, and began work on a new film, The Lords of Salem (2012). Unlike Zombie's previous efforts, 'The Lords of Salem' focused more on building suspense and a nightmarish, surreal atmosphere and less on brutal violence and excessive profanity. It ultimately received mixed reviews; just after its release, Zombie came out with his fifth studio album, 'Venomous Rat Regeneration Vendor', his lowest-selling to date.

Zombie lent his voice to the superhero movie Guardians of the Galaxy (2014). He also began work on 31 (2016), which tells the story of five carnival workers who are trapped and forced to fight for survival against a gang of murderous clowns. It premiered at the 2016 Sundance Film Festival in January, and will be released in September. In April, Zombie's sixth studio album, 'The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser', was released. Additionally, he has signed on to direct a film on the life of zany comic Groucho Marx, though a release date is uncertain.

Zombie is most recognized for his heavy metal style of music, influenced by his love of classic horror, and his exploitation/splatter-type movies. Overall, he has sold an estimated fifteen million albums worldwide, and his films have grossed over $150 million in total.

Ralf Rudolf Moeller (born on 12. January 1959) is a German-American actor and former Mr. Universe. He is well-known for his roles as Brick Bardo in Cyborg, Kjartan in The Viking Sagas, as hero in the TV series "Conan the Adventurer", Hagen in Gladiator, Thorak in The Scorpion King and Ulfar in Pathfinder - The Legend of the Ghost Warrior. Since 2014, Moeller is both a German and an American citizen.

Moeller's first role came in 1988, in the German "Tatort: Gebrochene Blüten," where he appeared alongside the German actors Götz George and Eberhard Feik. In the following year, Moeller appeared in Cyborg and in 1992 he had a role in Roland Emmerich's Universal Soldier, where he appeared alongside global stars Dolph Lundgren and Jean-Claude van Damme. One year later, in 1993, he played the role of the villain Brakus, the archenemy of Philip Rhee and Eric Roberts in "Best of the Best 2 - the Unbeatable." After Cyborg and Universal Soldier, "Best of the Best 2" was his third role in an American movie and the second time he played a supporting role.

His two most popular and biggest roles were in Ridley Scott's Gladiator (2000), in which he starred alongside Oscar-winner Russell Crowe as well as his role in The Scorpion King (2002). Aside from these two films, he also played the starring role in The Viking Sagas and in Conan the Adventurer. The series ran from 1997-1998 and told the story of Conan, who had been - accompanied by his three cronies - anointed by Crom to fight the evil Hissah Zul and to destroy it so that Conan could become the king, as had once been predicted to him.

Ralf Moeller's acting career continued in the movie "El pardino (2004)," a continuation of the movie The Bad Pack. In the movie he played the role of special agent Kurt Mayers. In 2005, he had a role as Bruno alongside Rosanna Arquette in "My Suicidal Sweetheart." In the movie "Beerfest (2006)" - which included actors Donald Sutherland and Jürgen Prochnow - Moeller played the role of Hammacher. That same year he appeared in the film "Ozzie", a movie in which greats like Joan Collins appeared. In addition, he played the role of warden Arnold Calgrove in the movie "Seed." In 2007, "Seed" received an award for having the best special effects at the horror film festival in New York. "Pathfinder" followed in 2007 - and in "Postal" Ralf Moeller played the role of Officer John. In the following years, he appeared in "Alone in the Dark II (2008)"and "Dejection (2009)" before landing roles in "The Sword and the Sorcerer II," "Tales of an Ancient Heart" as well as "The Tourist" - all in 2010. "The Sword and the Sorcerer II" received nominations in six categories. "The Tourist" (Johnny Depp, Angelina Jolie, Timothy Dalton and others) was honored with the ASCAP Award for best box office movie. He was also awarded the Teen Choice Award for the best action role. In 2014, Ralf Moeller appeared in "Love, Hate & Security."

Apart from these US movies, Ralf Moeller also had numerous (guest) roles in German productions. However, in the made-for-TV movie "Der Superbulle und die Halbstarken" (RTL, 2000; 4 million viewers) Ralf Moeller played the lead role. Even in the 2003 movie "Hai Alarm auf Mallorca (Shark Attack on Mallorca)", Moeller had the lead role. "Shark Attack" remains one of RTLs most successful productions over the course of many years (almost 7 million viewers). Aside from a guest role (Ferox) in "Held der Gladiatoren (2003)", Moeller also played the role of King Thorklit in "Die Nibelungen" that same year. In 2008, Moeller appeared in "Far Cry," a German-Canadian co-production also featuring Til Schweiger. In "Time of the Comet," he appeared as Freiherr von Keittel. Ralf Moeller also had roles in the TV series "Die Küstenwache" und "Alarm für Cobra 11 - Die Autobahnpolizei."

Andrew Lawrence, affectionately called Andy, was born the youngest son of Donna and Joe Lawrence in Philadelphia, Pennsylvania on January 12, 1988. Starting in show business at age 3, he proved to fit right into star-filled family. People everywhere love Andy for his charming smile, accurate impressions, good attitude, sweet countenance, and many other talents.

Anthony Andrews made his West End theater debut at the Apollo Theatre as one of twenty young schoolboys in Alan Bennett's "Forty Years On" with John Gielgud. He began his career at the Chichester Festival Theatre in the UK. His theater credits include spells with the New Shakespeare Company - "Romeo and Juliet" and "A Midsummer Night's Dream". The Royal National Theatre production of Stephen Poliakoff's "Coming in to Land" with Maggie Smith, directed by Peter Hall, the much-acclaimed Greenwich Theatre production of Robin Chapman's "One of Us" and, as "Pastor Manders", in Robin Phillips's highly acclaimed production of Henrik Ibsen's "Ghosts" at the Comedy Theatre in London, produced by Bill Kenwright.

Anthony's first television appearance was in A Beast with Two Backs (1968) by Dennis Potter, which was part of The Wednesday Play (1964) series. His first leading role in a series was as the title character in the BBC's The Fortunes of Nigel (1974) by Walter Scott. Subsequently, he distinguished himself in various television classics playing "Mercutio" in Romeo & Juliet (1978) and starred in three different plays in the "Play of the Month" (1976) series, including playing "Charles Harcourt" in "London Assurance". He also starred in Danger UXB (1979), in which he played bomb disposal hero "Brian Ash".

Most famously, he received worldwide recognition for his portrayal of the doomed "Sebastian Flyte" in Brideshead Revisited (1981) for which he won a BAFTA in the UK, the Golden Globe award in the USA and an Emmy nomination for Best Actor.

Anthony's since gone on to star in Jewels (1992), for which he received another Golden Globe nomination.

Most recently, Anthony has received tremendous acclaim for his outstanding portrayal of "Count Fosco" in "The Woman In White" at the Palace Theatre in London's West End.

As a producer, he co-produced Lost in Siberia (1991), which translates as "Lost in Siberia", filmed entirely in Russia, which received a Golden Globe nomination for Best Foreign Film and Haunted (1995), produced by his own production company, Double 'A' Films.

Alexia (Ally) Ioannides' career is both impressive and expansive, playing many different roles that highlight her ability to transform. She starred in the indie film Synchronic that debuted at the 2019 Toronto Film Festival opposite Anthony Mackie and Jamie Dornan. She was nominated for a Critics Choice Super Award for her performance. Ally was a series regular in the dystopian AMC series Into the Badlands, playing the bisexual assassin Tilda. For the four season run, the role required that she train extensively in martial arts. She received great reviews for her role, New York Times reviewer Mike Hale singled her out as the character he wanted more of. Prior roles have all been notably different - from the troubled Parenthood teen, to an emotional guest role in Law & Order: SVU as the victim of rape on a college campus, the fan favorite recurring role of a psychotic murderer on CBS's Elementary, and the lead of the standout segment in the iconic V/H/S 99 (2022), a brutal hazing horror where her performance truly terrified audiences. She recently recurred on The Sex Lives of College Girls opposite Renee Rapp, and had a prominent guest star on the Good Doctor.

Clare Holman was born on 12 January 1964 in London, England, UK. She is an actress and director, known for Blood Diamond (2006), Suite Française (2014) and Inspector Lewis (2006). She was previously married to Howard Davies.

Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.

Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.

Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.

Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.

In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and The Girl from Rio (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.

After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.

Olivier Martinez comes from a working-class family, raised in the Paris suburbs. He left school at an early age, holding various pick-up jobs such as salesman for jeans. Friends urged him to try acting, and at age 23 he enrolled in the International Conservatory of Paris. After several television shows, he reached the international market with The Horseman on the Roof (1995), billed in his American promotional tour for that movie as "the French Brad Pitt".

Simon Halls was born on 12 January 1964. He is a publicist and actor. He has been married to Matt Bomer since 2011. They have three children.

Alexandra Wentworth was born on 12 January 1965 in Washington, District of Columbia, USA. She is an actress and writer, known for It's Complicated (2009), Jerry Maguire (1996) and Office Space (1999). She has been married to George Stephanopoulos since 20 November 2001. They have two children.

Luise Rainer, the first thespian to win back-to-back Oscars, was born on January 12, 1910 in Dusseldorf, Germany, into a prosperous Jewish family. Her parents were Emilie (Königsberger) and Heinrich Rainer, a businessman. She took to the stage, and plied her craft on the boards in Germany. As a young actress, she was discovered by the legendary theater director Max Reinhardt and became part of his company in Vienna, Austria. "I was supposed to be very gifted, and he heard about me. He wanted me to be part of his theater," Rainer recounted in a 1997 interview. She joined Reinhardt's theatrical company in Vienna and spent years developing as an actress under his tutelage. As part of Reinhardt's company, Rainer became a popular stage actress in Berlin and Vienna in the early 1930s. Rainer was a natural talent for Reinhardt's type of staging, which required an impressionistic acting style.

Rainer, who made her screen debut as a teenager and appeared in three other German-language films in the early 1930s, terminated her European career when the Austrian Adolf Hitler consolidated his power in Germany. With his vicious anti-Semitism bringing about the Draconian Nuremberg Laws severely curtailing the rights of Germany's Jews, and efforts to expand that regime into the Sudetenland and Austria, Hitler and his Nazi government was proving a looming threat to European Jewry. Rainer had been spotted by a talent scout, who offered her a seven-year contract with the American studio Metro-Goldwyn-Mayer. The 25-year-old Rainer took the deal and emigrated to the United States.

She made her American debut in the movie Escapade (1935), replacing Myrna Loy, who was originally slated for the part. It was her luck to have William Powell as her co-star in her first Hollywood film, as he mentored her, teaching her how to act in front of the camera. Powell, whom Rainer remembers as "a dear man" and "a very fine person," lobbied MGM. boss Louis B. Mayer, reportedly telling him, "You've got to star this girl, or I'll look like an idiot."

During the making of "Escapade", Rainer met, and fell in love with, the left-wing playwright Clifford Odets, then at the height of his fame. They were married in 1937. It was not a happy union. MGM cast Rainer in support of Powell in the title role of the The Great Ziegfeld (1936), its spectacular bio-epic featuring musical numbers that recreated his "Follies" shows on Broadway. As Anna Held, Ziegfeld's common-law wife, Rainer excelled in the musical numbers, but it is for her telephone scene that she is most remembered. "The Great Ziegfeld" was a big hit and went on to win the Academy Award as Best Picture of 1936. Rainer received her first of two successive Best Actress Oscars for playing Held. The award was highly controversial at the time as she was a relative unknown and it was only her first nomination, but also because her role was so short and relatively minor that it better qualified for a supporting nomination. (While 1936 was the first year that the Academy of Motion Picture Arts & Sciences honored supporting players, her studio, Metro-Goldwyn-Mayer, listed her as a lead player, then got out its block vote for her.) Compounding the controversy was the fact that Rainer beat out such better known and more respected actresses as Carole Lombard (her sole Oscar nomination) in My Man Godfrey (1936), previous Best Actress winner Norma Shearer (her fifth nomination) in Romeo and Juliet (1936), and Irene Dunne (her second of five unsuccessful nominations) in Theodora Goes Wild (1936). Some of the bitchery was directed toward Louis B. Mayer, whom non-MGM Academy members resented for his ability to manipulate Academy votes. Other critics of her first Oscar win claimed it was the result of voters being unduly impressed with the great budget ($2 million) of "The Great Ziegfeld" rather than great acting. Most observers agree that Rainer won her Oscar as the result of her moving and poignant performance in just one single scene in the picture, the famous telephone scene in which the broken-hearted Held congratulates Ziegfeld over the telephone on his upcoming marriage to Billie Burke while trying to retain her composure and her dignity. During the scene, the camera is entirely focused on Rainer, and she delivers a tour-de-force performance. Seventy years later, it remains one of the most famous scenes in movie history. With another actress playing Held, the scene could have been mawkish, but Rainer brought the pathos of the scene out and onto film. She based her interpretation of the scene on Jean Cocteau's play "La Voix Humaine". "Cocteau's play is just a telephone conversation about a woman who has lost her beloved to another woman", Rainer remembered. "That is the comparison. As it fit into the Ziegfeld story, that's how I wrote it. It's a daily happening, not just in Cocteau." In an interview held 60 years after the film's release, Rainer was dismissive of the performance. "I was never proud of anything", she said. "I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that."

Rainer would allay any back-biting from Hollywood's bovines over her first Oscar with her performance as O-Lan in MGM producer Irving Thalberg's spectacular adaptation of Pearl S. Buck's "The Good Earth", the former Boy Wonder's final picture before his untimely death. The role won Rainer her second Best Actress Award. The success of The Good Earth (1937) was rooted in its realism, and its realism was enhanced by Rainer's acting opposite the legendary Paul Muni as her husband. When Thalberg cast Muni in the role of Wang Lung, he had to abandon any thought of casting the Chinese-American actress Anna May Wong as O-Lan as the Hays Office would not allow the hint of miscegenation, even between an actual Chinese woman and a Caucuasian actor in yellow-face drag. So, Thalberg gave Rainer the part, and she made O-Lan her own. She refused to wear a heavy makeup, and her elfin look helped her to assay a Chinese woman with results far superior to those of Myrna Loy in her Oriental vamp phase or Katharine Hepburn in Dragon Seed (1944). In the late 1990s, Rainer praised her director, Sidney Franklin, as "wonderful", and explained that she used an acting technique similar to "The Method" being pioneered by her husband's Group Theatre comrades back in New York. "I worked from inside out", she said. "It's not for me, putting on a face, or putting on makeup, or making masquerade. It has to come from inside out. I knew what I wanted to do and he let me do it." The win made Rainer the first two-time Oscar winner in an acting category and the first to win consecutive acting awards (Spencer Tracy, her distaff honoree for Captains Courageous (1937) would follow her as a consecutive acting Oscar winner the next year, and Walter Brennan, Best Supporting Actor Oscar winner for Come and Get It (1936) the year Rainer won her first, would tie them both in 1937 with his win for Kentucky (1938) and trump them with his third win for The Westerner (1940), a record subsequently tied by Ingrid Bergman, Jack Nicholson, Meryl Streep, Daniel Day-Lewis, and surpassed by Katharine Hepburn.)

Rainer's career soon went into free-fall and collapsed, as she became the first notable victim of the "Oscar curse", the phenomenon that has seem many a performer's career take a nose-dive after winning an Academy Award. "For my second and third pictures I won Academy Awards. Nothing worse could have happened to me", Rainer said. A non-conformist, Rainer rejected Hollywood's values of Hollywood. In the late 1990s, she said, "I came from Europe where I was with a wonderful theater group, and I worked. The only thing on my mind was to do good work. I didn't know what an Academy Award was." MGM boss Mayer, the founding force behind the Academy of Motion Picture Arts and Sciences, had to force her to attend the Awards banquet to receive her Oscar. She rebelled against the studio due to the movies that MGM forced her into after "The Good Earth".

In one case, director Dorothy Arzner had been assigned by MGM producer Joseph M. Mankiewicz (whose wife, Rose Stradner had been Rainer's understudy in the Vienna State Theater) in 1937 to direct Rainer in "The Girl from Trieste", an unproduced Ferenc Molnár play about a prostitute trying to go reform herself who discovers the hypocrisies of the respectable class which she aspires to. After Thalberg's death in 1936, Mayer's lighter aesthetic began to rule the roost at MGM. Mayer genuinely believed in the goodness of women and motherhood and put women on a pedestal; he once told screenwriter Frances Marion that he never wanted to see anything produced by MGM that would embarrass his wife and two daughters.

Without the more sophisticated Thalberg at the studio to run interference, Molnar's play was rewritten so that it was no longer about a prostitute, but a slightly bitter Cinderella story with a happy ending. Retitled by Mankiewicz as The Bride Wore Red (1937), Rainer withdrew and was replaced by Joan Crawford. In a 1976 interview in "The New York Times", Arzner claimed that Rainer "had been suspended for marrying a Communist" (Clifford Odets). This is unlikely as MGM, like all Hollywood studios, had known or suspected communists on its payroll, most of whose affiliations were known by MGM vice president E.J. Mannix. (Mannix, one of whose functions was responsibility for security at the studio, once said it would have been impossible to fire them all, as "the communists" were the studio's best writers.) The studio never took action against alleged communists until an industry-wide agreement to do so was sealed at the Waldorf Conference of 1947, which was held in reaction to the House of Un-American Activities Committee (HUAC) launching a Hollywood witch hunt.

It was more likely that Rainer, fussy over her projects and wanting to use her Academy Award prominence to ensure herself better roles, withdrew on her own due to her lack of enthusiasm for the reformulated product. In the late 1990s, Rainer recalled the satisfaction of being a European stage actress. "One day we were on a big tour", she told an interviewer in the late 1990s. "We did a play by Pirandello, and Reinhardt was in the theater. I shall never forget, it was the greatest compliment I ever got, better than any Academy Award. He came to me, looked at me and said - we were never called by first names - 'Rainer, how did you do this?' It was so wonderful. 'How did you create this?' I was so startled and happy. That was my Academy Award." Rainer still is dismissive of the Academy Awards. "I can't watch the Oscars," she said. "Everybody thanking their mother, their father, their grandparents, their nurse - it's a crazy, horrible." She blames the studio and Mayer for the rapid decline in her career. "What they did with me upset me very much", she said in a 1997 interview. "I was dreaming naturally like anyone to do something very good, but after I got the two Academy Awards the studio thought, it doesn't matter what she gets. They threw all kinds of stuff on me, and I thought, no, I didn't want to be an actress."

Mayer pulled his famous emotional routines when Rainer, whom he wanted to turn into a glamorous star, would demand meatier roles. "He would cry phony tears", she recalled. Mayer had opposed her being cast as O-Lan in "The Good Earth", but Thalberg, who had a connection with MGM capo di tutti capi Nicholas Schenck, the president of MGM corporate parent Loew's, Inc., appealed to Schenck, who overrode Mayer's veto. (Mayer, who was involved in a power struggle with Thalberg before the latter's death, had opposed his filming Pearl Buck's novel. Mayer's reasoning was that American audiences wouldn't patronize movies about American farmers, so what made anyone think they'd flock to see a film about Chinese farmers, especially one with such a big budget, estimated at $2.8 million. (Upon release, the film barely broke even.) Thalberg died during the filming of "The Good Earth" (the only film of his released by MGM whose title credits bore his name, in the form of a posthumous tribute).

Rainer felt lost without her protector. She recalled that Mayer "didn't know what to do with me, and that made me so unhappy. I was on the stage with great artists, and everything was so wonderful. I was in a repertory theater, and every night I played something else." Rainer asked to play Nora in a film of Ibsen's "A Doll's House" or portray Madame Curie, but instead, Mayer - now in complete control of the studio - had her cast in The Toy Wife (1938), a movie she actually wound up liking, as she was charmed by her co-star, the urbane, intellectually and politically enlightened Melvyn Douglas. She recalls Douglas, ultimately a double-Oscar winner like herself, as her favorite leading man. "He was intelligent, and he was interested also in other things than acting."

Her problems with the culture of Hollywood, or the lack thereof, were worsening. The lack of intellectual conversation or concern with ideas by the denizens of the movie colony she was forced to work with was depressing. Hollywood was an unsophisticated place where materialism, such as the stars' preoccupation with clothes, was paramount. As she tells it, "Soon after I was there in Hollywood, for some reason I was at a luncheon with Robert Taylor sitting next to me, and I asked him, 'Now, what are your ideas or what do you want to do', and his answer was that he wanted to have 10 good suits to wear, elegant suits of all kinds, that was his idea. I practically fell under the table."

MGM teamed her with fellow Oscar-winner Tracy in Big City (1937), a movie about conflict between rival taxi drivers. The memory of the movie disgusted her. "Supposedly it wasn't a bad film, but I thought it was a bad film!" She was also cast in The Emperor's Candlesticks (1937), reteaming her with "Ziegfeld" co-star Powell, a movie she didn't like, as she couldn't understand its story. A detective tale, the script thoroughly confused Rainer, who was expected to soldier on like a good employee. Instead, she resisted.

After appearing in The Great Waltz (1938) and Dramatic School (1938), her career was virtually over by 1938. She never made another film for MGM. "I just had to get away", she said about Hollywood. "I couldn't bear this total concentration and interviews on oneself, oneself, oneself. I wanted to learn, and to live, to go all over the world, to learn by seeing things and experiencing things, and Hollywood seemed very narrow." When World War II broke out in Europe, Rainer was joined by her family, as her German-born father was also an American citizen, allowing them all to escape Hitler and the Holocaust. Even before the outbreak of war, Rainer had been very worried about the state of affairs of the world, and she could not abide the escapist trifles that MGM wanted to cast her in. When she protested, Mayer told Rainer that if she defied him, he would blackball her in Hollywood.

Disturbed by Hollywood's apathy over fascism in Europe and Asia and by labor unrest and poverty in the U.S., she decided to walk out on her contract. She and Odets returned to New York. They were divorced in 1940. "Hollywood was a very strange place", she remembered. "To me, it was like a huge hotel with a huge door, one of those rotunda doors. On one side people went in, heads high, and very soon they came out on the other side, heads hanging." Her frustration with Hollywood was so complete, she abandoned movie acting in the early 1940s, after making the World War II drama Hostages (1943) for Paramount.

She made her Broadway debut in the play "A Kiss for Cinderella", which was staged by Lee Strasberg, which opened at the Music Box Theatre on March 10, 1942 and closed April 18th after 48 performances. Rainer then worked for the war effort during World War II, appearing at war bond rallies. She went on a tour of North Africa and Italy for the Army Special Service, socializing with soldiers to build their morale, and supplying them with books. The experience changed her life, allowing her to get over the shyness she'd had all her life. It also broadened her experience, forcing her to deal with the obvious fact that there were more important things than movie acting, which had proven unfulfilling to her.

Fortunately, Rainer found happiness in a long-lived marriage with the publisher Robert Knittel, a wealthy man whom she married in 1945. The couple had a daughter and made their home mostly in Switzerland and England as Rainer essentially left acting behind, although she did do some television in the 1940s, '50s, and '60s. Her retirement from the movies lasted for 53 years, until her brief comeback in The Gambler (1997), a movie based on Fyodor Dostoevsky's eponymous story. In the film, Rainer played the role of the matriarch of an aristocratic Russian family in the 1860s who is in hock due to the family members' obsession with gambling.

Toward the end of her life, Rainer lived in a luxurious flat in Eaton Square in London's Belgravia district, in a building where Vivien Leigh once lived. Blessed with a good memory, she claimed she could not remember the 1937 Academy Awards ceremony, when she won her first Oscar. She says the glamour of the event was out of sync with her life at the time, which was one of great sadness. "I married Clifford Odets. The marriage was for both of us a failure. He wanted me to be his little wife and a great actress at the same time. Somehow I could not live up to all of that."

She had intriguing offers during her long retirement. Federico Fellini had wanted Rainer for a role in La Dolce Vita (1960), but though she admired the director, she didn't like the script and turned it down. Rainer occasionally plied her craft as an actress on the stage. She made one more stab at Broadway, appearing in a 1950 production of Ibsen's "The Lady from the Sea", which was staged by Sam Wanamaker and Terese Hayden and co-starred Steven Hill, one of the founding members of Lee Strasberg's Actor's Studio. The play was a flop, running just 16 performances. "I was living in America and was on the stage there - sporadically. I always lived more than I worked. Which doesn't mean that I do not love my profession, and every moment I was in it gave me great satisfaction and happiness."

Rainer had no regrets over not becoming the star she might have been. She outlived all of the legendary stars of her era, which likely is the best revenge for the loss of her career after bidding adieu to a company town she could not abide.

Simon Russell Beale is one of the most popular and critically acclaimed talents in British theatre.

He spent his early years abroad as his father was Surgeon General to the British Army (his mother is also a doctor), but aged 8 was relocated to England and became a pupil at St Paul's Cathedral School. He then attended Clifton College in Bristol on a choral scholarship before studying English at the University of Cambridge (also on a music scholarship). He began a course at the Guildhall School of Music and Drama, initially as a singer, later switching to acting, but left unsatisfied. He was spotted in a student play at the Edinburgh Festival, which led to starting a professional acting career.

He was first noticed in comic roles at the Royal Shakespeare Company, where he forged collaborations with Sam Mendes whom he has continued to work with. Since 1995 he has been a regular player at the National Theatre.

Beale is an associate of the National Theatre and the Almeida Theatre in London, and an associate artist at the RSC.

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